Lin Shi Rong

The best place to start signing the praises of this truly "magnificent" film is to look at the names of all those involved with the movie. A venerable who's who of Kun Fu movies past and present rounds out this film.

The film is directed by Yuen Woo Ping, who would later become the master of fight scenes in such movies as The Matrix, Crouching Tiger Hidden Dragon, The Once Upon a Time in China series, Kung Fu Hustle, oh and he also directed some great films such as this film and The Buddhist Fist.

The film's screenplay is by Wong Jing, who's notorious for his hit or miss HK films. The Legend of Fong Sai-Yuk and Meltdown stand out in my mind as his best films, and from the humor shown throughout this movie it's obvious that Wong Jing had a hand in it, he is definitely "on" in this movie.

The Magnificent Butcher stars Sammo Hung, who unless you were living under a rock in the 1970s and 1980s you should know as one of the more competent kung fu movie stars of his era. Sammo plays the title character "Butcher Wing" (Lam Sai-Wing) one of the more notable of the real life disciples of Kung Fu hero, patriot, and Chinese healer Wong Fe-Hung. Butcher Wing getting his niickname as he was a butcher by trade in his day job, which often leads to many funny butcher jargon jokes during kung fu scenes in movies in which Buther Wing is a character. While not as funny as some of the double entendre fight dialouge in Once Upon a Time in China 5, there is a humorous scene in Magnificent Butcher where Sammo gets a lesson in cooking, mistakenly thinking he's getting a kung fu lesson. Sammo holds his own as Butcher Wing he has the build and demeanor for the part, and quite honestly as this is the only movie I know of featuring Butcher Wing as the main character, Sammo Hung as a big name actor was a good choice for the Role.

Tak-Hing Kwan makes a brief but memorable appearance in his typical role at the time of Master Wong Fei-Hung. This was THE guy, this is who Chinese movie-goers associated as Wong Fei-Hung before Jet Li revived the role in the Once Upon a Time in China series. Tak-Hing Kwan plays and older, queue-less Wong Fei-Hung, but a Wong Fei-Hung who is still a master physician and martial artist nonetheless. Yes this is the movie with the famous scene of Wong Fei-Hung demonstrating calligraphy as a self defense technique. The movie is worth seeing for this scene alone, even if you're not a fan of Sammo Hung you will get a kick out of Tak-Hing Kwan's defensive calligraphy style.

Yuen Biao is also in this gem of a film, one I highly recommend seeing if only to see what Wong Fei-Hung films were like prior to Jet Li. The 1970s and 80s were filled with low budget pure crap films, and rest assured this film is not one of them. This is a rare gem from that era, one that any kung fu fanatic must see.

For the fan of the classic Hong Kong kung fu movie, this one is just plain fun. Sammo Hung is comic, fierce, expressive, and a joy to watch in action. Yuen Biao is conniving, devious, and mean. The action is wild, the kung fu is fast and furious, the stunts are convincing, all in all a great chop-sockey type movie. If you enjoy this sort of thing, give it a try!

Bravo, 20th Century Fox, for giving this movie a DVD release in North America! And not only with a gorgeous-looking print, but with the option of watching in the original Cantonese with subtitles, unlike other American distributors (coughcoughmiramaxslashdimensioncoughcough).

I hadn't heard of this particular Sammo Hung movie until tonight, when I spotted it at the video store. I took a chance, and I'm really glad to have done it! Completely entertaining, and never dull for a minute. The fights are "old school", but they are still pretty swift, and the various acrobatics and moves are absolutely amazing. Plenty of comedy as well, pretty low-brow slapstick for the most part, but won't help but bring a smile to your lips several times.

Now, as others have said before, there are some brutal and deadly serious moments, and they will seem out of place to most westerners. But from what I've seen from other Hong Kong movies, this kind of thing isn't that unusual. At the very least, such moments like this just further the ways as to how this movie will be unique to anyone raised on western filmmaking.

