Terapia de Doidos

I first saw Home Movies on cable TV in the early 80s, before I was even a teenager. I was drawn in by Nancy Allen being 'possessed' by a foul-mouthed bunny rabbit hand-puppet. I found it hilarious and watched the movie anytime it aired during that month or so. I could never forget it and looked for it on VHS later in the 80s when we got our first VCR. Then, I had a laserdisc of the movie, then the DVD (which appears to be a straight transfer of the laserdisc). Now in my mid-50s, I still adore this wacky movie from start to finish, right from the opening notes of the catchy string intro theme.

The characters are hilariously messed up. Mom is a drama queen faking suicide attempts due to being attention starved for her endlessly cheating and flirting husband, always finding a reason to cry and feel sorry for herself. James is the domineering older brother who is attempting to rehabilitate Nancy Allen's character from her prostitution past, which included the bunny hand-puppet. Taking it to extremes with a Temptation Marathon, subjecting her to weaknesses: "Can she resist". Denis is the nerdy younger brother, but the most normal of all of them.

Mom adores James as the perfect son, often pushing kind-hearted Denis aside suggesting he be more like James. But James has a latency presented during his alleged teaching of his sort of boy scout troupe how to be 'men' as he tries to get them to kiss each other under the guise of showing them how to please a woman. It's so funny and ludicrous as the students resist the direction.

From start to finish, the whole movie is like an adult cartoon of the most slapstick kind, and there are quirky touches everywhere, from out-of-nowhere sound effects, exploding tapes, to dramatic light breezes during key moments of dialog.

Nancy Allen as Kristina tries so hard to please James and become what he wants her to be, which is a requirement of their pending nuptials. That is, until she catches his antics with his troupe. That's when Bunny reappears in her life on the day of her engagement party giving a peek into her past to hilarious effect. Watching her stumble around the house sedated with that rabbit puppet handing out "glossies" and telling everyone to "Catch us at the Pussycat" has been seared into brain since I was 12 years old, and I love it!

I don't expect too many people will appreciate this student film, but I clicked with it instantly. The following year, De Palma would go on to further success with Dressed To Kill, also staring Nancy Allen and Keith Gordon from this film, along with a cameo of the amusingly dramatic mom Mary Davenport making disgusted faces at the end of that film when Nancy details male to female sex change surgery.

It's insane, it's very politically incorrect (especially by today's boring standards), and it's a lot of fun if you can appreciate it.

The bulk of the crew on Brian De Palma's Home Movies were his college students, but if you asked me where it looks it the most it's hard to say. De Palma decided to make it a challenge in as much that he thrusted these kids (one of whom Mark Romanek) into their first real foray into film-making, but he also lessened some of the possible stress on the situation in two ways: he took some of the same freewheeling, seemingly improvisational approach that he took with his early satires (the great Hi, Mom and the decent Greetings), and he also made it a silly comedy based around his obsessions and personal history. It's a send-up of self-made stardom, adultery, male dominant control, and the craftiness in the craft of film-making, and it's very funny.

But to say how funny it is or why would have to reveal too much of the plot, which I'd rather leave open ended for those who might find this in their local video store's obscure picks. All I'll say is that Kirk Douglas plays the Maestro (introduced by a hilarious lot of egotistical opening titles), teaching a class about how he faltered in getting a young man, Dennis Bird (Keith Gordon) to move on from being just an "extra" in his life to being the star of his own making. Gordon's Dennis is the youngest in the Bird family, which includes an adulterous doctor father, a weepy and half-crazy (and half all-for-attention) mother, and a brother, James (the scene stealing meat-head played by Gerrit Graham with the same tenacity as in Phantom of Paradise), who teaches a summer class on Spartanism to a bunch of impressionable youths. He's also getting engaged to Kristina (always gorgeous Nancy Allen), but there's some trouble and friction in their possible "socio-economic contract".

Meanwhile, Dennis meets the Maestro while acting as a Peeping Tom up in a tree, and becomes an amateur filmmaker. Now, as this all sounds, it's a little stuck together in cheap style and rough edges, which adds to its charm. It's made almost as if De Palma knows it's something of a fluke, and just wants to get his students as enthusiastic as possible about the process; it wouldn't be as much fun having them on, for example, Casualtues of War. And as one of De Palma's experimental comedies, it provides for the director, through a better than expected script from his pupils, to express some of his nuttiest scenes, including some scenes where Kristina has to unleash the "rabbit", and the running gag with Gordon dressed in black face and an afro sneaking around at night. It's not anywhere near a great comedy, but for what De Palma was after it's a success.

In short, it's a low-key hoot, and De Palma fans looking for some ridiculous and crazy gags and character development won't be disappointed.

"Home Movies" is an anomaly for a director who had already made top-quality pictures like "Carrie" and "Phantom of the Paradise." Stylistically, it's reminiscent of his earlier "Greetings" and "Hi Mom," except that those movies are brilliant social commentary, but this movie falls flat, with just a few good laughs at the end.

