AVALIAÇÃO DA IMDb
6,1/10
3 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaTong Huo-wan seeks redress from the man responsible for his master's death, but becomes entangled in a feud between a local clan and gangsters.Tong Huo-wan seeks redress from the man responsible for his master's death, but becomes entangled in a feud between a local clan and gangsters.Tong Huo-wan seeks redress from the man responsible for his master's death, but becomes entangled in a feud between a local clan and gangsters.
- Direção
- Roteirista
- Artistas
Eun-joo Im
- Chung Cau-ping
- (as Yin-Ju Lin)
Szu-Cheng Mu
- Ngai Cong-long
- (as Chiang Kao)
Hsu Hsia
- Chong Saam-taai
- (as Hsia Hsu)
Yeong-il Kim
- Laam-ceng
- (as Eagle Han)
Avaliações em destaque
I have to say I haven't been excited in recent years for the release of many films, but 88 Films have really got my excitement bubbling again (at time of writing, Jan 2019)! Restoring a host of Shaw Brothers classics to begin with, they have now released a number of Jackie Chan's classic Lo Wei films with 2k/4k clean-ups, original language options, and in glorious widescreen... And I couldn't be happier!
While not loaded with extras, the disc is presented beautifully - from the artwork on the slipcase, to the film itself. Stunning in colour, and as crisp as could be for a Hong Kong film from the 70's. Keep in mind, film reels in Hong Kong weren't really looked after well until the mid 90's, proving to be too late for some. Thankfully, 88 Films include the original film trailer on the disc. I urge you to watch this first (on all their releases) before getting into the film as the difference will impress you even more.
As for the film itself - I've still got the UK video tape release from the early 80's, and as like every other kung fu film from then it was presented in the square 4:3 ratio. This made us lose a lot visually of what we should have been seeing, often convincing reviewers and critics to slam Hong Kong film for poor cinematography - something 88 Films has helped prove, was not the case!
Dragon Fist, as with many other Lo Wei releases, is actually beautifully shot. The widescreen presentation provides some wonderfully colourful, well shot scenes, and allows us to take in the full glory of Jackie's brilliantly choreographed fight scenes. While not perfect, fans can see where the skill of a young master Chan was going as a fight director and actor. His battles shift from one-on-one fights to group fights, highlighting the skills of each martial artist on-screen and entertaining with some very impressive moves. Eagle-eyed viewers will catch when Jackie artfully doubles others for more intricate moves and stunt work, though it never detracts from what's going on. Pearl Lin is equally as impressive as her co-stars, and almost steals the show each time she lets loose on-screen. Kung Fu movie legend Yen Shi Kwan (Fearless Hyena; Once Upon A Time In China) is as impressive as always, although rests for a lot of the film letting his henchmen James Tien and Eagle Han Ying fight for him.
Originally shot in Mandarin and before Jackie's success with Snake In The Eagles Shadow & Drunken Master, this under-rated classic was redubbed in Cantonese and released a few years later with Chan now a massive star! 88 Films provides (both in mono and 5.1) all options for how you want to hear it, with Mandarin, Cantonese and the early 80's English dub.
Overall: Heavy on the drama with rarely a laugh to be had, Dragon Fist is a fantastic piece of kung fu cinema with some fantastic fight scenes and performances from all that is just waiting to be rediscovered.
While not loaded with extras, the disc is presented beautifully - from the artwork on the slipcase, to the film itself. Stunning in colour, and as crisp as could be for a Hong Kong film from the 70's. Keep in mind, film reels in Hong Kong weren't really looked after well until the mid 90's, proving to be too late for some. Thankfully, 88 Films include the original film trailer on the disc. I urge you to watch this first (on all their releases) before getting into the film as the difference will impress you even more.
As for the film itself - I've still got the UK video tape release from the early 80's, and as like every other kung fu film from then it was presented in the square 4:3 ratio. This made us lose a lot visually of what we should have been seeing, often convincing reviewers and critics to slam Hong Kong film for poor cinematography - something 88 Films has helped prove, was not the case!
Dragon Fist, as with many other Lo Wei releases, is actually beautifully shot. The widescreen presentation provides some wonderfully colourful, well shot scenes, and allows us to take in the full glory of Jackie's brilliantly choreographed fight scenes. While not perfect, fans can see where the skill of a young master Chan was going as a fight director and actor. His battles shift from one-on-one fights to group fights, highlighting the skills of each martial artist on-screen and entertaining with some very impressive moves. Eagle-eyed viewers will catch when Jackie artfully doubles others for more intricate moves and stunt work, though it never detracts from what's going on. Pearl Lin is equally as impressive as her co-stars, and almost steals the show each time she lets loose on-screen. Kung Fu movie legend Yen Shi Kwan (Fearless Hyena; Once Upon A Time In China) is as impressive as always, although rests for a lot of the film letting his henchmen James Tien and Eagle Han Ying fight for him.
