AVALIAÇÃO DA IMDb
5,8/10
878
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaThe believable, fresh-faced characters are naive American college students; armed with their French-English dictionaries they compulsively seek out hundreds of monuments, romanticize the nom... Ler tudoThe believable, fresh-faced characters are naive American college students; armed with their French-English dictionaries they compulsively seek out hundreds of monuments, romanticize the nomadic artist's life, and look for grown-up love.The believable, fresh-faced characters are naive American college students; armed with their French-English dictionaries they compulsively seek out hundreds of monuments, romanticize the nomadic artist's life, and look for grown-up love.
- Direção
- Roteiristas
- Artistas
Laurence Lignières
- Madame Levert
- (as Laurence Lignères)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
This fitfully flavoursome fromage about a naïve group of over-excitable American students experiencing a modestly hedonistic year of wine, women, and deliciously bad French rock music at a school in picturesque Paris, perhaps, offers the more forgiving, farce-minded viewers some fairly stale Poisson out of water shtick. These disparate, moderately endearing student protagonists 'studying' at the somewhat less-than august-looking 'Institute of French Studies' predictably fall into distinctly pre-digested food groups, the lonely, uptight wasp busybody (Blanche Baker), the nebbish nerd that somewhat miraculously gets the lava-hot mademoiselle (Miles Chapin), the self-appointed, would-be artisan Lothario (David Marshall Grant) who frustratingly gets the bums rush, and a youthful, barely used, quick-quipping Debra Winger form the savoury base of this salty bouillabaisse! There are noisome, sardonic skits about eating snails, clunky ruminations about the myriad, meaningless miasmas of human existence, a smattering of not so amiable couplings, some bemusingly bad, frisson-less bedroom farcing about, and a scintillatingly sexy sprinkle of groovy Gallic disco, plus an abjectly awful cameo by Mandy Patinkin as a skeezoid Iranian on the make, and legendary French Thespian Jean Rochefort's justifiably acerbic disdain for his students seems wholly genuine, and Huyck's sickly saccharine conclusion is nauseatingly glib, but, for reasons that momentarily elude me, there is something weirdly edifying about the ingenuous Miles Chapin heroically hooking up with a sublimely frisky French hottie (Valérie Quennessen), so, maybe, I somewhat reluctantly enjoyed the benign, wholesomely fluffy-headed frolics in 'French Postcards' a little more than I would be prepared to admit in public! The garishly goofy 'French Postcards gets my stamp of approval! All winsome word-japery aside, I genuinely dug on Lee Holdrige's magnifique score, and the gracefully beautiful Marie-France Pisier is truly mesmerizing to behold as wet dream supreme, the triumphantly titillating teacher Madame Catherine Tessier!
Where we lived didn't get cable TV until Dec. 1980 and this is the first film I can recall seeing on cable TV. It's funny but I'm pretty sure I've probably only seen this film just once but I remember most of it till this day.
Is this the best damn film ever made ? Uh, no. But this is just a sentimental one with me and I think if you see yourself in any or part of the characters in this film then you'll probably like it. And I think I saw myself in about two of them. I was even scheduled to take French 101 the next semester at school.
I read the other reviews on this Web page and I vaguely remember what Valérie Quennessen looked like but it's coming back to me (That teeny-tiny picture on this film's main Web page helps too). She was the shorthaired French girl that looks like Trois couleurs: Rouge' (1994) Irène Jacob (or is it the Blue one's Juliette Binoche? I'm not sure it's been a long time.) I did think at the time she was kind of snooty in her initial behavior toward the character that was interested in her. Give the guy a break; he was several thousand miles from home and had difficulty speaking the language !
Note: Not only has miss Quennessen passed away but the only song I remember used in it Nicolette Larson's `Lotta Love', it seems she also passed away a couple of years ago.
Does this film really deserve its low rating that the 60 or so people who saw it gave it? Heck, I'll give it a 7 or 8 out of 10 and I've never given a film a 10 rating yet.
If you want to see this film then good luck. I've never seen it in a video store or for sale for that matter. It must be out of print.
If I ever see this thing again I'll write another comment on it. I'm curious if it's aged well.
Also, for the few people who've commented on it thanks. I think I would value the opinion of someone who saw something or anything worthwhile in this film.
`A fellow will remember a lot of things you wouldn't think he'd remember. You take me. One day, back in 1896, I was crossing over to Jersey on the ferry, and as we pulled out, there was another ferry pulling in, and on it there was a girl waiting to get off. A white dress she had on. She was carrying a white parasol. I only saw her for one second. She didn't see me at all, but I'll bet a month hasn't gone by since that I haven't thought of that girl.' -- Bernstein [Citizen Kane 1941].
Is this the best damn film ever made ? Uh, no. But this is just a sentimental one with me and I think if you see yourself in any or part of the characters in this film then you'll probably like it. And I think I saw myself in about two of them. I was even scheduled to take French 101 the next semester at school.
I read the other reviews on this Web page and I vaguely remember what Valérie Quennessen looked like but it's coming back to me (That teeny-tiny picture on this film's main Web page helps too). She was the shorthaired French girl that looks like Trois couleurs: Rouge' (1994) Irène Jacob (or is it the Blue one's Juliette Binoche? I'm not sure it's been a long time.) I did think at the time she was kind of snooty in her initial behavior toward the character that was interested in her. Give the guy a break; he was several thousand miles from home and had difficulty speaking the language !
