Assassinato Por Decreto

If you love the legendary London sleuth, dark, mysterious Victorian streets, an ample collection of plot twists, and good, solid acting, then this film is for you. It has a fine story about the meeting of the greatest detective Sherlock Holmes, Dr. Watson, and the mysterious Jack the Ripper in some of the best Victorian street settings filmed. Christopher Plummer is excellent as Holmes, giving him characteristics rarely seen in film such as humour and compassion. His Holmes is easily the most humane ever on screen, even at one point wiping tears from his face. James Mason makes a wonderful and amusing Dr. Watson. The rest of the cast is just as good and the story, although not very plausible, is nonetheless very intriguing and suspenseful.

Before the advent of Jeremy Brett "Murder By Decree" had the finest Holmes/Watson/Lestrade teaming in Christopher Plummer, James Mason and Frank Finlay. It's too bad they have such a ridiculous story.

The good: the acting is impeccable. All except a strangely dull, murmuring Donald Sutherland; and a blustery Anthony Quayle. For a more lively Victorian Sutherland catch "The Great Train Robbery."

The bad: everything else. In most Holmes movies he's bounding around London in his famous deerstalker cap and his cape. It's no different here. Holmes even wears this preposterous costume to the opera.

In 1888 Holmes and Watson were impecunious young men sharing digs until their careers took off (Watson wasn't yet married). Here, in 1888, they are prematurely aged, like two old codgers unable to get by alone on their pensions.

The story this is based on (I read Stephen Knight's book when I was young and impressionable) has long been exploded. Of course, in a work of fiction (and Holmes stories are all fiction) they can do what they like but I'd rather have seen this Holmes/Watson combination in a more rousing tale.

It's really silly from the first. Spooky as the empty East End streets are and fine as they are in setting a mood, the streets in the East End of London were teeming with people day and night. One of the biggest mysteries of Jack the Ripper (if one hand was "Jack the Ripper"--we know the blanket name grouping a series of similar murders was an invention of the sensational "fake news" press) is how the victims were all taken to secluded areas. Obviously, the murderer(s) had to be denizens of that area, knowing where to go for seclusion and how to escape swiftly.

Other silly points of this story are the closed carriage. The thing about so-called Jack the Ripper is the facility with which he or she or they came and went with no one noticing anything. A fancy carriage would be noticed. But so would a man in a high hat and cape carrying a patent leather Gladstone doctors' bag: the stereotypical Ripper image.

Worth watching is Mason's competent, courageous, yet still humorous Watson (though I can't imagine a doctor who bravely operated on the field of battle being squeamish about the injuries suffered by "Ripper" victims).

It's a shame because Plummer and Mason are so perfect for their parts and so good. I'd like to have seen them do other Sherlock stories! Also, I've been a Mason myself for thirty years and though I grew disenchanted with them, the Masonic stuff is half-rubbish. But as an honorable fellow who won't violate his Masonic code, disenchanted or not, I can't say which half.

Not only do we have a first rate Holmes/Watson combination, we have a subtle, extra-canonical David Hemings. But I love Plummer, Mason (odd name for this yarn) and Finlay.

Murder By Decree may not be quite perfect. Donald Sutherland is both underused and out of place in scenes that felt somewhat thrown in, the ending is a little tacky and lacking in mystery and the pacing in the middle has a tendency to be on the stodgy side. It is however still a solid and entertaining film. Murder By Decree is a well-made film, the sets and costumes are very evocative, exuding a gloomy and quite chilling atmosphere, and the beautiful photography does nothing to detract from that. Bob Clark's experience in the realm of horror made for great use, his directing shows him in his comfort zone. The music is very haunting and effectively orchestrated without being overbearing, while the script- while occasionally getting bogged down by politics- is thoughtful and literate with some nice bits of humorous banter between Holmes and Watson, and the story is complicated yet suspenseful and engaging. Apart from Sutherland, the acting is excellent. Genevieve Bujold is the standout of the supporting cast in an eerie performance and John Gielgud, David Hemmings, Anthony Quayle and Susan Clark are also great. The leads are what make Murder By Decree, with Christopher Plummer a very human and commanding Holmes and James Mason perfectly cast as a subtly composed Watson. All in all, a solid and well done film, worth checking out definitely. 7/10 Bethany Cox

