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IMDbPro

Ensaio de Orquestra

Título original: Prova d'orchestra
  • 1978
  • R
  • 1 h 12 min
AVALIAÇÃO DA IMDb
7,1/10
5,4 mil
SUA AVALIAÇÃO
Ensaio de Orquestra (1978)
ComedyDramaMusic

Uma orquestra se reúne para um ensaio em uma antiga capela sob os olhos curiosos de uma equipe de televisão, mas tudo acaba em um distúrbio.Uma orquestra se reúne para um ensaio em uma antiga capela sob os olhos curiosos de uma equipe de televisão, mas tudo acaba em um distúrbio.Uma orquestra se reúne para um ensaio em uma antiga capela sob os olhos curiosos de uma equipe de televisão, mas tudo acaba em um distúrbio.

  • Direção
    • Federico Fellini
  • Roteiristas
    • Federico Fellini
    • Brunello Rondi
  • Artistas
    • Balduin Baas
    • Clara Colosimo
    • Elizabeth Labi
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,1/10
    5,4 mil
    SUA AVALIAÇÃO
    • Direção
      • Federico Fellini
    • Roteiristas
      • Federico Fellini
      • Brunello Rondi
    • Artistas
      • Balduin Baas
      • Clara Colosimo
      • Elizabeth Labi
    • 23Avaliações de usuários
    • 30Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 vitória e 2 indicações no total

    Fotos116

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    + 108
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    Elenco principal27

    Editar
    Balduin Baas
    Balduin Baas
    • Conductor
    Clara Colosimo
    Clara Colosimo
    • Harp player
    Elizabeth Labi
    • Piano player
    Ronaldo Bonacchi
    • Bassoon player
    Nando Villella
    • Cello player
    • (as Ferdinando Villella)
    Franco Javarone
    Franco Javarone
    • Bass tuba player
    • (as Giovanni Javarone)
    David Maunsell
    • First violin
    Francesco Aluigi
    • Second violin
    Andrew Lord Miller
    Andrew Lord Miller
    • Oboe player
    • (as Andy MIller)
    Sibyl Mostert
    Sibyl Mostert
    • Flute player
    Franco Mazzieri
    Franco Mazzieri
    • Trumpet player
    Daniele Pagani
    • Trombone player
    Luigi Uzzo
    • Violin player
    Cesare Martignoni
    • Clarinet player
    • (as Cesare Martignon)
    Umberto Zuanelli
    Umberto Zuanelli
    • Copyist
    Filippo Trincia
    • Head of orchestra
    • (as Filippo Trincaia)
    Claudio Ciocca
    • Union man
    Angelica Hansen
    • Violin player
    • Direção
      • Federico Fellini
    • Roteiristas
      • Federico Fellini
      • Brunello Rondi
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários23

    7,15.3K
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    Avaliações em destaque

    8Quinoa1984

    the Orchestra as a microcosm of society, or a small Fellini exercise, you decide- I think it's both

    In most of Federico Fellini's best films, he made big statements about the way we live and socialize with each other and deal with ourselves as much as the past, all within exciting, tragic-comic film-making style. Orchestra Rehearsal does the same, though in a shorter amount of time. We are given a (union) orchestra in Italy, who's members vary from young adults to the old timers, women, introverts, trouble makers, and so forth, who each have their own music of choice (or sometimes of necessity). The conductor is frustrated- he can barely get the orchestra to concentrate much less really practice, and the union problems get things caught in the way as they rip through the ironically happy and (typically) carnival-like pieces. There's a break taken, which is when everything starts to slowly, but surely, wind down and breakdown among the musicians. In the meantime a television crew stands by taking 'interviews' of the musicians, their opinions, their little 'off' moments, signaling the anarchy that will soon ensue.

    The interviews themselves are some of the strongest, funniest parts of the film- the interviewers get (sometimes begrudgingly) words on their instruments, why they play, how they play, and what role their music has in the world. These interviews can also be hit-or-miss sometimes, and because of the constant dialog (there's sometimes barely a breath to be had, as is the beautiful claustrophobic style in Fellini's characters), there's almost too much information going on. There's also the tendency for the character(s), whom are mostly portrayed by un-professionals (to acting, not to music of course), to not be very convincing, or even a little boring (the conductor's monologue in his room, for example, is one of the weaker parts of the film for me). But then it does start to pick up in insane, trademark Fellini fashion as the musicians rebel, and an unexpected surprise comes heading their way.

