O Tatuado

A poignant and evocative portrayal of the seamy side of Singapore that was banned by the island state's then Prime Minister Lee(no-chewing-gum) Kwan Yoo and which must have had him spluttering into his gin-sling. Jack Flowers (Ben Gazzara) is a pimp providing R & R for 'Nam GI's and tourists. Crossing the path of Triad gangs, who want to muscle in on his action, he refuses to be intimidated. By contrast his British ex-pat. acquaintances are post-colonial flotsam: all-day drinkers with no ambition but to live out the rest of their lives in a pastiche of Empire. The exception is William Leigh (Denholm Elliot) who gives a deftly understated and moving performance. Both BG and DE are utterly convincing in their interaction, which is the Anglo-American "special relationship" (and their countries' post-war global power shift) in microcosm. Gazzara matches arch scene-stealer Elliot belying the saying "Never act with children, animals or Denholm Elliot". With the plot covering prostitution, blackmail and protection and there is also a pervading feeling that in the 1970's there was no place on earth that was not corrupted by exploitation and misogyny. Understated and underrated, but brilliant cinema.

It has been more than a week since i last watch Saint Jack, the after effects of it still lingers. That shows it is not an ordinary film.

I went into the theatre without much expectation, when the film starts with the opening credit rolling, i sat up very straight, devouring the fascinating font selected. The long tail of each font stretching beyond its normal alignment gives me a hint that this is going to be a different experience. This is not the usual crappy 70s sleazy film made. There is a humour exuding even from the font. Its gonna be interesting.

As Jack walks into the Chinese shophouse and greeted by a young Indian chap who talks and spray mosquito around him, i found myself unable to hide my humored smile behind the dim theatre. Such fascinating and improvisational like mis en sense repeats throughout the entire film.

The 70s is an era which i was born into. I was too young to have a vivid memory of it. When the landscape and the people scape were unfolded in front of me, instinctively i feel this film is depicting a rather accurate portray of my country. Although the film revolves around the character of pimp, Jack Flowers, Jack is not the only main role. Singapore is in fact the other protagonist. All the caricatures of small roles that appears throughout the film etches a multicultural developing nation with an array of characters that Jack immensely enjoy interacting with. It is the same feeling whenever i visit other developing country.... fascinating.

Honestly, i think the plot is thin. but the rich characters made up for everything. It is an underrated film that has finally seen its daylight (in Singapore). the delightful feeling is an accidental discovery of a film treasure that records an era with so much nuances and humour.

The Marking of Saint Jack:Kinda Hot. A book written by Ben Slater adds even more fun to the entire experience.

"Saint Jack" is an amazing little film. Just when you figure that Peter Bogdanovich was only capable of making Hollywood efforts rather than his once indepedent film maker roots (ie; "Targets" and "Last Picture Show") he surprised his fans with this little film. Not since Cassavetes, has a director pulled such an honest and Oscar worthy performance from Ben Gazzara. For me, Ben's role as Jack Flowers is one of the most colorful of American Cinema's characters. His character is shaded with the same quirks that you would expect from such an actor as Bogart. The film begins with Jack Flowers running a prostitution racket in late 1960's Singapore, with dreams of opening the grandest of whore houses. What may seem like a typically seedy character for cinema, turns out to be one of the most sensitive portrayals that indears rather than repulses. His rather cynical, humourous, honest and lazy approach to life is at times comendable and charming. But after his dream is realized (he does get his whore house!), things start falling apart. It's at this point that his integrity is questioned with the newer business routes he ventures into. The second half of the film is slightly dispairing due to the fact that he no longer has a sense of dream, but only a sense of escape from the world he has created. You get the feeling that people of his disposition are not trully suited for the occupation of pimp. One of the highlights of the film is the friendship he builds with William Leigh (Denholm Elliott). Both are outsiders of Singapore, yet still live there, due to the fact that they're too much of an outsider in their country of origin. The friendship reminds me that of Bruno Ganz and Dennis Hopper in "The American Friend". Both are in countries not their own, but "Saint Jack" retains a friendship of innocence. One will die in both. I imagine that Peter Bogdanovich was influenced to a degree by Hugh Hefner (of Playboy fame), in which he (as well as Jack Flowers) is also in the industry of female objectification. Yet both are still looked upon as fairly descent men. It's no surprise to me that Hugh was also responsible for some of the production along with B-movie producer Roger Corman. Another character (of female objectification in cinema history) that plays a great influence in the film as well...is James Bond. The use of music, epecially the Goldfinger soundtrack (heard while two Singaporean prostitutes are gettin' busy), the theatre poster for the film resembles a James Bond like poster, and the casting of George Lazenby (ironically as a Senator with homosexual leanings) from "On Her Majesty's Secret Service" fame, lend an overwhelming thought that secretly Bogdanovich wanted to make a Bond film. But this may have also been a way of justifying Jack Flowers own arguable career choices of that of our own moral decissions in entertainment enjoyment. Also, comparing to a time (late 1960's) when we (as America) sent troops to Vietnam (another theme in the film), Jack comes off looking quiet harmless, and smelling of flowers (pun intended). But what really makes this film so charming is the warmth that Ben Gazzara radiates in this film, and how it's small scale of a budget offers such a big heart. It's heaviness in topic is always brought off with humour and sensitivity. Highly recommended on all counts! It's a pity that not more people know of this film, and that's great loss to the film watching public. Maybe Bogdanovich will make something as interesting in the future? I give it a 10!

Set in the early 70's of Singapore as a pimp has his ups and downs in the sex industry. Pay close attention to the clever time frame and enjoy Ben Gazzara's wonderful performance. Bogdanovich hasn't made a decent film since this! A story nicely told.

Ben Gazzara is not the Jack Flowers I saw in Paul Theroux' novel; he's too self-confident by half. But different in tone as they may be, both Theroux' and Bogdanovich's "Saint Jack" are successes. The location shooting in Singapore and the utter lack of background music are among Bogdanovich's own touches. It's a fine, solid little film, sexy, political and all over bright. Gazzara works as a gofer for a Chinese business to maintain his visa. But his dream is to open his own brothel, which with the backing of a few friends, he does. But the Chinese "mafia" closes him down (the confrontation with a Chinese midget and his musclemen is memorable). And then the CIA, represented by Peter Bogdanovith, subsidizes Flowers in a new brothel for Viet troops on R&R. It lasts as long as the war does (his former Chinese employer rags Gazzara about the Vietnamese victory). Then Gazzara is forced into some sleazy blackmail which, finally, he rejects. A moral decision in a very amoral story. British actor James Villiers has a small but distinctive part as Frogget. In a conversation with bar cronies he says: "The last time I was in UK they made homosexuality legal. I said to my wife, I said let's get out of here before they make it compulsory." This is not on DVD yet. Why the hell not?