Ho, o Sujo

This review is based on the version I watched on Prime Video.

Firstly, the dubbing is absolutely atrocious. I always prefer to watch these movies in the original language with subtitles, but this option wasn't available and I had to settle for the excruciating American dubbing.

The over the top sound effects in some scenes was very cringey, and so this movie mainly suffers on the audio alone.

The other negative point was the abrupt ending, as it would have been nice to have an explanation for the assassination attempts on Wang. I was originally going to rate this a 7 for these 3 points, but thought I'd be generous as the film makers can't be blamed for the dubbing.

I had no expectations on this movie and hadn't heard of it before doing a search for Gordon Liu movies, and I wasn't disappointed. The story isn't ground breaking, but it is rather deep for a movie of it's genre, but the movie really excels in the fight sequences.

The fighting is beautifully choreographed, and the subtle style used throughout is impressive, impeccably timed and entertaining to watch. As the movie progressed, I realised a striking similarity to moves later used by Jackie Chan in his movies (not that he copied the moves but there's definitely similarity).

A very enjoyable movie, and definitely one I could watch many times over!

'Dirty Ho (1979)' is a martial arts movie about a young conman who finds himself indebted to a mysteriously influential antique enthusiast. His initially antagonistic attitude to his new master soon changes when he realises the latter is really, really good at kung fu. This action-comedy is equal parts humorous and exciting, featuring phenomenal fight choreography that perfectly blends fast-paced combat with zany slapstick to craft some truly unforgettable scenes. The creativity on display is almost as impressive as the physicality, with dance-like sequences that go on for minutes longer than you'd ever think possible (without ever truly dragging). Although the story is somewhat weak and the characters aren't exactly deep, the picture knows exactly what it wants to do and it does it with aplomb. You'll smile, then drop your jaw; laugh, then ponder how a mere human can even move like that. It's pretty great for what it is, even if it never quite gets past just being generally enjoyable as an overall experience. Fans of martial arts cinema are in for a real treat with this one.

Felt like it was more concerned with comedy than action, and either the comedy didn't translate well or I'm just a bit out of it, because I didn't really understand a lot of the humour here (what I'm assuming was meant to be funny, that is).

If anyone knows what was up with those scenes where people were sort of sparring while conversing and also trying to make it look like they weren't fighting, I'd love to know. I just didn't get what was going on, truly.

Some of the more traditional martial arts scenes were satisfying, though. The last 20 minutes were particularly great (it even did the normal speed to slow motion back to normal speed technique decades before Zack Snyder popularised it).

Not bad overall, but I'm a little sad I didn't completely get or appreciate what it was going for at points.

I am currently watching every martial arts movie made during the golden age from 1967-1984. Watching in chronological order has given me a better insight into how these movies developed.

I have not been able to establish a definite date for the original theatrical release of "Dirty Ho", other than sometime between 1976 and 1979. Recently HKMDB added 8/4/1979 as the date but I can't confirm that at a second source. Until I am certain of a date I can't say for sure if some of the creative choreography first appeared in this movie. Regardless, the use of props, the "fighting while appearing to be stumbling", fighting by making the opponent look off balance, and using Kara Hui as a weapon, all this creative choreography of fighting without fighting was never or at least rarely seen before.

The title has always raised eyebrows. To clarify in Chinese the literal translation is "rotten head Ho". Ho is the character played by Wong Yu. The "rotten head" occurs during his fight with Kara Hui. He receives a scratch to his forehead during that fight. Initially, though superficial, the wound is very painful so he seeks medical treatment. The medical treatment only makes it worse. This was planned by Gordon Liu all along to lead to the character's metamorphosis.