    It's likely that Orchestra Rehearsal isn't one of Fellini's very best films, but it is one that captivates as it bemuses, brings laughs as it does thought, and it isn't necessarily a wasteful experience (some may not like it much at all, at least in comparison to his masterpieces). Not to forget the incalculable, lasting power of Nina Rota's music, which drives the film's bombastic, heart-racing rehearsing scenes (there is also humor underneath much of the music, like when the musicians have their own little solos as jokes). There's something always satisfying when a composer is on the same page as the director he's writing for, and few were ever so in tune as Fellini and Rota. And even during some parts that don't add up, their combination helps out a lot. As mentioned before, one could even think deeper into the ideas and thoughts and characters in the film as almost a microcosm of society itself, its easy-going people, its hard-nosed people, its incendiaries, its nostalgics, and its normals and eccentrics. Or, one can just take the Fellini ride, so to speak, and enjoy some 70 minutes with Fellini & company.
    9bertvleeuwen

    Great depiction of power struggle with excellent music

    This movie is one of my all-time favourites: through the "metaphor" of music, a universal picture of a power struggle is shown. Although this may appear 'thin', many layers of this struggle are peeled off. The German (looking) conductor appears to portray an easy comparison to Adolf Hitler, but another could be to Herbert von Karajan, the dictatorial conductor of the Berliner Philharmoniker. And then there is the great music score, that still lingers in my head, although I have not been able to find a recording of it (CD/LP?)(after almost 30 years!). I saw this movie again some years ago and it does not look dated. While I am not a Fellini adept and this movie was seen as one of his minor ones, this is a real classic to me.
    7jimeneznitay

    Awesome

    I read some people saying that this film made no sense, and that it's just a orchestra rehearsal; it hurst how wrong they are. As any other Fellini, you have to scratch the surface, and you will find a great meaning. That's what I love about his films, they make you think! If you think nothing happened in this movie, go watch a Transformers film, you'll probably thing that there's a lot going on while there's nothing at all. While it may lack Fellini's characteristic powerful visuals, it has a very powerful meaning about politics, society and life. Awesome movie, and great for it's lenght
    10Mihnea_aka_Pitbull

    Unique, hyper-significant, Fellini over himself

    Some fully creditable critics deemed "Prova d'orchestra" as being Fellini's main masterpiece. Although recognizing their slight exaggeration, I still can fully empathize with their point. The movie is one of the most intelligent, stylish and personal instances of the much used (and abused) recipe of the "social microcosm". Of course, Fellini's trick to build up a parable of society by using the orchestra parallel is not only original, but also very efficient: the metaphors and symbols resulting from this are both powerful and humorous, in an atrociously satyric vein.

    Also, it's very interesting to note the gradual glissando from realism to hyperbole, and from cold detachment to paranoid hysteria; as such, what started as a pseudo-documentary, impartial and technical, gradually turns into a major pandemonium, to culminate with the hallucinatory profiling of the demolition iron ball, as an omen of doom - that being the point where the artist really meets the divine, both as meaning, and as means.

    One should also notice the masterfully style of shooting the orchestra, the people and the instruments, to build up the cinematographic symphony layered over the musical one, and to create that irresistibly fast-paced narrative in images, that makes the movie so exciting and captivating - it's literally to be watched on the edge on your seat, although nothing more spectacular happens than an orchestra rehearsing in a disaffected church... all being the result of Fellini's skillful cinematography.

    At last, one couldn't depart any reference to this masterpiece without mentioning at least in passing the haunting finale. Although I always regarded with political objectivity and historical honesty the national-socialist ideology, goals and means, I must confess that I fully assimilate Fellini's powerful warning about any dictatorial excesses. Balduin Bass' voice rising in a Hitlerian monologue is an efficient and pointed mean of expression and style - and his last line after fade out, "Signori... Da capo!", indeed MAKES A POINT!
    9oleh_k

    The anatomy of crisis

    While the movie analyzes the roots and resolution of social revolt, what I like the most about it, is the personalized world-view of the musicians, as well as an exceptional music drive. My favorite Fellini and Rota. 10/10.

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    Enredo

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    Você sabia?

    Editar
    • Erros de gravação
      When they are interviewing the first violinists, the harpist in the background is clearly not playing but harp music is audible.
    • Conexões
      Featured in Em Busca de Fellini (2017)

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    Perguntas frequentes15

    • How long is Orchestra Rehearsal?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 22 de fevereiro de 1979 (Itália)
    • Países de origem
      • Itália
      • Alemanha Ocidental
    • Idiomas
      • Italiano
      • Alemão
    • Também conhecido como
      • Orchestra Rehearsal
    • Locações de filme
      • Cinecittà Studios, Cinecittà, Roma, Lazio, Itália(Studio)
    • Empresas de produção
      • Daimo Cinematografica
      • RAI Radiotelevisione Italiana
      • Albatros Filmproduktion
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 12 minutos
    • Mixagem de som
      • Mono
    • Proporção
      • 1.37 : 1

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