Assassinato Por Decreto

Sherlock Holmes (Christopher Plummer) and Dr. John Watson (James Mason) with a little help from a phsychic (Donald Sutherland) become embroiled in the Jack-the-ripper case. This intermingling of real and fictional charecters is for the most part intriging and for my money, much more enjoyable than the more recent "From Hell" (But then again, if ANYone can make a valid adaption of anything by Alan Moore, please tell me). However, not the best Serlock Holmes movie I've seen and Plummer, while a fairly good Holmes, is still second to Jeremy Brett. All in all another strong accomplishment by the great Bob Clark (Porky's, A Christmas Story and Black Christmas are classics all) this time working with a John Hopskins script. By the way, I have yet to see "A Study in Terror" and thus can't make any comparisions or any thesis on which is better.

My Grade: B+

DVD Extras: Commentary by Bob Clark; poster and stills gallery; Behind-the-scenes still gallery; Talent bios; and theatrical trailer

DVD-ROM: Screenplay

MURDER BY DECREE

Aspect ratio: 1.85:1

Sound format: Mono

London, 1888: Whilst investigating a series of murders committed by 'Jack the Ripper', Sherlock Holmes (Christopher Plummer) and Dr. Watson (James Mason) uncover a Masonic conspiracy which leads them to the very heart of the British Establishment.

During the summer of 1973, the BBC ran a six-part documentary series entitled "Jack the Ripper" (also known as "The Ripper File"), in which two popular fictional detectives (played by Stratford Johns and Frank Windsor) investigated the 'true' identity of Jack the Ripper, using all the evidence available to them at the time. Their conclusions form the basis of Bob Clark's all-star period thriller MURDER BY DECREE, which condenses vast amounts of information into a single digestible screenplay. The film's lavish recreation of Victorian London (extravagant opera houses, cobbled streets and miles of gloomy Whitechapel alleyways populated by hundreds of costumed extras) belies its modest $4m budget, and for once, the starry supporting cast - including Anthony Quayle, David Hemmings, John Gielgud and Donald Sutherland - seems perfectly suited to the material.

A combination of Gothic thriller and historical whodunnit, John Hopkins' comprehensive screenplay outlines the social and political divisions which prevailed in England at the time of the Ripper murders, hindering the police investigation and prompting a number of conspiracy theories which persist to this day. However, the script also contains a number of memorable character touches (the episode of the 'errant pea' is most prized by fans) which prevents the narrative from surrendering to mere facts and figures. Plummer and Mason are ideal as Holmes and Watson, though Genevieve Bujold almost steals the film during a heartbreaking sequence in which Holmes looks for clues in a crumbling asylum. You may not agree with the film's conclusions - the same evidence was re-evaluated by author Stephen Knight in his popular non-fiction account 'Jack the Ripper: The Final Solution' (1976) and David Wickes' excellent TV movie JACK THE RIPPER (1988) starring Michael Caine - but MURDER BY DECREE is generally acknowledged as one of the best Ripper/Holmes movies ever made.

Incidentally, the film's PG rating seems extraordinarily lenient. While MURDER BY DECREE doesn't exactly revel in violence, it conveys the grislier aspects of the Ripper's crimes with enough potency to warrant a PG-13 (unavailable at the time of this film's initial release).

Murder By Decree may not be quite perfect. Donald Sutherland is both underused and out of place in scenes that felt somewhat thrown in, the ending is a little tacky and lacking in mystery and the pacing in the middle has a tendency to be on the stodgy side. It is however still a solid and entertaining film. Murder By Decree is a well-made film, the sets and costumes are very evocative, exuding a gloomy and quite chilling atmosphere, and the beautiful photography does nothing to detract from that. Bob Clark's experience in the realm of horror made for great use, his directing shows him in his comfort zone. The music is very haunting and effectively orchestrated without being overbearing, while the script- while occasionally getting bogged down by politics- is thoughtful and literate with some nice bits of humorous banter between Holmes and Watson, and the story is complicated yet suspenseful and engaging. Apart from Sutherland, the acting is excellent. Genevieve Bujold is the standout of the supporting cast in an eerie performance and John Gielgud, David Hemmings, Anthony Quayle and Susan Clark are also great. The leads are what make Murder By Decree, with Christopher Plummer a very human and commanding Holmes and James Mason perfectly cast as a subtly composed Watson. All in all, a solid and well done film, worth checking out definitely. 7/10 Bethany Cox

Sherlock Holmes has been played by numerous actors, the great Basil Rathbone being the best in my humble opinion, but Christopher Plummer does a fine job in this offering. There is just the right amount of sarcastic wit in his chats with Watson. James Mason is the highlight of the movie, his portrayal of Holmes' sidekick nicely judged and at times very funny. This film is so good as a result of its main cast, all of whom are talented actors. The director manages to create a chilling atmosphere at times, whilst the style of the film is nicely British. Murder by Decree demonstrates how the Brits can hold their own in a world of Hollywood domination. Its worth a look any day.

This is a remarkable little movie that has never reached classic status for some reason. Aside from an incredible cast, all of whom suit the dignified proceedings admirably, there are two other stars who lift this film above the level of an excellent thriller. One is the production design. The old Hollywood style of foggy streets and dark alleys, with sinister cabs skulking along, is the stuff nightmares are made of. The East End is horrible, a hell on earth. The other unsung hero is the music. A beautiful soundtrack which ranges from chilling strings and harps to the charming end music. Christopher Plummer is fabulous as Holmes, heroic and ingenious but with a strong sympathy which no other actor in the role apart from Jeremy Brett has captured. His scenes with Mason are a joy; the pair really work together, complete with catchphrases and a mutual respect. Donald Sutherland is also captivating as Robert Lees...his eyes are those of a man living in helpless terror. The film's finest moment is the scene between Holmes and Annie Crook. Genevieve Bujould is heartbreaking in the role,a perfect piece of casting despite her accent, and Holmes' reaction to her plight is deeply moving. Make no mistake, the theory of the Ripper murders is barmy, but wonderful entertainment. It does slander Sir Charles Warren and Lord Salisbury unbelievably; Anthony Quayle puts in a gloriously over the top turn in repulsive corruption. There is an interesting subtext to the film as well, namely the fight between decency and corruption. Annie's innocence and goodness is uncorrupted even by her plight, and the decency of Mary Kelly is a ghost that hangs over the last half an hour. The end credits are beautiful, with gorgeous theatrical and old-fashioned cast and credits, such as "Frank Finlay was Inspector Lestrade." There is decency in the most unlikely of places, and Holmes and Watson are the solid rocks while around them people sink and swim in the chaos. A moving, brilliantly realised and frightening film.