AVALIAÇÃO DA IMDb
6,1/10
3 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaTong Huo-wan seeks redress from the man responsible for his master's death, but becomes entangled in a feud between a local clan and gangsters.Tong Huo-wan seeks redress from the man responsible for his master's death, but becomes entangled in a feud between a local clan and gangsters.Tong Huo-wan seeks redress from the man responsible for his master's death, but becomes entangled in a feud between a local clan and gangsters.
- Direção
- Roteirista
- Artistas
Eun-joo Im
- Chung Cau-ping
- (as Yin-Ju Lin)
Szu-Cheng Mu
- Ngai Cong-long
- (as Chiang Kao)
Hsu Hsia
- Chong Saam-taai
- (as Hsia Hsu)
Yeong-il Kim
- Laam-ceng
- (as Eagle Han)
Avaliações em destaque
Lo Wei, director of Bruce Lee classics The Big Boss and Fist Of Fury saw potential in Jackie Chan and cast him in several kung fu flicks, including this great film, Dragon Fist. With Bruce Lee gone way too soon and martial arts movies being more popular than ever film makers from east and west scrambled to replace him. Jackie Chan is in rare form as an invincible Bruce Lee type of bad ass. He is on a mission of revenge once his teacher was killed and disgraced by a leader of a rival school. Things get complicated when Chan, his master's widow and daughter arrive at the rival school. I'm not going to give away too much of the plot, but things don't end up all that peachy and all of the violence contains consequences. During this period the market was flooded with similar kung fu films, so Chan found success later with Drunken Master and other lighthearted kung fu comedies. He did a great job here though I think. Jackie was awesome as indestructible, kung fu iron man that becomes fury incarnate at the film's conclusion. Lo Wei also made a well paced, solid chop sockey film with a good story serviced with the right amount of kung fu action. Great kung fu!
There's a special place in my heart for old school Jackie Chan films. For some reason, when I look to my JC collection for something to watch, I tend toward the older fare.
On the surface, DRAGON FIST is pretty average. But if you're an old school fan, you can't help rooting for virutally everyone in the film. Yan Yee Kwan (sometimes Yam Sai-kun) is one of my favorite bad guys; he was also excellent in Fearless Hyena, Once Upon a Time in China, Iron Monkey, and Heroic Trio. James Tien and Nora Miao bring a lot of respectability to the cast as well.
The plot offers some nifty twists. The fights are strong. I have to agree that the film takes itself just a little too seriously. If Jackie's early work could be measured on a "stiff-o-meter," DRAGON FIST would fall squarely between TO KILL WITH INTRIGUE and FEARLESS HYENA. Not coincidentally, that's about where it falls in his chronology.
Much of the charm of these films for American viewers -- and it can't be disregarded, especially for those of us who grew up in the 70s and 80s -- is the afternoon matinee "Kung Fu Theater" nostalgia factor. It imbues them with a quality that I can't ascribe to many of Jackie's later films. I love POLICE STORY, etc. -- the production values are generally much higher, the stunts are mindblowing -- but those are a different breed altogether. They occupy a different place in film history, and in my esteem.
On the surface, DRAGON FIST is pretty average. But if you're an old school fan, you can't help rooting for virutally everyone in the film. Yan Yee Kwan (sometimes Yam Sai-kun) is one of my favorite bad guys; he was also excellent in Fearless Hyena, Once Upon a Time in China, Iron Monkey, and Heroic Trio. James Tien and Nora Miao bring a lot of respectability to the cast as well.
The plot offers some nifty twists. The fights are strong. I have to agree that the film takes itself just a little too seriously. If Jackie's early work could be measured on a "stiff-o-meter," DRAGON FIST would fall squarely between TO KILL WITH INTRIGUE and FEARLESS HYENA. Not coincidentally, that's about where it falls in his chronology.
Much of the charm of these films for American viewers -- and it can't be disregarded, especially for those of us who grew up in the 70s and 80s -- is the afternoon matinee "Kung Fu Theater" nostalgia factor. It imbues them with a quality that I can't ascribe to many of Jackie's later films. I love POLICE STORY, etc. -- the production values are generally much higher, the stunts are mindblowing -- but those are a different breed altogether. They occupy a different place in film history, and in my esteem.