This is a remarkable little movie that has never reached classic status for some reason. Aside from an incredible cast, all of whom suit the dignified proceedings admirably, there are two other stars who lift this film above the level of an excellent thriller. One is the production design. The old Hollywood style of foggy streets and dark alleys, with sinister cabs skulking along, is the stuff nightmares are made of. The East End is horrible, a hell on earth. The other unsung hero is the music. A beautiful soundtrack which ranges from chilling strings and harps to the charming end music. Christopher Plummer is fabulous as Holmes, heroic and ingenious but with a strong sympathy which no other actor in the role apart from Jeremy Brett has captured. His scenes with Mason are a joy; the pair really work together, complete with catchphrases and a mutual respect. Donald Sutherland is also captivating as Robert Lees...his eyes are those of a man living in helpless terror. The film's finest moment is the scene between Holmes and Annie Crook. Genevieve Bujould is heartbreaking in the role,a perfect piece of casting despite her accent, and Holmes' reaction to her plight is deeply moving. Make no mistake, the theory of the Ripper murders is barmy, but wonderful entertainment. It does slander Sir Charles Warren and Lord Salisbury unbelievably; Anthony Quayle puts in a gloriously over the top turn in repulsive corruption. There is an interesting subtext to the film as well, namely the fight between decency and corruption. Annie's innocence and goodness is uncorrupted even by her plight, and the decency of Mary Kelly is a ghost that hangs over the last half an hour. The end credits are beautiful, with gorgeous theatrical and old-fashioned cast and credits, such as "Frank Finlay was Inspector Lestrade." There is decency in the most unlikely of places, and Holmes and Watson are the solid rocks while around them people sink and swim in the chaos. A moving, brilliantly realised and frightening film.

MURDER BY DECREE

Aspect ratio: 1.85:1

Sound format: Mono

London, 1888: Whilst investigating a series of murders committed by 'Jack the Ripper', Sherlock Holmes (Christopher Plummer) and Dr. Watson (James Mason) uncover a Masonic conspiracy which leads them to the very heart of the British Establishment.

During the summer of 1973, the BBC ran a six-part documentary series entitled "Jack the Ripper" (also known as "The Ripper File"), in which two popular fictional detectives (played by Stratford Johns and Frank Windsor) investigated the 'true' identity of Jack the Ripper, using all the evidence available to them at the time. Their conclusions form the basis of Bob Clark's all-star period thriller MURDER BY DECREE, which condenses vast amounts of information into a single digestible screenplay. The film's lavish recreation of Victorian London (extravagant opera houses, cobbled streets and miles of gloomy Whitechapel alleyways populated by hundreds of costumed extras) belies its modest $4m budget, and for once, the starry supporting cast - including Anthony Quayle, David Hemmings, John Gielgud and Donald Sutherland - seems perfectly suited to the material.

A combination of Gothic thriller and historical whodunnit, John Hopkins' comprehensive screenplay outlines the social and political divisions which prevailed in England at the time of the Ripper murders, hindering the police investigation and prompting a number of conspiracy theories which persist to this day. However, the script also contains a number of memorable character touches (the episode of the 'errant pea' is most prized by fans) which prevents the narrative from surrendering to mere facts and figures. Plummer and Mason are ideal as Holmes and Watson, though Genevieve Bujold almost steals the film during a heartbreaking sequence in which Holmes looks for clues in a crumbling asylum. You may not agree with the film's conclusions - the same evidence was re-evaluated by author Stephen Knight in his popular non-fiction account 'Jack the Ripper: The Final Solution' (1976) and David Wickes' excellent TV movie JACK THE RIPPER (1988) starring Michael Caine - but MURDER BY DECREE is generally acknowledged as one of the best Ripper/Holmes movies ever made.

Incidentally, the film's PG rating seems extraordinarily lenient. While MURDER BY DECREE doesn't exactly revel in violence, it conveys the grislier aspects of the Ripper's crimes with enough potency to warrant a PG-13 (unavailable at the time of this film's initial release).