The First Part of King Henry the Fourth, with the Life and Death of Henry Surnamed Hotspur

The BBC Television Shakespeare is a fascinating series for seeing so many talented actors and seeing the plays, familiar and not so familiar, adapted and performed relatively faithfully on the whole. Some are better than others, with not every performance in the series working and there could be issues with low budget production values and in some productions stage direction.

When it comes to the best productions of the BBC Television Shakespeare series, to me 'The First Part of King Henry the Fourth and The Life and Death of Henry Renamed Hotspur' is among the best. Have enjoyed to loved most though, but it was lovely to see one of Shakespeare's best mixes of comedy and drama done so beautifully and those not familiar with it will find it an education.

It is visually a solid production, while not elaborate or lavish the action feels opened up and not confined. The use of music was lovely, couldn't question any of the placements and it is lovely music in its own right.

On a stage direction level, it is one of the main reasons as to why 'The First Part of Henry the Fourth' is one of the series' best. It is always absorbing, and it is agreed that it mixes both comedy, which is very funny and often hilarious, and drama, which is poignant. Not only because the energy is never lost, it's never static (even the more action-oriented scenes), it is always tasteful with no pointless touches and that it never resorts to overblown excess that swamps everything else. It's also because of the subtleties and the details, big and small, where the characters are so well fleshed out motivations are clear and everything seems to happen for a reason and not randomly.

Jon Finch is very commanding in the title role, no signs of discomfort here. Another standout is Anthony Quayle having the time of his life as Falstaff while David Gwillim is movingly conflicted as Hal. Tim Pigott Smith is an amusing Hotspur.

Concluding, wonderful. 10/10 Bethany Cox

Shakespeare's Henry IV, Part 1 (1979) was directed for the BBC by David Giles. Like most of the BBC productions, the acting is solid and the text is respected.

Although the play's title would make you assume that King Henry was the central role, that's not correct. The real story of the play--and the movie--is the coming of age of Henry's son, Hal, the Prince of Wales. A major theme is the contrast of the Prince with his warlike contemporary, another Hal, called Hotspur. (In reality, Hotspur was much older than the prince, but Shakespeare's version is much more dramatic.) Also, of course, this is the play in which Shakespeare introduces the roguish fat knight, Sir John Falstaff.

David Gwillim as Hal, Tim Pigott-Smith as Hotspur, and Anthony Quayle as Falstaff are all excellent. Almost all of the BBC productions are shot indoors, but I think director Giles shot the battle scenes outdoors. As usual with the BBC, the supporting actors are good, as are the actors playing minor roles. Costumes are great, settings are minimal. (It worked for the Globe, and it works for the BBC.)

If you know the play well, you'll be happy with this version. If you don't know the play, Henry IV, Part 1 is a good history play with which to start. (It's not the first play in chronological time, but it's a great introduction to Shakespeare's history plays.)

The BBC films were made for TV, so they work well on the small screen. I saw one scene on a large scene in a classroom setting, and that also worked well.

You need to remember that these were all filmed for the BBC/Time-Life Shakespeare plays; the budget did not allow high production values. Still, (disagreeing with the other comment) Jon Finch's Henry IV is a highlight. Twisted up, obsessive, but still with something regal, the performance seems better every time I watch. Finch was Polanski's Macbeth. It is Tim Piggott-Smith who does Hotspur (not Purchase, who does Old Percy) in a fine performance. Quayle's Falstaff is spitty and reptilian, and Gwillim's Hal nuanced. One of the gems of the series. The histories are some of the gems of Shakespeare, too often ignored in the US. You must know Falstaff, and this is as good an intro as any. Review the characters in advance, and you'll be fine.

Anthony Quayle was one of last century's most effective Falstaffs on stage. His performance here is brilliant but encumbered by the overall interpretation.

David Giles called the second tetralogy a "Henriad", the story of how Hal grows up to be Henry V, and the plays are cut accordingly. For instance, Falstaff's words to Hal, "thy love is worth a million, thou owest me thy love," are gone, as is much of the warmth between the old knight and the young prince. As a result, Falstaff becomes a secondary character who hums and haws with nervousness.

David Gwillim is engagingly ingenuous as Hal, and he very nearly succeeds in carrying the additional weight that Giles has loaded on him.

The rest of the cast is also strong, with Jon Finch a guilt-ridden usurper, Tim Pigott-Smith a fiercely mock-heroic Hotspur, and Richard Owens a pompously magical Glendower.

I am a huge fan of all Shakespeare, but the Henry IV and Henry VI plays are some I've put off reading and watching until now. I have read a lot about them and heard many references to them, but I only just watched this BBC production. And I liked it. But I was particularly struck by something about Falstaff, who is one of the absolutely most popular characters in all of Shakespeare: he's not that likable a guy! The banter between him and Hal are not that good-natured but rather sharp and even occasionally condescending! In this production, at least, one gets a clear sense that Hal's entire habit of socializing with the likes of Falstaff is almost purely a part of his plan to prove an unexpectedly capable leader after he is crowned. He doesn't like Falstaff very much at all! He does not truly condone his indulgences in wine-drinking and thievery. He only keeps Falstaff's company in order to learn what life is like in that social class, and to disguise his true and noble nature to the courtiers. This is actually a much more pointed and poignant portrayal of Hal than what we saw in those flashback scenes in Branagh's (otherwise excellent) Henry V. David Gwillim is masterful as Hal, and clearly the best of the cast of the BBC production. I am greatly looking forward to Part 2, which I will watch at my earliest convenience.