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6,2/10
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Adicionar um enredo no seu idiomaOn her maiden voyage in April 1912, the supposedly unsinkable R.M.S. Titanic strikes an iceberg in the Atlantic Ocean.On her maiden voyage in April 1912, the supposedly unsinkable R.M.S. Titanic strikes an iceberg in the Atlantic Ocean.On her maiden voyage in April 1912, the supposedly unsinkable R.M.S. Titanic strikes an iceberg in the Atlantic Ocean.
- Indicado para 1 Primetime Emmy
- 1 indicação no total
Maurice Roëves
- Leading Stoker: Frederick Barrett
- (as Maurice Roeves)
Avaliações em destaque
SOS Titanic offers a very powerful look at the famed ocean liner and her doomed passengers. My only caution to present-day viewers is that the current DVD offers a shortened view of the original film. When this made-for-TV movie was released in 1979, it was about 30 minutes longer than the DVD you can buy or rent today. The original version was much better and more recent edits have taken away the great flow of the story as originally aired. If you remember this movie from the 70s and 80s, you will likely be disappointed by the DVD. It is hoped that a future DVD will address this and bring back SOS Titanic in its full, un-edited glory.
Shot at Shepperton on a TV budget. Numerous familiar British faces, including a relatively young Helen Mirren, flit in and out of this good, straightforward account of the Titanic disaster along with several Irish actors below stairs, including a remarkably young and dashing Gerard McSorley (who I first encountered nearly twenty years later in an episode of 'Father Ted') as the nearest equivalent in this version to Leonardo DiCaprio in the 1997 epic.
David Warner had an exceptionally demeaning supporting role in James Cameron's later travesty, but is here soulful and sympathetic as real-life survivor Lawrence Beesley (1877-1967), who was entirely omitted from Cameron's version, but whose burgeoning romance with Susan Saint James gets the most screen time in this version and is far more interesting and touching to follow than the egregious scenes between DiCaprio & Kate Winslet which eat up footage in the remake.
David Warner had an exceptionally demeaning supporting role in James Cameron's later travesty, but is here soulful and sympathetic as real-life survivor Lawrence Beesley (1877-1967), who was entirely omitted from Cameron's version, but whose burgeoning romance with Susan Saint James gets the most screen time in this version and is far more interesting and touching to follow than the egregious scenes between DiCaprio & Kate Winslet which eat up footage in the remake.
This film is an extremely atmospheric telling of the sinking of the Titanic. It used mainly real passengers to tell the story through, and as a result isn't too bad a production.
However, the special effects were terrible and inaccurate. Firstly, the film makers used the Queen Mary to film on as the Titanic - this ship looks totally different and is the same ship used for the Poseidon Adventure. In the long shots of the ship sinking, SOS Titanic simply colourised scenes from A Night to Remember. The scenes of the ship sinking were really hopeless - continuity was terrible and the water actually flowed down the deck TOWARD the submerged bow. This is the most important part in a Titanic story, so to handle it so sloppily really is unforgivable.
However, the scenes on board really captured the atmosphere of the times and the atmosphere of impending disaster to which all on board were fatally oblivious. The opening scenes as the Carpathia rescues survivors were really handled well (apart from Cpt. Rostron only organising the ship at the last minute - this wasn't true), and they conveyed a sense of numbed shock and loss. The characters are all real, which is a plus too.
All in all, this film does not impress in realistic special effects, nor in making the disaster look real; but it does well in telling a story and telling it with considerable atmosphere.
However, the special effects were terrible and inaccurate. Firstly, the film makers used the Queen Mary to film on as the Titanic - this ship looks totally different and is the same ship used for the Poseidon Adventure. In the long shots of the ship sinking, SOS Titanic simply colourised scenes from A Night to Remember. The scenes of the ship sinking were really hopeless - continuity was terrible and the water actually flowed down the deck TOWARD the submerged bow. This is the most important part in a Titanic story, so to handle it so sloppily really is unforgivable.
However, the scenes on board really captured the atmosphere of the times and the atmosphere of impending disaster to which all on board were fatally oblivious. The opening scenes as the Carpathia rescues survivors were really handled well (apart from Cpt. Rostron only organising the ship at the last minute - this wasn't true), and they conveyed a sense of numbed shock and loss. The characters are all real, which is a plus too.
All in all, this film does not impress in realistic special effects, nor in making the disaster look real; but it does well in telling a story and telling it with considerable atmosphere.
This is a very underrated film. If you look unbiasedly at it you can see where James Cameron got his inspiration, as some scenes of his Titanic are identical to this version. This is a well crafted film that tries to tightly stick to the point. It is very interesting that David Warner features prominantly in this version & in Cameron's. Why??? This film is very atmospheric & authentic, but unlike Cameron's version, it doesn't have the emotive sentimentality & glamour. Overall, this is an intelligent informative family film, for people who appreciate qualities other than special effects.
There are two versions of this film. One is much better than the other and runs for another 30 minutes and can now be viewed in its entirety on You Tube.
This is a made for TV film and as such, the budget is limited, but not entirely noticeable. Yes, some scenes are clearly shot on the Queen Mary, but the film is engrossing so you don't really take much notice.
SOS Titanic is also quite different from all of the other versions in that: (1) it starts with the ending and tells the story in a flashback format. And (2), it is the first Titanic film to feature all three passenger classes in some detail. And it also has the distinction of being the fist Titanic film to be filmed in colour.
