AVALIAÇÃO DA IMDb
6,0/10
3,2 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaOn a train in Germany, American heiress Amanda Kelly befriends older nanny Miss Froy. When Miss Froy vanishes, everyone Amanda asks denies having seen her. Eventually, Amanda persuades Ameri... Ler tudoOn a train in Germany, American heiress Amanda Kelly befriends older nanny Miss Froy. When Miss Froy vanishes, everyone Amanda asks denies having seen her. Eventually, Amanda persuades American photographer Bob Condon to help her search.On a train in Germany, American heiress Amanda Kelly befriends older nanny Miss Froy. When Miss Froy vanishes, everyone Amanda asks denies having seen her. Eventually, Amanda persuades American photographer Bob Condon to help her search.
- Direção
- Roteiristas
- Artistas
Gary McDermott
- Baroness's Manservant
- (as Garry McDermott)
Avaliações em destaque
In an overcrowded hotel, many travellers await a train to their destination. Among them is Miss Froy - a school mistress, Robert Condon, a photographer for Life magazine and Amanda Kelly, a socialite on her way to meet her fiancée. When Amanda gets a knock on her head on the train, Miss Froy looks after her. She falls asleep for a while and wakes up to find Miss Froy gone. When she enquires, no one else can remember any such woman being on the train did she imagine it or is something more sinister afoot?
Of course it isn't rubbish but no matter how "OK" this film it, it simply isn't comparable to the much, much better Hitchcock original sadly a statement that I consider true of all aspects of the film. The plot is held as in the original but for this story to work the delivery needs to be good. Hitchcock did it well producing a pacy and enjoyable film that was light but engaging at the same time. Here the film isn't too much longer than the original but my gosh it drags by comparison. The lack of tension was a real surprise to me and the film failed to draw out the mystery of course I knew it was not in Amanda's head but I do when I watch the original as well this familiarity doesn't totally account for the lack of tension in the film generally, that is more to do with the lack of urgency and the starry feel of the film generally. Filmed in lush colours and a postcard presentation of Europe the film looks professional but the brightness undercuts the tension yet again. Page generally doesn't do much with the direction to help the material or cast out it all looks OK but doesn't do that much. Viewers who have not seen the original might enjoy it but anyone coming to it second will struggle to find much added value in this retread.
Gould and Shepherd both overegg their performances and lean too heavily on the side of humour without doing enough on the side of the mystery. Of course neither of them are helped by their lack of chemistry with one another. There is no spark at all and they generally just bluster around each other. Lansbury is OK as the lady of the title but you can't help feel that she's doesn't really deserve to share the same role as the much better Witty. Lowe and Charmichael dominate with a rerun of the amusing English clichés from the original although Lom is worth a look. The rest of the cast however, just fill in the background without too much effort or style.
Overall this is a distracting and OK film in its own right but I simply cannot see any reason why any viewer would find this a more worthwhile venture than the original. In every way, from direction and tone through to performances and cinematography, the film is a poor photocopy of the original. If you haven't seen it then you should be watching that; if you have seen it then I don't understand why beyond a morbid sense of curiosity, you'd want to watch this remake.
Of course it isn't rubbish but no matter how "OK" this film it, it simply isn't comparable to the much, much better Hitchcock original sadly a statement that I consider true of all aspects of the film. The plot is held as in the original but for this story to work the delivery needs to be good. Hitchcock did it well producing a pacy and enjoyable film that was light but engaging at the same time. Here the film isn't too much longer than the original but my gosh it drags by comparison. The lack of tension was a real surprise to me and the film failed to draw out the mystery of course I knew it was not in Amanda's head but I do when I watch the original as well this familiarity doesn't totally account for the lack of tension in the film generally, that is more to do with the lack of urgency and the starry feel of the film generally. Filmed in lush colours and a postcard presentation of Europe the film looks professional but the brightness undercuts the tension yet again. Page generally doesn't do much with the direction to help the material or cast out it all looks OK but doesn't do that much. Viewers who have not seen the original might enjoy it but anyone coming to it second will struggle to find much added value in this retread.