Originally shot in Mandarin and before Jackie's success with Snake In The Eagles Shadow & Drunken Master, this under-rated classic was redubbed in Cantonese and released a few years later with Chan now a massive star! 88 Films provides (both in mono and 5.1) all options for how you want to hear it, with Mandarin, Cantonese and the early 80's English dub.
Overall: Heavy on the drama with rarely a laugh to be had, Dragon Fist is a fantastic piece of kung fu cinema with some fantastic fight scenes and performances from all that is just waiting to be rediscovered.
That's the answer you are looking for to...should I watch this.
I have watched a lot of JC movies some good, some great, some horrible.
This is a good one for sure. I was lucky enough to enjoy a remastered version which really enhanced the viewing experience (some of the original prints available for this era of JC movies are hard to watch).
The story is ok and the acting quite good. To note, this is action/drama JC NOT funny silly JC, so your preference will impact how you take this film. I prefer the more serious of JC (The Protector, Police Story/s etc).
Grab some popcorn, get you ears ready for the sound effects of 50,000 punches and have fun :)
I have watched a lot of JC movies some good, some great, some horrible.
This is a good one for sure. I was lucky enough to enjoy a remastered version which really enhanced the viewing experience (some of the original prints available for this era of JC movies are hard to watch).
The story is ok and the acting quite good. To note, this is action/drama JC NOT funny silly JC, so your preference will impact how you take this film. I prefer the more serious of JC (The Protector, Police Story/s etc).
Grab some popcorn, get you ears ready for the sound effects of 50,000 punches and have fun :)
This is actually a well made film. because of that, I doubt very highly that it was directed by Lo Wei. My vote is that Chan, once allowed to choreograph the fight scenes, just went ahead and directed the film, much as what happened with Bruce Lee and The Chinese Connection, another film claimed by Lo Wei that he didn't actually direct. In fact that's pretty typical for Lo Wei - probably half the films he made were directed by the actors while he was off gambling, drinking, or sleeping it off.
At any rate: Although the film is heavy handed and a little slow, the story is not without interest (this is one of the few 'fu films where we see a potential villain repent and become a good guy), and the performances are all above standard for this genre in the mid-'70s. I believe this film, I believe its characters. Certaily not a masterwork, but a worthwhile dramatic 'fu film.
Oh, and the fight scenes are all pretty good.
At any rate: Although the film is heavy handed and a little slow, the story is not without interest (this is one of the few 'fu films where we see a potential villain repent and become a good guy), and the performances are all above standard for this genre in the mid-'70s. I believe this film, I believe its characters. Certaily not a masterwork, but a worthwhile dramatic 'fu film.
Oh, and the fight scenes are all pretty good.
If you're a recent Jackie Chan convert, or you've been watching his films since 'Police Story' his backlog of seventies films is a daunting place. There's a lot of terrible, terrible stuff out there. You might have seen 'Eagle Shadow Fist' or 'The Killer Meteors' and shied away from anything else. I wouldn't blame you. But he made some decent films in this era. It's just a matter of finding them.
The Director of Dragon Fist is a man called Lo Wei. I say a man, not a director. Lo Wei was more interested in Gambling than directing.
Bruce Lee nearly came to blows with Wei in the filming of 'Fist of Fury'. Wei spent more time listening to horse racing and sleeping than he did with a megaphone. The result? Lee got his own input. Better movie. That's maybe the point with Lo Wei. The less he directs, the more the other people direct. And that could be a good thing.
Lo Wei director or produced (almost) all of Jackie Chan's films between 1976 and 1978. Chan = Lee. That was the plan. At first anyway. His first starring role in this period was 'New Fist of Fury'. It didn't work. Wei was trying too hard. When he sleeps the stars talent takes over. Anyway, Chan can't play straight. Or can he?
Most of us will be cursed to see Dragon Fist in it's 4:3 pan and scan, poorly dubbed, damaged washed out version. Even taking this into account I think it's the best film Jackie did before 'Snake in the Eagles shadow.' (yes 'Snake and Crane arts of Shaolin' had the best action, but it wasn't as good a film.)
This film is crying out for a remake.
It takes the simple themes of revenge and distorts them till your not sure who's in the wrong. Or Right.
Yam Sai-Kun plays the bad guy. One of his earliest roles. He's a hard, hard man. In the late 60's he swam from China to Hong Kong with the aid of a basketball. He later played roles in Films such as 'Fearless Hyena' and 'Iron Monkey'. But this role, like Iron Robe Yen in 'Once Upon a Time in China' is one of his most psychologically complex. He chops off his leg early on to try and ease his guilt. His self redemption seems, to this viewer, to excuse him of his crime. That makes things more uncomfortable when it's the very crime that Jackie's out to avenge. Jackie, in his role as avenger, blurs the line between good and evil. He joins the 'bad guys' (to comply with the black and white polarisation of these films). He goes too far. But he goes further. There's always a point when you think. 'Come on Jackie, realise that your fighting for the wrong side, beat the hell out of them.' But he still fights. It's a dark film.