There is some mis-casting. David Janson's Astor gives it his best shot, but does not quite pull it off, and Cloris Leachman is the worst Molly Brown I have seen. Some more real life characters are featured in this film, the Lift Boy and the 'Boot' boys. Even stewardess Violet Jessop is included, but incorrectly portrayed as an elderly stewardess when in fact Violet was in her mid 20s. J Bruce Ismay is portrayed far more accurately in this film and it is through his eyes that we flashback to the events.
There is no real plot line as such, and this film plays more like a documentary although does not quite manage to pull it off like 'A Night To Remember' did. There are a few small sub-plots, but this film is based on the book by 2nd class passenger and Titanic survivor Lawrence Beeseley. There is a short scene between him and his fictional female companion where they are shown on the middle decks discussing "them up there" and "those down there", which really emphasises the class distinction to good effect.
Although not actually seen, the near collision at Southampton IS mentioned in the dialogue, something all the other films always leave out. There is also a good scene showing the Tenders.
The soundtrack is excellent and the music is extremely atmospheric. You really feel like you are there. And with the a great many more scenes showing children, it really does have an effect on you, especially the opening sequence which is superb.
OK, Titanic's life boats did NOT have to wade their way through a field of ice to reach the Carpathia, and the crew on the Carpathia actually had everything prepared before the Titanic's boats reached her and not a mad rush as they arrive. But I think this can be forgiven and taken as a bit of poetic license. What is unforgivable is the glaring mistake about the date. They show it as Sunday April 12th, when as we all know it was Sunday April 14th.
But the costumes and sets are spot on and we see a lot more of this ship than in other films: The Turkish Baths, The Stewardess' rooms,The Gymnasium to name just a few.
All in all, a good film.
The sinking sequence is not the best of the bunch, and nothing will surpass Cameron's version in that area, but this film is not about special effects. The ship sinks intact in SOS Titanic but this was the accepted version in 1979.
This is a made for TV film and as such, the budget is limited, but not entirely noticeable. Yes, some scenes are clearly shot on the Queen Mary, but the film is engrossing so you don't really take much notice.
SOS Titanic is also quite different from all of the other versions in that: (1) it starts with the ending and tells the story in a flashback format. And (2), it is the first Titanic film to feature all three passenger classes in some detail. And it also has the distinction of being the fist Titanic film to be filmed in colour.
There is some mis-casting. David Janson's Astor gives it his best shot, but does not quite pull it off, and Cloris Leachman is the worst Molly Brown I have seen. Some more real life characters are featured in this film, the Lift Boy and the 'Boot' boys. Even stewardess Violet Jessop is included, but incorrectly portrayed as an elderly stewardess when in fact Violet was in her mid 20s. J Bruce Ismay is portrayed far more accurately in this film and it is through his eyes that we flashback to the events.
There is no real plot line as such, and this film plays more like a documentary although does not quite manage to pull it off like 'A Night To Remember' did. There are a few small sub-plots, but this film is based on the book by 2nd class passenger and Titanic survivor Lawrence Beeseley. There is a short scene between him and his fictional female companion where they are shown on the middle decks discussing "them up there" and "those down there", which really emphasises the class distinction to good effect.
Although not actually seen, the near collision at Southampton IS mentioned in the dialogue, something all the other films always leave out. There is also a good scene showing the Tenders.
The soundtrack is excellent and the music is extremely atmospheric. You really feel like you are there. And with the a great many more scenes showing children, it really does have an effect on you, especially the opening sequence which is superb.
OK, Titanic's life boats did NOT have to wade their way through a field of ice to reach the Carpathia, and the crew on the Carpathia actually had everything prepared before the Titanic's boats reached her and not a mad rush as they arrive. But I think this can be forgiven and taken as a bit of poetic license. What is unforgivable is the glaring mistake about the date. They show it as Sunday April 12th, when as we all know it was Sunday April 14th.
But the costumes and sets are spot on and we see a lot more of this ship than in other films: The Turkish Baths, The Stewardess' rooms,The Gymnasium to name just a few.
All in all, a good film.
The sinking sequence is not the best of the bunch, and nothing will surpass Cameron's version in that area, but this film is not about special effects. The ship sinks intact in SOS Titanic but this was the accepted version in 1979.
Você sabia?
- CuriosidadesDavid Warner also appeared in Os Bandidos do Tempo (1981) (which features a scene aboard the Titanic) and James Cameron's Titanic (1997).
- Erros de gravaçãoThe actual RMS Titanic's lifeboats were labeled SS Titanic, but they are depicted as simply labeled Titanic.
- Citações
[first lines]
J. Bruce Ismay: Her name, like everything about her, gave promise of something mighty and splendid. They called her Titanic. She was the longest, the tallest, the most luxurious ship in all creation.
- Cenas durante ou pós-créditosOpening credits prologue:
The following dramatization is based on factual and personal accounts which were researched and adapted for the telling of the story of the sinking of the Titanic in dramatic form.
Identifiable characters are drawn from actual persons and fictitious names were given to certain characters who existed but whose actual names remain unknown.
- Versões alternativasThe movie was originally released in two versions. A 140 minute version told in flashback fashion was shown on American TV, and a 109 minute version shown in European theaters. This is the version available on DVD & VHS
- ConexõesEdited from Somente Deus por Testemunha (1958)
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Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- Salven al Titanic
- Locações de filme
- 37 Belgrave Square, Londres, Inglaterra, Reino Unido(First Class stairway area)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 7.000.000 (estimativa)
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