Crocodilo, a Fera Assassina

In THE GREAT ALIGATOR, Joshua (Mel Ferrer) is the owner of a tropical island resort, which he runs with help from his assistant, Alice (Barbara Bach). Among the fun activities offered is the tossing of squealing piglets into the water to entice the local crocodiles.

In order to create this beautiful island oasis, the surrounding ecosystem was destroyed, upsetting the natives to no end. They fear that the gods have been angered. Soon enough, the reptilian horror of the title arises to avenge the disrespected deities.

CHOMP!

While several deaths occur, the lengthy interludes between croc attacks are dull enough to cause cranial blistering. The fact that disco dancing plays an integral part in this movie does bring a few chuckles, especially the floating disco dance floor! A boogie buffet! Now, that's a brilliant idea!

CHOMP! CHOMP! CHOMP!

Don't miss the mindless, JAWS-like non-finale! Now, that's comedy!...

Surfing on the wave of "Jaws" the cunning Sergio Martino sniffed out a huge niche market in this firstborn "Alligator" that was shameful duplicated by the Americans one year later with Lewis Teagle's Alligator and son on, the production looking by the thematic side is well-done on costumes on the tribe, lavish scenarios, and fabulous landscape at Sri-Lanka, nonetheless who would expect about the plot? Even the latest Jaw were really bad all them without any exceptions became often repeating itself, upon this point of view Martino's Alligator is a copy of Jaw.

How it works in "Jaw" is need a resort to took place all those unfortunate tourists in danger on those calm waters, they find in gorgeous Barbara Bach's angel face an appropriate trophy girl to offer for the giant creature, as really happens on the picture, a young hero in Claudio Cassinelli to save the helpless girl, Martino imposes a superstitious African tribe that believe in a Alligator's God willing to feeding with human fresh, at last the producers and writers put a supposed greedy and heartless man in the body of Mel Ferrer, then we've perfect formula to make the audience going to frenzy.

Aside the mix of foam, latex and cardboard on the innocuous Alligator all the remainder is someway very palatable for the target public, at cavern's sequence made in Italy had a great impact in so wondrous Alligator's skull, when Barbara and Cassinelli meet a hermit father, further the producers didn't retrench the budge sunk a brand new helicopter and renting all real resort at Asia, gorgeous girls in sexy bathing suits, the happy lady and finally that stolen the show the toothless little girl with the amusing smiling, not so bad.

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First watch: 1983 / How many: 2 / Source: TV-Youtube / Rating: 5.25.

Although this is billed as a Jaws rip-off, the whole theme park threatened by a huge lizard sounds a lot like Jurassic Park too me, more than ten years before Michael Crichton published that book.

In some country, somewhere, photographer Claudio Cassinelli has been employed to take publicity shots for new resort owner Mel Ferrer. This new resort is seems to be smack bang in the middle of a jungle surrounded by hostile country and natives who help the newcomers, but also seem pretty superstitious and twitchy. Claudio, like in Island of The Fishmen, loves to do a bit of snooping, and finds that Mel isn't beneath some dodgy antics to get the tourists in, like having sidekick Romano Puppo feed musk rats to the local crocodile population.

Also like in Island of the Fishmen, Claudio sets his eyes on Barbara Bach, Ferrer's assistant who can talk with the natives (basically the same role she had in Island of the Fishmen then!). Whereas everything seems to be going okay for everyone, there are rumblings from the natives that all these newcomers have angered the God of the river, and that he's come back as an Alligator (not a crocodile - they do have a discussion about this). So, is monster Alligator real, and more importantly, how many people is it going to eat?

This is a film of two halves, really. There constant bickering of the characters and the lack of gore is a complete letdown, and yet the elevated cheese factor completely saves the film in the end. While it takes ages to get to any action, it's worth waiting until the film gets to Richard Johnson's appearance as a crazy priest. His demented performance as a man driven insane by the alligator is hilarious. Director Martino also saves most of the action until the end, and although we never do get a gore-fest, the alligator does get to go radgy and attack every person in the resort, at exactly the same time every person in the resort is trying to escape from the angry natives!

Although made in 1979, just check out that eighties vibe with the dancing tourists. I was already to hate this one but then Martino pulls it out of the bag in the last thirty minutes. Well done m'man! Martino's next four films are comedies, so I'm giving them a miss.

For many people this is one of the worst by Sergio Martino, but I really love it. First I gotta say that I love Sergio Martino and for me he is maybe the best exploitation Italian director, better than Di Leo and Lenzi too. Big Caimano River is a real b-movie, and I say that as a compliment: a real b-movie as today nobody do anymore. It's a sort of "Jaws" rip-off, with a big alligator which scares a small village in the forest. The movie is sometime stupid, but is so funny. You can easily see that the alligator is fake, but this doesn't disturb me. Instead, I think it's almost touching: that time is over, the time of the house made fx-effects. The underwater ending sequence is fantastic. Also the truck is fake but, you know, that's b-movie. And that's what I like.

This film starts with a photographer being flown by helicopter to a hotel/resort in the middle of the jungle, because he has been hired to take some publicity photos for the owner. Once there he is introduced to everyone of any interest (to the viewer anyway) and is given a guided tour of the place (once again more for the viewers benefit than his, a quick and lazy way to set the story up). After this opening ten or so minutes its on with the story, this photographer falls for the owners assistant and tries to chat her up when she is alone, outside. At the same time two locals sail to a nearby island and make love. On their way back they are attacked and killed by a giant alligator, of course the photographer and his soon to be lover hear their screams. The next morning one of the two killed the night before is reported missing, the photographer puts two and two together and along with a broken boat realizes something is not quite right. The hotel owner however is not convinced, and as he has his first guests coming to stay he doesnt want to start a panic. Its now down to the photographer and his girlfriend to prove the great alligator exists. I like all these italian rip off movies from the late seventies and early eighties and this one isnt too bad at all. Sergio Martino is a solid director who seems to make good, handsome, well made movies that are better than their low budgets would suggest, mountain of the cannibal god, A man called blade and 2019 after the fall of new york are a few examples. There is not much gore and the alligator is rarely seen, but the locations are nice as is the camera work. I liked the ending as well. Some may find the film a bit dull and slow but I liked it and recommend it.