Roller Boogie

Yes, I rated this a 7 out of a 10....I only gave it a 7 because I haven't seen it since I was 7 years old......don't know if it's the 10 I used to think it was hee hee I loved Roller Boogie hee hee...I must have watched that movie a million times when I was a kid.

When I was a kid I also didn't care about the plot...All I thought was beaches, skating, pretty girl, pretty boy...happy ending.

I'm afraid that if I see it now I'll be supremely disappointed by my childhood innocence like I was with Saturday Night Fever...whew...I had no idea what was going on there until I saw it when I got older..again I had tunnel vision as a kid. I could only think about the dancing.

If you want to see Linda Blair not controlled by the devil and have some campy fun...go for it!!!! Don't be a snob:)

Before the days of "in-line" skates there was a less forgiving variety that went in and out of fashion for a century with everyone but elementary school age children. "Roller Boogie" (1979) caught one of the periods when the activity had once again become trendy, especially with teenagers. Skate shops opened all over the place but the really trendy location was Venice, California. "Roller Boogie" involves a bunch of teens who hang around on the Venice boardwalk and do a lot of roller skating; and burn their eyeballs girl and boy watching.

Because much of the film is composed of many cinema verite ("fly on the wall film-making" where the filmmakers attempt to make their presence as unobtrusive as possible) documentary shots of real skaters engaging in real skating at this real location, the film is more interesting and impressive now than at the time of its release. "Breakin" was a similar film from the same time period which also unintentionally documented a portion of social history (insert break dancing here).

Of course those who went to "Roller Boogie" at the time of its release were mostly there to see Linda Blair in her abbreviated skating outfits; which had been widely showcased in the film distributor's marketing campaign. "Roller Boogie" was basically a cheap exploitation film that disappointed very few viewers because it delivered exactly what it promised and maybe a little bit more.

Rich girls Terry (Blair) and Lana (too old television actress Kimberly Beck) do their slumming on the boardwalk, where they skate up and down to the pop music beat from their now ancient looking transistor radio headphones. The plot is mostly about Terry's puppy love romance with Bobby (real life super-skater Jim Bray) the summer before she heads off to college.

There is also a story about developers conspiring to tear down the old roller rink. One of these is played by former "Lost in Space" pre-teen heartthrob Mark Goddard, whose career never took off after his adventures with Dr. Smith and the robot had made him famous. MST3K favorite Beverly Garland has a small part as Terry's rich mom.

Then again, what do I know? I'm only a child

Rich girl (Linda Blair), whose parents just don't understand her love of roller skating, falls for a goofy-looking dude from the wrong side of the tracks. Roller skating dramatics ensue. Made from cheese, this tired relic of the disco era is impossible to take seriously today. It's objectively terrible in every way but one -- unintentional humor. There's a lot to make fun of and laugh at here. The premise alone is laughably absurd. It's by-the-numbers predictable if you've seen pretty much any movie ever. Cherub-faced Linda Blair was growing up (and out) and was anxious for everybody to notice, so director Mark Lester gives her curves plenty of attention. But she's overshadowed by her boobtacular gal pal Kimberly Beck, who's practically overflowing from every top she wears. Professional roller skater Jim Bray plays the male lead in his only movie. He's a pretty bad actor but he's a groovy skater. Vets Beverly Garland and Mark Goddard do little to help things. It's a crappy movie but it is good for some yuks. Oh, and if you're a fan of short shorts, you should check this out. But be warned -- not everyone who is wearing shorts in this should be.

"roller Boogie" is an absolute time capsule. It features Linda Blair at her ultimate cutest and a full bevy of roller skating teens. Undoubtedly this is the best roller boogie movie ever made! Which isn't saying much, but still its enjoyable fluff from start to finish, and considering its run time of over two hours, it never gets dull.

Terry barkley is a talented musician who'd rather skate at the local hot spot than get into Julliard! Wow, there s plot to root for. Her father, played by Roger Perry of "Facts of Life" fame, is not thrilled. Doesn't matter, Terry's heart is in her skates. But watch out, there are bad guys, rotten land-developers who want the roller rink for themselves! And they'll do anything to get it! Can Terry and Bobby save the day and win the big roller contest? DAre we hope? OK, you won't be on pins and needles, the plot in this flick is telegraphed so a two year old could get it.