Note: Not only has miss Quennessen passed away but the only song I remember used in it Nicolette Larson's `Lotta Love', it seems she also passed away a couple of years ago.
Does this film really deserve its low rating that the 60 or so people who saw it gave it? Heck, I'll give it a 7 or 8 out of 10 and I've never given a film a 10 rating yet.
If you want to see this film then good luck. I've never seen it in a video store or for sale for that matter. It must be out of print.
If I ever see this thing again I'll write another comment on it. I'm curious if it's aged well.
Also, for the few people who've commented on it thanks. I think I would value the opinion of someone who saw something or anything worthwhile in this film.
`A fellow will remember a lot of things you wouldn't think he'd remember. You take me. One day, back in 1896, I was crossing over to Jersey on the ferry, and as we pulled out, there was another ferry pulling in, and on it there was a girl waiting to get off. A white dress she had on. She was carrying a white parasol. I only saw her for one second. She didn't see me at all, but I'll bet a month hasn't gone by since that I haven't thought of that girl.' -- Bernstein [Citizen Kane 1941].
I first saw this film in 1979 when it appeared on HBO. And it is MY coming of age movie. I found the tape recently in a video store and it brought back many happy memories. I was sad to learn Valérie Quennessen was killed in an auto accident in 1989. She was a beautiful and talented actress. Marie-France Pisier is still one of the most beautiful women I have ever seen, the one actor, who in my opinion, steals the movie is the great French actor Jean Rochefort who plays Monsieur Tessier. I sometimes cannot believe 22 years have passed since I first saw this movie. A must See !!
This film is a must see for anyone who has ever been an American exchange student abroad. It perfectly captures the mixture of foreignness and familiar that is part and parcel of the exchange experience. The different types of approaches that one might have to an exchange year abroad are well illustrated.
It is, by no means, a great film, but it continues to endure in my memory as a good representation of what my year in Brazil, broadly speaking, was like. Lots of attractive actors, beautiful scenes and a surprising amount of humorous and witty dialog.
I have this on videotape, but the soundtrack has been changed from the original release and the subsequent showings on HBO. The most noticeable change is the opening scene on the bus. Madame Tessier is welcoming the new exchange students to France and tells them they need to immerse themselves in French culture and leave America behind. The bus driver, irritated with her prattling, pops in a tape of a band doing a French version of Do You Believe In Magic (The Lovin' Spoonful). It totally captures how American culture has infiltrated the world's cultures. In the videotape release they replace this song with some generic pop music. They must not have been willing to pay for the musical rights to the song. It's not quite as effective, but it is still a great start to a fun, romantic movie about coming of age in a foreign land.
This truly is a delightful, lite film that will give you a 95 minute taste of living abroad. Rent it if you can and hope that it shows up on DVD sometime soon.
It is, by no means, a great film, but it continues to endure in my memory as a good representation of what my year in Brazil, broadly speaking, was like. Lots of attractive actors, beautiful scenes and a surprising amount of humorous and witty dialog.
I have this on videotape, but the soundtrack has been changed from the original release and the subsequent showings on HBO. The most noticeable change is the opening scene on the bus. Madame Tessier is welcoming the new exchange students to France and tells them they need to immerse themselves in French culture and leave America behind. The bus driver, irritated with her prattling, pops in a tape of a band doing a French version of Do You Believe In Magic (The Lovin' Spoonful). It totally captures how American culture has infiltrated the world's cultures. In the videotape release they replace this song with some generic pop music. They must not have been willing to pay for the musical rights to the song. It's not quite as effective, but it is still a great start to a fun, romantic movie about coming of age in a foreign land.
This truly is a delightful, lite film that will give you a 95 minute taste of living abroad. Rent it if you can and hope that it shows up on DVD sometime soon.
This is the kind of movie the term "lighthearted" was made for. A group of American students is attending school in Paris and spending their time running around seeing the sights and finding new loves. The script may not be perfect but it's a fun and enjoyable time.
The best thing this movie has going for it is the fine French actress (and stunning beauty) Marie France-Pisier, who plays the school's headmistress and the object of one of the young men's attention and affection. Also good in this film is Blanche Baker, an underappreciated actress.
The best thing this movie has going for it is the fine French actress (and stunning beauty) Marie France-Pisier, who plays the school's headmistress and the object of one of the young men's attention and affection. Also good in this film is Blanche Baker, an underappreciated actress.
Você sabia?
- CuriosidadesThe film's closing credits state: "Special thanks to the American students in Paris, 1978-1979".
- Versões alternativasDue to music licensing disputes, the 1986 Paramount home video edition of this film contains almost completely different French-language pop songs as compared to the theatrical and cable television editions. Similarly, in 1984 NBC-TV ran a version that featured previously discarded footage of Debra Winger, who by then had become a major star.
- Trilhas sonorasJ'Écoute de la Musique Saoule
Music by Gabriel Yared
Lyrics by Michel Jonasz
Performed by Françoise Hardy
Principais escolhas
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- How long is French Postcards?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- French Postcards
- Locações de filme
- Pere Lachaise cemetery, 20e arrondissement, França(Laura leaving flowers on the graves of Collette & Édith Piaf.)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
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