Kummatty - O Bicho-Papão

Capturing the soul of a Malayali village movie tells the story is great depth.

The great thing about this movie is more is depicted in folk songs played and the long shots that have been captured just beautifully ... The movie follows basic idea but executes it beautifully.i would ve understood it even well if i was known with malaylam lieterture more but the folk songs are just beautiful.

You can watch it on youtube its uploaded by potato eater collective.

The acting by actors is great they have still faces and expressive ones ...a mivie where there is a lack of dialouge and such close ups make us feel how the charecter is feeling... it tries to potray people living in period of the film and accomplishes it well... U should give it a try for sure.

From direction to the impeccable story telling, kummatty is a one of kind movie.

This is a Malayalam language children's film by G Aravindan.

The film is a visual treat. The beauty of traditional village life in Kerala is artistically captured. The film starts with a view of the rising sun. There are many scenes taken from vista points like hilltops while moving the scene forward. Definitely signs of a master creater with an eye for natural beauty.

The film is a fictional account of a village where a travelling bogeyman (Kummatty) visits. There are myths surrounding such people in villages saying they can convert naughty children to animals and take them away. These are just to ensure children are careful with strangers and also to spook them when they behave naughtily as it happens in this film too.

It's brilliant story writing to make a film with a good moral message around that. The film leaves us with a touching message to be compassionate towards birds and animals. It attempts that we empathize how caged pets would be feeling and the value of freedom.

The film story really starts only in the last half hour and the first hour is really a character sketch of village life when in blissful childhood.

The film is a Pied Piper-like figment of Malabar's folklore about a partly mythic and partly real magician called Kummatty (bogeyman).

Aravindan's Kummatty is a movie which is at the highest form of art.

Every song, every frame, the viewer will dissolve in it.

A film which defines what arthouse is.

Kummatty has something magical, and that's what a film must have, especially an arthouse piece of cinematic work.