De Palma could blame his student crew, but De Palma takes credit for the story and the directing, which are clearly the weakest elements of the movie (along with the acting and lighting). The credits say it was shot on a Panavision camera - what a waste!

Perhaps the movie's only pleasure is how incredibly young Kirk Douglas looks - I kept double-checking the credits to see that it was really Kirk and not Michael. But unfortunately, his story element - the "wrap-around" - is by far the worst part of the story.

Also, the "Artiflx" DVD version of "Home Movies" looks like a home movie - blurry, dark, with video noise and ringing. The "official" version is hard-to-get and expensive. Save yourself the trouble and don't get either!

I gave this movie three stars on the prodigy of its actors and director, but without that context, this would be a one-star movie - at best!

Most of the reviews on this film are rather brutal. I think you're overlooking the context in which this film was made. This film was made by film students with De Palma overseeing. It's not like it was a pet project of his, which is how most of these reviews frame the film. In the documentary "De Palma" he goes into great detail about this. It was really about letting his film students learn on the job. So of course it's not "The Fury." It is, however, a nice accomplishment for a bunch of film school students. And I personally think the unpolished aspect of it adds charm and intimacy. Nancy Allen is as radiant as ever, and there's some decent albeit left-field comedic references. Not every film is going to be a Hollywood blockbuster, and I don't think that's a bad thing. Take this film for what it is, and enjoy.

This film is totally unlike anything I've ever seen from De Palma. It's a dysfunctional family comedy filmed with purposely shoddy production to get over the premise that we are really watching a home movie shot by the main character.

Kirk Douglas plays The Maestro, a film instructor who starts his new class off by showing his recent failure to make Keith Gordon the star of his own movie. Gordon is one of those people who exist without anyone really knowing it. He doesn't appear to have any friends and his family doesn't give him the time of day. His father (the late Vincent Gardenia) is a quack doctor who cheats on his wife with his nurse (and probably his female patients). His mother (Mary Davenport) is too concerned about this, continually wavering on whether to divorce him or accept all the blame for not being able to satisfy him. The rest of the time, she's interested in what her good son that she's so proud of even though she doesn't understand him in the least is up to. Gerrit Graham is an elitist who essentially lives and teaches naturalism and sexism at Now College. He'd rather plant his seed in the ground than in Nancy Allen, but since it's not possible for man to do that yet, he decides he'll marry her if he can convert her to his ways. Allen is an interesting choice for him to try to convert because she's a whore who drinks, smokes, and eats evil fast food. She totally worships him so she attempts to give it all up for a life with him that's, all things considered, less of a life than she had before because a woman in his world essentially can't do anything.

Since Gordon's life is an utter bore, Douglas gets him to film things that the average Joe would pay to see. Thus, Gordon decides to try to catch his father in the act to help his mom get the divorce and to steal Allen away from his brother, who has always been the center of attention and one that won in the past, by convincing her that she's fine as she is.

The movie is absurd, but generally in a way that's humorous without going overboard. It's definitely somewhat farcical in its look at filmmaking by the inexperienced and this quirky family.

Graham does an excellent job of playing his wacky character that considers himself to be of the utmost knowledge, but can't convey his points in a way where anyone understands them (he explains with lines like those who know know). What makes it even funnier is that he's held in such high regard, yet his disciples consist of about 5 rejects that just pretend to understand and buy into his philosophies to his tirades and/or being verbally berated.

Allen has a tougher role than in her other films with De Palma, as she tries to be a good girl but she's constantly being tempted, so she gets to have some interesting personality shifts. She's been in better films, but this is the one where she really stands out as someone that could really act.

The thing with the style is De Palma seems to waver between whether he wants us to believe it's all a home movie or not. At some points we see Gordon going under cover in a Soul Man kind of outfit to spy on his father, but most of the time it's obvious that Gordon isn't filming and, based on the camera angles, not believable that anyone else could be without being seen. To make things more bizarre, Douglas just appears out of nowhere, even popping up in a tree at one point while Gordon is failing to catch his dad in action. The only true breaks in the style are a few dreamy shots of Allen that make her look really beautiful, perhaps so the filmmakers in the film can be described as hacks that luck into a nice scene once every couple of days.

In terms of style, the animation opening is what steals the show. Not that the animations are technical in any way, but it sets up the whole movie by introducing all the characters and the caricatures of them are quite humorous.

It seems like De Palma was just having fun with this one. If you take this at face value than it's easy to rank on because it's got its share of implausibilities. If you don't focus on who is filming the movie then it's solid because the actions of the characters are believable (considering what the characters are like) and the progression is logical. As a whole it's a mess, but an enjoyable one that was years ahead of its time. It's out there, but if you like movies with weird families such as Some Girls and didn't find the production of Blair Witch to be a detriment then this is another to check out. I'm glad this isn't De Palma's regular style because we would have been robbed of some great, highly stylish films, but as a one-time experiment it's successful enough and a cool kind of different. I think most people would like his far more conventional comedy Wise Guys better, but I found this story far more humorous and a lot less goofy. 7/10