Sankarabharanam

I have no words to describe this movie. I don't know why this movie did not get any Oscar award. Culture, maturity, character & Indian ethos, all blended into one is this movie. I was fortunate to watch this movie a lot of times.

I am ashamed that there are some Indians and Andhras who feel that this movie doesn't deserve 10/10. It deserves lot more than 10. Lord Shiva himself will come down to see this movie. Each expression is a diologue, Each diologue is an emotion, Each emotion is a music, Each music bit is a pancakshari, Each saying of pancakshari is a step to Lord Shiva's abode.

If there is ever a great film director in this world, it should be Sri K Viswanath. If there is ever a great music director in film world, it is Sri K V Mahadevan who gives music full of devotion, away from three modes of nature (satva, tamo, raja gunas). If there are writers who made Lord Shiva send Ganga for them, Srinatha Kavisarvabhouma is first followed by Sri Veturi Sundara Rama Murthy. There is no point arguing this fact.

Not even Titanic, Jurassic park, black, anything else can come near this masterpiece of Indian Cinema. Hollywood is no where near this great movie.

Absolutely awe struck.

India has produced many great filmmakers but none appreciated and represented art like K. Viswanath did which he exhibits in each and every film of his.

Thus comes the name "KALATHAPASVI" His trademark is he selects an art form in each movie and relates it to real life personalities, complex and orthodox Brahmans or any other caste he portrays.

K. V. Mahadevan musical brilliance is one of the pillar which this movie stands tall even today.

SPB manipulation of his vocals to match the protagonist is absolutely mesmerizing.

Somayajulu popularly known as "SHANKARABHARANAM SHANKAR SASTRY" To this day tells us how he bought to life the character in this movie.

Manju Bhargavi is phenomenal with just her eyes doing all the performance in the movie and her expressions are self explanatory in every sense.

There is no better representation of how classical music coped up with sweeping western music and how it changed the life of people who mastered the art over years and all at once feels downtrodden due to fluctuations in admirers of art.

Yet how they stayed and continued in the same path is the essence of master from student.

This is one of the best movies from india and it's more than just a contribution to world cinema.

Those days people find it their absolute achievement if they watched this movie and there is a sense of devotion towards it.

Best of K. Viswanath and an asset to filmmaking.

Such wonder has never happened in the past and will never happen in future. A Sangamam of great Archaryas in their respective fields,KalaTapasvi K.Vishwanath,KV Mahadevan,SP Balasubraminam,Veturi etc in making a real jewel for shiva.These ragas melt our hearts while the lyrics enlighten our soul with explaining paths to the divine through music.Apart from being exceptional movie on classical music,this movie portrays the culture of Andhrites,the uniqueness of Telugu as a musical/classical language.Every actor/actress fit their role perfectly, and photography has been in tune with the subject and narration.Music itself is a ocean, K.Viswanath brought the great ratnas (ragas)out of the depths and carefully moulded them in an ornament, with the support of a great story,lyrics, and cast.Probably this would have been the best role Somaiyajulu would ever had in his career.. Anyway, every movie of KalaTapasvi is a masterpiece..

This is the best Telugu movie ever made. If Maya Bazar showcases Great Indian Mythology in best form, this movie showcases immortal Indian music by flawless screenplay and direction. Normally Indian movies are considered as sub-standard in all the departments with rare exceptions. But this movie stands 10 out of 10 in all departments. This film had drawn the unparalleled standards to the south Indian films. When movies were being treated as mere commercial entertainers and when Telugu cinema was subjected to utter criticism of being subjugated by baser instincts, this is the only movie shut the world's criticism. Kudos to K. Viswanath, a true gem of Indian Cinema. All of his movies are poetic visuals.