A Rosa

The Rose is a fairly good loose depiction of the life and tragedy of Janis Joplin. Bette Midler more than pulls it off as the title character. She plays a singer who seems larger than life when she's on stage, but once she steps off it, we see a troubled and lonely woman on the brink of a complete breakdown. In an early scene, Rose pleads with her manager (Alan Bates) to give her a year off to presumably dry out and rest up. Her manager scoffs at this notion more than once throughout the film as there is just too much at stake financially if she stops performing for a while. We see Rose sink deeper and deeper into depression and alcoholism as the film goes on from one performance to another. Along the way, Rose meets up with a limo driver (Frederic Forrest) with whom she has a fling. Houston, as he's called, is drawn to this rich and vulnerable woman, but he cannot deal with some of her personal circumstances. He feels a lot of the attention she receives comes from the wrong people and for the wrong reasons. Rose really likes this guy, and the troubles she has with him really make things a lot worse as the film moves toward its conclusion. That being a concert which will be held in her home town. She also has an ambiguous relationship with David Keith who plays a young soldier she meets up with in an airport scene. Keith is supposedly hired on as a bodyguard, but his true purpose is never really explained. Problems with both people and substance abuse build throughout the film, and the conclusion can be seen from quite a ways off.

The film has several good points. First off, the acting is terrific all around. Midler has the feisty character down perfectly. Alan Bates as her manager is top drawer, too. Their conflict creates perhaps the most memorable scenes. Forrest mostly underplays as a country boy along for the ride who has a hard time coming to grips with this wild woman who has just fallen for him. Nobody comes up short in the acting department.

The down side to this film deals with Ms. Midler's singing. Director Mark Rydell has to toe a pretty thin line in terms of what this film is trying to be. Is it a musical vehicle built around Midler's singing ability, or is it a drama about a tragic musical figure? To his credit, Rydell pretty much has it both ways. Midler's singing ability is what it is. Personally I can take or leave it. Do some of the songs go on too long? For me, yes. I would have preferred more dialog and less music. But hard core fans of Midler will love the songs.

The idea this film effectively conveys is that celebrities are often some of the most lonely people on earth. True, they are surrounded by all kinds of staff and get all kinds of attention from fans, but beneath all of that there really isn't much to it for most celebs. The way they live, especially musicians who constantly tour, gives them little time to settle down and experience traditional friendships or romantic relationships. Notice how in an early scene, Rose practically falls down the stairs of an airplane, and nobody helps her! Her band just casually gets on a bus and her manager grudgingly goes over and helps her up after a moment. Regular people who are neither rich or famous often cannot fathom how some celebs seem to self-destruct before they've even had long careers. (Britney Spears would come to mind.) Truth is, we humans are all basically creatures of duality. No matter who we are, we all have our good and bad times. Most people can get through the bad times with the help of friends and family. Celebrities however have a lot farther to fall than most people when things start coming apart. Other than expensive rehab facilities which seldom work, a celeb usually has nobody else to turn to that can deal with them as a real person while they attempt to overcome their demons. That said, is it any wonder so many of them go from top of the world to down in the gutter seemingly overnight? 7 of 10 stars.

The Hound.

This is a most exciting, gripping and fabulous film. Bette Midler's electrifying performance was worthy of best actress. The Janis Joplin type performance is stunning - her heart and soul is in her voice which pulsates and vibrates into your very being and sends shock waves of electricity tingling coolly down the back of your spine touching your very soul. This is a gut-wrenching experience that teaches nothing but makes you experience everything.

I love this film, the music and the voice and performance of Bette Midler. What a thrill it is to see an artist like Bette Midler perform to such an extreme and lofty level. What a dazzling radiant star that burned so brightly for so short a time and then was so suddenly and prematurely snuffed out. But when an artist gives so much of herself in every song she sings, it is no wonder that her life was slowly drained and eventually terminated by the fans who loved her.