Budget constraints. Technological constraints. Lo Wei. Lot's of elements try and turn this film into the 70's schlock it's often compared to. But somehow it rises above all of this. The Choreography varies between the average and the mind blowing. Chan hasn't been better in a straight role until Crime Story (15 years later.) You can probably pick this up for a few pounds. If so it's a good place to start. Enjoy.
The Director of Dragon Fist is a man called Lo Wei. I say a man, not a director. Lo Wei was more interested in Gambling than directing.
Bruce Lee nearly came to blows with Wei in the filming of 'Fist of Fury'. Wei spent more time listening to horse racing and sleeping than he did with a megaphone. The result? Lee got his own input. Better movie. That's maybe the point with Lo Wei. The less he directs, the more the other people direct. And that could be a good thing.
Lo Wei director or produced (almost) all of Jackie Chan's films between 1976 and 1978. Chan = Lee. That was the plan. At first anyway. His first starring role in this period was 'New Fist of Fury'. It didn't work. Wei was trying too hard. When he sleeps the stars talent takes over. Anyway, Chan can't play straight. Or can he?
Most of us will be cursed to see Dragon Fist in it's 4:3 pan and scan, poorly dubbed, damaged washed out version. Even taking this into account I think it's the best film Jackie did before 'Snake in the Eagles shadow.' (yes 'Snake and Crane arts of Shaolin' had the best action, but it wasn't as good a film.)
This film is crying out for a remake.
It takes the simple themes of revenge and distorts them till your not sure who's in the wrong. Or Right.
Yam Sai-Kun plays the bad guy. One of his earliest roles. He's a hard, hard man. In the late 60's he swam from China to Hong Kong with the aid of a basketball. He later played roles in Films such as 'Fearless Hyena' and 'Iron Monkey'. But this role, like Iron Robe Yen in 'Once Upon a Time in China' is one of his most psychologically complex. He chops off his leg early on to try and ease his guilt. His self redemption seems, to this viewer, to excuse him of his crime. That makes things more uncomfortable when it's the very crime that Jackie's out to avenge. Jackie, in his role as avenger, blurs the line between good and evil. He joins the 'bad guys' (to comply with the black and white polarisation of these films). He goes too far. But he goes further. There's always a point when you think. 'Come on Jackie, realise that your fighting for the wrong side, beat the hell out of them.' But he still fights. It's a dark film.
Budget constraints. Technological constraints. Lo Wei. Lot's of elements try and turn this film into the 70's schlock it's often compared to. But somehow it rises above all of this. The Choreography varies between the average and the mind blowing. Chan hasn't been better in a straight role until Crime Story (15 years later.) You can probably pick this up for a few pounds. If so it's a good place to start. Enjoy.
Jackie has done another good old movie. This film has alot of action and the end is action packed too. This film is fun. This film is great for a person that doesn't know which Jackie Chan's old film to see. This film has the revenge your master's death plot. But otherwise the film is action packed with one or two funny parts. "Wei Lo" was the director again. He always makes Jackie films look good on tv. And Jackie kicks but at the end of the movie. Thats classic. So go rent or buy today.
Você sabia?
- CuriosidadesAllegedly filmed in between Jackie Chan's two Seasonal Productions movies, Snake in the Eagle's Shadow (1978) and Drunken Master (1978), but not released until after the success of the latter Seasonal Production due to Lo Wei's financial constraints. This movie was filmed as a Mandarin-language movie, yet the focus on the dubbing switched to Cantonese, due to the success of the Cantonese-language Seasonal movies, and other studios (i.e. Golden Harvest) beginning to lean into Cantonese as well. This is why most releases feature Cantonese as the only Chinese dialect option, despite the fact that the harder-to-find Mandarin track syncs up with most of the actors (save for the South Korean cast members) far more accurately.
- Versões alternativasThe Japanese theatrical cut is only about 89 minutes (compared to the uncut 96 minutes of the Hong Kong cut), but features a primarily unique music track. While it uses some of the same music cues as the Hong Kong cut, most of the music is produced especially for this edition, including two vocal tracks: "Dragon Fist" and "Do or Die". Aside from this, the opening fight montage with Hsiu Hsia has been replaced with footage of Jackie Chan's penultimate fight from the finale, while the opening credits play over set to the aforementioned "Dragon Fist" theme. As of now, this version is only available on a late 2014 Japanese blu-ray (the earlier Japanese blu-ray only features the alternate opening as an extra.)
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