Don't think this is the cheap kind of martial arts movie you see on Kung Fu Theater or on public domain video labels - give it a try. You won't be disappointed.

A great film. Sure it's a 70's kung fu film, but this one seems somehow to rise above many of its ilk. It starts quickly and from there, it feels like there's never 10 minutes go by without a cracking fight scene. And that's just the thing - ALL the fight scenes are cracking... even the ones you would expect to be minor throw-away scuffles are awesomely executed, filmed and edited! As a 70s Hong Kong Kung Fu film, it still has some fairly broad humour, but it feels more hit than miss. The pantomime style farcical elements here don't seem as forced or as protracted as in many movies of this type. It has some genuinely moving moments and the plot, although straightforward and formulaic, is also refreshing in that it doesn't deviate too much with irrelevances. Nor does it get too tied up in itself. However, there is enough plot there to keep interest in the brief bits between fights.

And this film IS about the fights. There is some awesome kung fu with just the right mix of reality-grounded martial arts, and odd touches wire-assisted flair. Sammo, as with many of the main players, is clearly at his peak, and with his input, the fights can be pretty brutal at times. They are fast, lengthy, hard, and fast and are just starting to move away from the stilted nature of the 70s films. Yuen Biao gets a great showcase fight too - one that shows his martial arts ability more than his acrobatic prowess. This is a film about the martial arts - there are some impressive acrobatics but they are kind of the run of the mill stuff of these films, rather than the jaw-dropping acrobatics of say Wheels on Meals or Dragons Forever. Sammo pulls out some impressive flips though. As does Beggar So's character.

This is my new favourite 70s kung-fuer... and I found it more enjoyable, even, than... dare I say it... Drunken Master!!! Yes - it's that good!

I'm usually very picky about which films I buy for my private film collection, because I have limited amount of space and no free spot for bad films, so I guess it was a bit of a gamble buying the film box from Eureka Video with three of Sammo Hung's films. But, then again, with Sammo, you know you'll get entertainment and some good kung fu. And kung fu you got, from beginning to end, you can't really complain about this film not having enough fights, it's filled with it from beginning to end.

So why do I only give it a 7 when the fight scenes are so great? The fight scenes alone are 9-10 points worthy and I was entertained all the time a fight started. The story however was shifting in tone all the time, from light-hearted comedy to brutal murder. Growing up with film from US and England, I guess I have a limited view of how comedies and actions should work. Although, I've seen quite a few Hong Kong action comedies from the 80s and they did get less violent for the next decade. Just like the other films in the Sammo-box, there's some deaths that just doesn't feel necessary compared to what the rest of the story is.

The film also take place in an alternate universe where people are slow-minded and easily fooled. Obviously it wouldn't have been a film if people would've explained stuff to the end, instead Sammo beats up a stranger because someone else called that person a thief. That person then tell his master that's a kung fu fighter that Sammo called him a "phony" and lots of other bad things about his school. The Kung Fu master then goes to Sammo's Master and begins to fight him even before asking if any of it is true. Sure, we get an amazing fight scene involving a brush. But looking through the film, there are so many liars that get away easily while some other people end up in brutal fights because of them.

I really loved the relation between the drunk beggar and Sammo's character and reminded me of Drunken Master (same director). His comments during the fights as well as his silly grin made me chuckle a lot throughout the film. I also think that the titles of this film and another film from the box, The Iron-Fisted Monk (1977), had some strange titles to them. We didn't see Sammo do much butchery at all in this film, just carrying some pigs in the beginning of the film. And the Iron-fisted monk, there wasn't really a specific iron-fist through the film, just lots of normal punches. At least this film had some more special fists/palms to it and would probably make more sense if it was called "The Iron-fisted butcher" or something like that.

A slight spoiler ahead - but was the father of the rapist/murder son really a bad guy? All he wanted was to avenge his goddaughter and son for their deaths, and it looked to me that he never really got anything explained to him what really happened.

Don't think too much about the story while watching the film, enjoy the fights.