Círculo de Ferro

I'd been intrigued by this one for some time due its being based on a story concocted by Bruce Lee and James Coburn; when it emerged as a "Special Edition" via the Blue Underground label, I had considered purchasing the DVD but somehow never got around to it. Eventually, CIRCLE OF IRON (as it's better-known) was even expanded into a fully-loaded 2-Disc Set…but, then, I happened upon the original disc at a local rental outlet and finally decided to check it out.

As it happened, I was somewhat let down by the film: I'm all for exotic action/adventure stuff – a genre which got something of a revival during this era – but, despite the various trimmings (martial arts, mystical overtones, plus a number of rather superfluous cameo appearances by the likes of Roddy MacDowall, Eli Wallach and Christopher Lee), THE SILENT FLUTE came across as invincibly low-brow! Besides, while David Carradine is ostensibly the star (and even gets to play four different parts for no discernible reason!), the hero proper of the narrative was played a beefy protégé of his – Jeff Cooper – whose wooden performance here really drowned the film for me!!

The plot – the winner of a martial arts tournament is assigned the task of seeking the whereabouts of a famous wizard (played by horror legend Lee) who is in possession of an all-powerful book – sounds intriguing on paper but, to be honest, the way this plays out on screen it's not terribly compelling; worse still, the denouement is a real cop-out! That said, the numerous action sequences and Carradine's characterization of a blind shepherd (himself a martial arts champion) who guides Cooper on his danger-fraught journey make the film palatable for the most part.

Despite the obvious low-budget at his disposal, too, one-time-only director Moore (his more typical credit is as a cinematographer) lends the film reasonable visual style – accentuated by the expansive Israeli locations (which constitutes the film's main asset along with Australian composer Bruce Smeaton's beautiful score). As a matter of fact, Moore admits in the disc's Audio Commentary that the main reason that seemed to have gotten him the assignment in the first place was because his background as a cameraman assured (in the eyes of the producers, at least) outstanding visuals!

THE SILENT FLUTE is, ultimately, a hodgepodge of disparate ideas (with its most bizarre element being Wallach's masochistic "Man In Oil" and his diatribe on the virtues of a life without one's own genitalia!) which don't really jell and, consequently, it works only in fits and starts...

This is a silly movie and not for those who want credibility, realism, SFX, CGI, or The Rock. But, it is about some of the more exalted aspects of what it means to seek the limits of what you can do with a combination of your spirit and your self. Karate, kung-fu, la savate... they're all just ways to fight. This film is for those who know that ways to fight are stepping stones to something greater. It follows a man who does not know, but who is learning, that punching and kicking merely create freedom to explore and to learn; the benefits of his quest will come from something more than his physical self can achieve.

It's not a great movie, but it addresses great questions and, if you look at it through the lens of metaphor, it can point you towards an answer or two. As well as that, it's a punctuation mark--if not a prose passage--from the '80s era of movies that asked us to keep believing things we knew were probably not true, but would be oh-so-cool if they were.

This is the story and journey of a lone man, Cord (played by Canadian Jeff Cooper), who is in search of Zetan and his book of knowledge. Along the way he meets many people and has to overcome several trials.

The story was original conceived by Bruce Lee, with help from James Coburn. In the meantime Bruce left for Honk Kong (Golden Harvest) to make what would be his series of movies that would immortalize him. This movie was resurrected after Bruce's untimely death.

What would have been Bruce's role, as the blind mystic/martial arts flute player with a bell on his toe, went to the universal Bruce Lee role acquiring machine that is David Carradine. In David's defense he does play 4 roles in this movie and is the saving grace of the movie. Jeff Cooper painfully interprets Cord, the hero. He almost lacks any emotion even when annoyed or angry his face is strangely serene and on the verge of a smile. He obviously spent time working out, but little to no time in a dojo. Also what's up with the hair ?? David's problem lies in his "martial arts" skills and his fortune cookie kung-fu babble. The movie seems like an extended version of the TV series that David was in (Kung Fu).

There are problems with this movie. Initially the movie was to take place in the East (China, Thailand, etc) to correspond with the various themes of the movie (Taoism, Zen Buddhism, etc). Instead the movie was filmed in Israel. The landscapes and backdrops are at times breathtaking, just out of place. This along with the crappy martial arts choreography (think Dolemite) and the repetition of extras gives the movie the feel of a Conan knock-off.

There are also some nice cameos by Roddy McDowall, Christopher Lee and Eli Wallach. The man in oil scene is priceless. Throughout all this if one pays attention, one can pick up a lot of Bruce's beliefs and philosophies. One can only wonder how good this movie would have been if Bruce would have been able to make it. I highly recommend this movie for fans of Bruce and the martial arts genre.

-Celluloid Rehab

This spiritual journey by muscleman Jeff Cooper is filled with goofy philosophics delivered with ridiculous austerity by the likes of guest stars David Carradine, Eli Wallach and Christopher Lee. It's all supposed to be mystical and enlightening, but it's mostly an unexhilirating peplum potboiler, without the enjoyably kitsch qualities that made that genre endearing. Listening to Lee philosophize was as dull as watching him perform was exciting. Oddball chopsocky.

"Circle of Iron" is a movie that looks beyond the action of martial arts into the mystique and philosophy associated with it. It was originally intended to be made by Bruce Lee, but he died before it could be brought to the screen, so David Carradine steps in to fill the role.

How well the movie accomplishes it's goal depends on how seriously you take eastern philosophies. It's all too easy to watch a few minutes of it and dismiss it as some weird barbarian movie with lots of karate. It is decidedly low budget.

However, if you watch the movie and *listen* to what it's trying to tell, it's extremely engrossing, as it addresses questions and concepts that all of us wonder about at some time or another.

The man making the journey in this movie, "Cord," is acceptable, if a rather generic role. David Carradine plays several roles, but his most striking is that of an eerie blind man who fights off his opponents with a hollow staff that whistles as he twirls it.

This is a hard movie to find, but it does crop up sometimes on late night TV or cable, and is worth checking out.