AVALIAÇÃO DA IMDb
5,0/10
3,7 mil
SUA AVALIAÇÃO
Durante uma futura era glacial, a humanidade moribunda ocupa o tempo que lhe resta jogando um jogo de tabuleiro chamado "Quinteto".Durante uma futura era glacial, a humanidade moribunda ocupa o tempo que lhe resta jogando um jogo de tabuleiro chamado "Quinteto".Durante uma futura era glacial, a humanidade moribunda ocupa o tempo que lhe resta jogando um jogo de tabuleiro chamado "Quinteto".
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 indicação no total
Nina van Pallandt
- Deuca
- (as Nina Van Pallandt)
Thomas Hill
- Francha
- (as Tom Hill)
Françoise Berd
- Charity House Woman
- (as Francoise Berd)
Emil Glassbourg
- Lost Soul
- (não creditado)
Avaliações em destaque
Sorry--whatever merits the story about the game may have, this movie really loses it with the details. This post-apocalyptic city seems to have plenty of light bulbs and electricity (where from who knows where), but apparently no one bothered to save an electric heater. I am sorry, but if you have electricity, why do you have to rely solely on fire for warmth? Also, some characters seem to have vaguely Italian accents while the rest are deadpan American.
And the dogs--jeez! Why aren't the people eating them (instead of the reverse)? And apparently only one breed survived. The dogs are a distraction and rather stupid. The movie could have worked on the level of the game, but the stupid "realistic" details were just the reverse and made the movie false and unwatchable.
And the dogs--jeez! Why aren't the people eating them (instead of the reverse)? And apparently only one breed survived. The dogs are a distraction and rather stupid. The movie could have worked on the level of the game, but the stupid "realistic" details were just the reverse and made the movie false and unwatchable.
I really wanted to like this movie--I like Altman, I like Newman. I like science fiction and I liked the idea. And since this movie seems to be universally hated, I wanted to swim against the tide and find the intellectual quality in the movie that others seemed to be missing. All that going for it, and I still hated it.
Incomprehensible drivel.
And what's with the vaseline all over the camera lens? Folks who like this movie are fooling themselves, just because you dont understand a movie doesn't mean that it's deep, it means that the director and writer didn't know what they were doing.
Incomprehensible drivel.
And what's with the vaseline all over the camera lens? Folks who like this movie are fooling themselves, just because you dont understand a movie doesn't mean that it's deep, it means that the director and writer didn't know what they were doing.
Damned as it was by most critics and a resounding flop commercially, this opus of Robert Altman has long since been consigned to cinematic oblivion. Granted, it is bleak and somewhat obscure with a tempo that is far too lento but is also visually stunning, atmospheric and very well acted.
The box office draw here is obviously Paul Newman but it is highly unlikely that his legion of fans would relish seeing him in this rather glum, downbeat role. However there is ample compensation in the imported talents of Bibi Andersson, Brigitte Fossey, Vittorio Gassman, Fernando Rey and Nina van Pallandt all of whom bring undeniable class to the proceedings.
Jean Bofferty, the favoured cinematographer of Claude Sautet, has captured extraordinary images of a post-apocalyptic ice-age and there is a score by Tom Pierson, his only one for a feature I believe, that is nigh on symphonic.
The problem with the film is the dismal reputation that precedes it which must surely colour our perception. Altman's career consists of highs and lows and although this could by no stretch of the imagination be termed a 'high', it is not nearly as bad as some would have us believe.
The box office draw here is obviously Paul Newman but it is highly unlikely that his legion of fans would relish seeing him in this rather glum, downbeat role. However there is ample compensation in the imported talents of Bibi Andersson, Brigitte Fossey, Vittorio Gassman, Fernando Rey and Nina van Pallandt all of whom bring undeniable class to the proceedings.
Jean Bofferty, the favoured cinematographer of Claude Sautet, has captured extraordinary images of a post-apocalyptic ice-age and there is a score by Tom Pierson, his only one for a feature I believe, that is nigh on symphonic.
The problem with the film is the dismal reputation that precedes it which must surely colour our perception. Altman's career consists of highs and lows and although this could by no stretch of the imagination be termed a 'high', it is not nearly as bad as some would have us believe.
I saw the film in Westwood, and I don't recall having anyone walk out of the theater. The film is decidedly depressing. It was written at a time when a lot of people in the country were very concerned that America and the Soviet Union were heading towards nuclear war. The catch word at that time was "nuclear winter". Scientists in the late 1970's had just announced to the world that a nuclear war was totally unwinnable---because if just 10% of the nuclear weapons on Earth were detonated anywhere on the planet, so much dust and debris would be thrown into the upper atmosphere that the sun's rays would be blocked, causing another ice age. This film is set in such an ice age. The main theme of the movie is that nothing is more important than love and caring about people, and your family, and children. In the film, we see a world where people have stopped loving others, and where the people have adopted a death culture. The film was not very entertaining, but it was a warning of where our culture could be heading if we weren't careful. The movie certainly made me think. It was a turning point in my life, and made me realize I had a duty to care about other people.
I had never heard of this movie until I saw it in an "obscure sci-fi" list. That was surprising, because it sounded like it was right in my wheel house. I love 70s post-apocalyptic sci-fi, I love Paul Newman, and I love Robert Altman movies.
For the record, I loved Zardoz, which is generally regarded as another high-concept misfire, so I had hopes I would like this one in spite of the suspiciously low Rotten Tomatoes score.
Unfortunately, RT was right. This was just boring and terrible. Basically, an ice age has enveloped the Earth and everyone passes their time playing a game called Quintet - and people get killed over it. That's it; that's the plot.
The whole thing had the feel of a pilot for a TV show that was never picked up. You know, like maybe in the next episode, something interesting would happen. There definitely wasn't enough there to stand on its own.
On top of everything else, it takes itself really seriously, so it even fails in the "so bad it's good" category".
I can't recommend watching this movie for any reason whatsoever.
For the record, I loved Zardoz, which is generally regarded as another high-concept misfire, so I had hopes I would like this one in spite of the suspiciously low Rotten Tomatoes score.
Unfortunately, RT was right. This was just boring and terrible. Basically, an ice age has enveloped the Earth and everyone passes their time playing a game called Quintet - and people get killed over it. That's it; that's the plot.
The whole thing had the feel of a pilot for a TV show that was never picked up. You know, like maybe in the next episode, something interesting would happen. There definitely wasn't enough there to stand on its own.
On top of everything else, it takes itself really seriously, so it even fails in the "so bad it's good" category".
I can't recommend watching this movie for any reason whatsoever.
Você sabia?
- CuriosidadesTo add realism, Robert Altman had all the sets kept at freezing temperatures. The slight impairment to the lips in extreme cold is noticeable when the actors speak.
- Erros de gravaçãoThroughout the film, packs of wild Rottweilers are seen scavenging corpses. However, all of the dogs have their tails docked. Truly wild Rottweilers would still have their tails, since the docking of their tails is done to them when they are puppies, by human owners.
- Cenas durante ou pós-créditosInstead of fading to black before the film begins, the silent 20th Century Fox logo instead *dissolves* into the opening scene, that of a frozen wasteland in a heavy blizzard.
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