Gould and Shepherd both overegg their performances and lean too heavily on the side of humour without doing enough on the side of the mystery. Of course neither of them are helped by their lack of chemistry with one another. There is no spark at all and they generally just bluster around each other. Lansbury is OK as the lady of the title but you can't help feel that she's doesn't really deserve to share the same role as the much better Witty. Lowe and Charmichael dominate with a rerun of the amusing English clichés from the original although Lom is worth a look. The rest of the cast however, just fill in the background without too much effort or style.
Overall this is a distracting and OK film in its own right but I simply cannot see any reason why any viewer would find this a more worthwhile venture than the original. In every way, from direction and tone through to performances and cinematography, the film is a poor photocopy of the original. If you haven't seen it then you should be watching that; if you have seen it then I don't understand why beyond a morbid sense of curiosity, you'd want to watch this remake.
Its inevitable that this would be compared to Hitchcock's 1938 original but for me there are many pleasures to be had in this elegant comedy-thriller. Douglas Slocombe's Panavision photography is wonderful and the playing of all involved is beautifully poised. George Axelrod's reworking of Sidney Gilliat's screenplay adds a nice screwball touch with his one-liners and Ian Carmichael and Arthur Lowe as the cricket-obsessed British tourists add humanity to their chauvinistic bullishness. And as a self-confessed Angela Lansbury fan I of course relished her depiction of Miss Froy. On a big cinema screen this looks terrific.
I only wished this remake would have done the vanishing!
Awful remake of the classic Hitchcock suspense thriller that is marred by the idiotic casting of Gould and Shephard, who spend most of their time turning the mystery into laughs. Lansbury breathes the most life into the film as Miss Froy.
Awful remake of the classic Hitchcock suspense thriller that is marred by the idiotic casting of Gould and Shephard, who spend most of their time turning the mystery into laughs. Lansbury breathes the most life into the film as Miss Froy.
I haven't seen the original but I watched this with 1 hour delay on two channels simultaneously, I was at home with a cold at the time and feeling very sorry for myself. Anyway, if you would just put the two leads aside for a moment (although Eliot Gould was SO cute in the movie and Cybil Shepperd did the visual pun of Marilyn Monroe on the air vent very well when she gets out of the train...) The thing I really liked about this film were the characters of Charters and Caldicott - they made me laugh hysterically - there they are drinking tea - understating this understating that - then suddenly.....they are really terrific minor characters. I would love a whole film on those two. Very affectionate look at English manners. ARTHUR LOWE MADE ME FORGET HOW ILL I FELT!
There's a strong tendency to compare Hitchcock's version of "The Lady Vanishes" with the 1979 version starring Elliot Gould, Cybill Shepherd, and Angela Lansbury. There's no need to do so. Both have the same title but entirely different moods. This doesn't make one "better" or "worse" than the other. They just should be judged on their own merits.
Both are thrillers, one more somber and tense, and the latter version more of a melodramatic mystery with comedic touches.
What I would suggest is that the viewer simply watch both versions, recognizing the strong and weak points of each. Both are enjoyable, but to interject a personal note, I tend to lean toward this 1979 version for its tone that's more like other mystery films such as "Charade" or "North By Northwest".
Enjoy them both as different cinematic expressions and let others worry about comparisons.
Both are thrillers, one more somber and tense, and the latter version more of a melodramatic mystery with comedic touches.
What I would suggest is that the viewer simply watch both versions, recognizing the strong and weak points of each. Both are enjoyable, but to interject a personal note, I tend to lean toward this 1979 version for its tone that's more like other mystery films such as "Charade" or "North By Northwest".
Enjoy them both as different cinematic expressions and let others worry about comparisons.
Você sabia?
- CuriosidadesThough Cybill Shepherd only wears one costume in the movie, (a bias-cut white satin dress), the costume department made nine identical copies to facilitate filming.
- Erros de gravaçãoNear the end of the movie, when the train is backed up to the yard, and Amanda has switched the points, she runs towards the train as it is leaving. The track they pass over passes the locomotive when the camera shows Robert reaching for her, but when the camera shows her running, she has yet to run over the track until the end, when Robert picks her up.
- ConexõesFeatured in Siskel & Ebert & the Movies: Hail, Hail, Black and White (1989)
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Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- La dama desaparece
- Locações de filme
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- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- £ 2.500.000 (estimativa)
- Tempo de duração
- 1 h 37 min(97 min)
- Mixagem de som
- Proporção
- 2.35 : 1
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