Like I said, though, Roller Boogie is a time piece. If you want to see life in southern California in the late 70's this is it. I actually felt sorry for some of the guys and gals cause those outfits were really skin-tight! Linda looks great though. Jimmy Bray doesn't make an impression and that does hurt the film, but just enjoy the silly music, the stunts, some of which are righteous and the cheesy plot and your'e bound to have a good time. Note the extreme sports preview when Terry and Bobby are on the run and cross a pipeline! The party scene is also classic and was ripped off a dozen times after this.

Roller boogie has it all, pathos, passion, pepperoni! Hey, you can't take this too seriously, just enjoy and let your'e brain freeze.

This one is a complete hoot. I caught this low-budget, formulaic 1979 film this past weekend on the big screen at the fully packed Castro Theater in San Francisco as part of a roller-disco midnight madness program. The crowd went wild at every absurd turn of the plot, and it's no wonder. Directed by potboiler specialist Mark L. Lester, this ultimate cheese of a roller disco musical avoids a permanent home in the video junk heap simply because of the sheer idiocy of the storyline and the wealth of unintentional humor permeating the film. There are movies that are intentionally vile and not worthy of reviewing, but this one is actually full of good spirits albeit with nothing in the way of taste, wit or common sense.

In what has to be the steepest career free-fall for a former Oscar nominee, an extremely nubile, twenty-year old Linda Blair stars as Terry Barkley, a prodigious flautist on her way to Juilliard, who tires of being ignored by her wealthy, 90210-based parents and decides to run away for a whole night. Upon meeting Bobby James in Venice Beach, the king of the disco-driven roller skaters, she decides she wants to learn some moves to win the big roller boogie contest at Jammer's, the local roller disco rink. My favorite plot point is Bobby's aspiration to become an Olympic roller skating gold medalist...even though no one tells him it isn't an Olympic event. Of course, Terry is rich, Bobby is poor, and consequently, romantic sparks are inevitable. Complications, however, occur when a thuggish land developer blackmails Jammer to sell his rink, so he can raze the building and build a shopping mall. The rest of the plot is not worth disclosing except to say that it is as preposterous as the convoluted set-up, and thanks to the wooden acting, horrendous dialogue and hilarious skating sequences, it makes for grade-A camp entertainment.

In skin-tight leotards and enough make-up to scare off a Santa Monica Boulevard hooker, Blair makes a sincere attempt at portraying Terry's teen-aged angst. Of course, it helps her professional standing that she is playing opposite real-life roller skating champion Jim Bray, a non-actor who was cast as Bobby only because the producers could not find a leading man who could actually skate. Innately geeky, the never-to-be-seen-again Bray certainly tries hard, though he is defeated by the film's numerous skating sequences which have been inserted so we can be impressed by his expertise. Instead, they provide the film's biggest laughs - the opening where he leads dozens of fellow skaters to the boardwalk to the strains of Cher's disco-diva anthem, "Hell on Wheels"; the ridiculous chase sequence through the streets of Venice where Terry and Bobby are chased unsuccessfully by a speeding car; the concluding roller boogie contest (of course); and in what has to be the absolute nadir, a solo skating number full of cornball treacle dedicated to the drunken Jammer.

Familiar faces from the baby-boomer TV generation dot the supporting cast, among them Beverly Garland ("Scarecrow and Mrs. King" and "My Three Sons") and Roger Perry ("The Facts of Life") as Terry's parents; and Mark Goddard ("Lost in Space") as the villainous land developer. If all that is not enough, there are other lures to consider - the blaring disco music; the groovy, circa-1979 clothes; the forced slapstick (in particular, a fruit-throwing mêlée and a very non-spontaneous pool dunking at a garden party). It's hard to think of a movie more execrable, yet the film has an endearing charm for all its misguided inanity. It's worthwhile just for the unintended guffaws. In the 1979-80 holy trinity of roller disco cinema, "Xanadu" may be "Gone With the Wind" and "Skatetown U.S.A." may be "West Side Story", but this one must certainly be "Citizen Kane".