We all gotta be careful in what 70's Jackie movies we watch, but this one certainly isn't bad. The plot has something to do with Jackie's master being killed. There actually is a mildly shocking twist (shocking for Jackie, but don't expect Usual Suspects here). Anyway, the kung-fu is very good, definitely up to snuff. Jackie is good, and there's scenes where the old men fight. Even the dubbing isn't horrible. Very good overall, but Snake and Crane Arts of Shaolin is better (even though it has an awkward title) if you're looking for something from this era. I gave it a 7.
This is actually a well made film. because of that, I doubt very highly that it was directed by Lo Wei. My vote is that Chan, once allowed to choreograph the fight scenes, just went ahead and directed the film, much as what happened with Bruce Lee and The Chinese Connection, another film claimed by Lo Wei that he didn't actually direct. In fact that's pretty typical for Lo Wei - probably half the films he made were directed by the actors while he was off gambling, drinking, or sleeping it off.
At any rate: Although the film is heavy handed and a little slow, the story is not without interest (this is one of the few 'fu films where we see a potential villain repent and become a good guy), and the performances are all above standard for this genre in the mid-'70s. I believe this film, I believe its characters. Certaily not a masterwork, but a worthwhile dramatic 'fu film.
Oh, and the fight scenes are all pretty good.
At any rate: Although the film is heavy handed and a little slow, the story is not without interest (this is one of the few 'fu films where we see a potential villain repent and become a good guy), and the performances are all above standard for this genre in the mid-'70s. I believe this film, I believe its characters. Certaily not a masterwork, but a worthwhile dramatic 'fu film.
Oh, and the fight scenes are all pretty good.
That's the answer you are looking for to...should I watch this.
I have watched a lot of JC movies some good, some great, some horrible.
This is a good one for sure. I was lucky enough to enjoy a remastered version which really enhanced the viewing experience (some of the original prints available for this era of JC movies are hard to watch).
The story is ok and the acting quite good. To note, this is action/drama JC NOT funny silly JC, so your preference will impact how you take this film. I prefer the more serious of JC (The Protector, Police Story/s etc).
Grab some popcorn, get you ears ready for the sound effects of 50,000 punches and have fun :)
I have watched a lot of JC movies some good, some great, some horrible.
This is a good one for sure. I was lucky enough to enjoy a remastered version which really enhanced the viewing experience (some of the original prints available for this era of JC movies are hard to watch).
The story is ok and the acting quite good. To note, this is action/drama JC NOT funny silly JC, so your preference will impact how you take this film. I prefer the more serious of JC (The Protector, Police Story/s etc).
Grab some popcorn, get you ears ready for the sound effects of 50,000 punches and have fun :)
Você sabia?
- CuriosidadesAllegedly filmed in between Jackie Chan's two Seasonal Productions movies, Snake in the Eagle's Shadow (1978) and Drunken Master (1978), but not released until after the success of the latter Seasonal Production due to Lo Wei's financial constraints. This movie was filmed as a Mandarin-language movie, yet the focus on the dubbing switched to Cantonese, due to the success of the Cantonese-language Seasonal movies, and other studios (i.e. Golden Harvest) beginning to lean into Cantonese as well. This is why most releases feature Cantonese as the only Chinese dialect option, despite the fact that the harder-to-find Mandarin track syncs up with most of the actors (save for the South Korean cast members) far more accurately.
- Versões alternativasThe Japanese theatrical cut is only about 89 minutes (compared to the uncut 96 minutes of the Hong Kong cut), but features a primarily unique music track. While it uses some of the same music cues as the Hong Kong cut, most of the music is produced especially for this edition, including two vocal tracks: "Dragon Fist" and "Do or Die". Aside from this, the opening fight montage with Hsiu Hsia has been replaced with footage of Jackie Chan's penultimate fight from the finale, while the opening credits play over set to the aforementioned "Dragon Fist" theme. As of now, this version is only available on a late 2014 Japanese blu-ray (the earlier Japanese blu-ray only features the alternate opening as an extra.)
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