I was working with The Canadian Film Institute in 1980, one year after the release of this film, and we put on a festival in Ottawa at the National Film Archives Theatre in July. We started out with "The Rose" at 8pm and then concluded with Crawley Films Academy Award winning Documentary film "Janis" at 11pm. It was just like a live Rock Concert. The crowd was in a frenzy. The only thing missing was Jimi Hendrix! Love this one. Real entertainment and excitement!

I should note that the director, Mark Rydell, does an overview commentary on the DVD version of this film and it is like taking a university level cinematic studies course. He makes interesting and relevant comments on every scene in the film and it is well worth listening to. Highly informative and fascinating!

Bette Midler IS the Rose! There are not too many films out there in which the viewer forgets their watching a movie - this is one of them. Watching The Rose is almost like snooping on someone's personal life... you know you shouldn't but you can't believe what's being revealed to you right before your eyes! Bette Midler is simply "divine" and completely believable as the worn-out, alcohol-abusing rock star who is in dire need of love and a break but continues to please her audience - and her ruthless, money hungry manager. After kicking a bad drug habit we watch her throughout the movie slowly, little by little, sink back down to the bottom. You root for her throughout hoping she just runs away from the rock and roll life that's slowly killing her but she seems to need it as much as it needs her. In the end it devours her and we're left wondering "why". This film changed my life when I was a teenager with a rock 'n' roll dream. Bette Midler pours her heart and soul into this film, and it shows in every frame. Combine that with an awesome sound track, breathtaking full length song performances and an over-the-edge personality and you have one heck of a film here!

Originally intended as a flat-out biography of Janis Joplin's last days titled "Pearl" ( Janis' nickname and alter-ego ) the filmakers allegedly ran into privacy issues with the Joplin family which caused them to take a more "loosely based" approach of a "composite" character! Even Bette Midler herself had some ideas of her own that promised to provide a fictious portrayal! Since I had always found Janis Joplin's life both fascinating and tragic I had to write off seeing this movie in the theatres when it first came out in 1979.It wasn't until sitting through it on HBO that I could truly appreciate how utterly great Bette Midler's performance was!It certainly stayed close enough to the "truth" while adding some dynamic elements that a Janis biography portrayed by anyone else would have sorely lacked! Bette Midler is truely at her best! She pours out her heart and soul into this role and leaves nothing behind!Her rock concert scenes alone show her broad talent as a stage performer! Her scenes drunk & stoned give a rare glimpse into a lonely and crazy world of rock stars(like Janis Joplin was!) Her scene with her childhood country-music idol reminded me of a similar situation between Janis and Johnny Cash! Her former lesbian lover is reminiscent of Janis' one-time "biographer/lover" Peggy Caserta! The "homecoming" concert at the film's end reminded me of Janis' 10-year-highschool reunion which she attended only shortly before her death! All in All I regret not having seen (in the theatre) this "loosely based" and yet "thinly disguised" story of Janis!With Bette Midler at center stage it stands as both a glowing tribute to Janis AND Bette!

"The Rose" -which they say was inspired by Joplin's life- has stood the test of time quite well;the main reason is Bette Middler's sensational performance .She has not still yet found another part as rewarding as Rose .Full of strong scenes and of extraordinary renditions (the title track and "when a man loves a woman" particularly),it grabs you till the last picture (a light which goes out).The scene in the gay nightclub where another Rose,"Diana Ross" and "Barbra Streisand" join the singer for a song is almost scary.So is that scene when a respectable country singer -Rose covered one of his songs - treats the poor girl like dirt ,this man must be a saint or else he is a hypocrite:could you imagine ,say,Kris Kristofferson blaming Janis Joplin for covering "Me and Bobby McGee " ,a tune she took to number one ? With fine support from Alan Bates as the evil manager and Frederick Forrest as the big hearted deserter,"the rose" still remains one of the best film about the cruel thankless world of rock.It avoids the mistakes of movies dealing with true stars (Ray Manzarek did not think much of "the Doors" ).