Neste drama, David Rosen e sua esposa Becky moram no mesmo bairro de Coney Island há quase toda a sua vida de casados. Mas a área não é mais o que costumava ser, e um líder de gangue decidiu... Ler tudoNeste drama, David Rosen e sua esposa Becky moram no mesmo bairro de Coney Island há quase toda a sua vida de casados. Mas a área não é mais o que costumava ser, e um líder de gangue decidiu fazer de Coney Island seu novo território.Neste drama, David Rosen e sua esposa Becky moram no mesmo bairro de Coney Island há quase toda a sua vida de casados. Mas a área não é mais o que costumava ser, e um líder de gangue decidiu fazer de Coney Island seu novo território.
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Well paced and well acted story of old couple living in Coney Island in a decaying neighborhood with hoodlums. A portrait of NYC in the 1970s. Also very heavy on Jewish content, this movie would be worth of inclusion in a Jewish film festival. A surprise! Worth a watch, especially if you like the gritty 70s feel.
Vigilante thriller its not, like the synopsis reads and the front of the video case might suggest with the imagery
though the scene does occur. "Boardwalk" is a well-intended (despite the racial flare and direct moralizing) and at times moving feature thanks hugely by the exceptional performances of seasoned actors Lee Strasberg and Ruth Gordon. The two were simply charming whenever together. Watching the once happy elderly couple, now battling family issues/ health problems (which is the main drama driving the story where there are numerously scattered human interest subplots), but also the changing neighbourhood of Coney Island as young jive talking hoons run wild (which populates mainly the beginning and ending but still feels secondary) is engagingly passionate in its ups and downs. The heartache only grows, where it comes away with a swelteringly damaging climax and the closing shot is particularly haunting in its forced predicament. The suspense is only minor, but it's always compelling. The evocative script is thoughtfully laid out in its exploration of the effects / shake down these central characters find themselves in, as they're stripped to the bone and demoralized, living in a community filled with fear, but still they won't back down and succumb to the turmoil (be it the gangs or their dwindling business). Its love, survival and violence rolled into one. Amongst the sombre air, is still quite a sunny vibe of hope led by the acting. In support roles are agreeable turns by Janet Leigh, Joe Silver, Eddie Barth, Merwin Goldsmith and Kim Delgado. The authentic location work helps cement a realistic edge, while the pacing is rather measured and rather low-scale in its escalating confrontations and violence (which is tamely staged, but gut wrenching since you're thrown right into the acts).
Saw this on cable back in 81. And it was about an old couple who live in a bad neighborhood and are being picked on by a youth gang. It was rated PG, but had some pretty disrupting scenes. The ending was definitely a shock. As far as i know this has never been on video or at least i never seen it anywhere. IF you can find it check it out. Iam sure it looks pretty dated now.. Its a movie that will stick with . I haven't seen it since 1981 and still remember all the stuff that happened in it..Iam sure a lot of the people in it are gone now. It shows how bad neighborhoods in new york were back in the late 70's.. It reminded me of another movie that came out in 80 called defiance
The acting was great, one of the best films I've seen, and a true emotional roller coaster of a ride...a neat little twist at the end. The film can be very shocking in places, but what's so good is that it contains no special effects, just purely great acting and direction.
Lee Strasberg and Ruth Gordon shine as an elderly, long-married Coney Island couple who live in a neighbourhood that has seen better days. Together they must deal with the changing times - his cafeteria is not doing so well these days, an arrogant gang rules the day on the nearby boardwalk, etc. Their daughter (Janet Leigh) has her own problems dealing with a son (Michael Ayr) whose career as a recording artist is just taking off.
"Boardwalk" is a nice little slice of life / character study / human interest drama that is not always compelling. Some of the supporting characters are just NOT as likeable or as engaging as the couple at the centre of our story, and the film is never very interesting when it doesn't focus on them. Yes, some people could argue that the film gets a little too ugly at the end, but the subplot with the gang had to be resolved *somehow*. Ultimately, this does feel rather manipulative at times; for example, there's a point where director Stephen Verona could just let Gordons' performance carry the scene, but it's accompanied by melodramatic music on the soundtrack.
Strasberg and Gordon are the main reason(s) to watch: their believability as a loving twosome, their banter (they actually peruse a copy of Playboy together in bed), their struggles to deal with developments in their lives. "Boardwalk" does have some poignancy when it illustrates his life as a Jewish immigrant in America. Strasberg is also free from any sort of prejudice, and is taken aback by Leighs' reaction to a black couple who move in next door. There's a solid supporting cast (Joe Silver, Eddie Barth, Merwin Goldsmith, Eli Mintz, Lillian Roth, Kim Delgado as the repulsive main baddy, Linda Manz, Antonia Rey, Sammy Cahn, Altovise Davis, Lloyd Hollar). And that looks like Steve James as one of the moving men late in the picture.
Overall, a respectable if not entirely successful independently made drama, certain to push peoples' buttons frequently (that gang couldn't be more despicable if they tried).
Seven out of 10.
"Boardwalk" is a nice little slice of life / character study / human interest drama that is not always compelling. Some of the supporting characters are just NOT as likeable or as engaging as the couple at the centre of our story, and the film is never very interesting when it doesn't focus on them. Yes, some people could argue that the film gets a little too ugly at the end, but the subplot with the gang had to be resolved *somehow*. Ultimately, this does feel rather manipulative at times; for example, there's a point where director Stephen Verona could just let Gordons' performance carry the scene, but it's accompanied by melodramatic music on the soundtrack.
Strasberg and Gordon are the main reason(s) to watch: their believability as a loving twosome, their banter (they actually peruse a copy of Playboy together in bed), their struggles to deal with developments in their lives. "Boardwalk" does have some poignancy when it illustrates his life as a Jewish immigrant in America. Strasberg is also free from any sort of prejudice, and is taken aback by Leighs' reaction to a black couple who move in next door. There's a solid supporting cast (Joe Silver, Eddie Barth, Merwin Goldsmith, Eli Mintz, Lillian Roth, Kim Delgado as the repulsive main baddy, Linda Manz, Antonia Rey, Sammy Cahn, Altovise Davis, Lloyd Hollar). And that looks like Steve James as one of the moving men late in the picture.
Overall, a respectable if not entirely successful independently made drama, certain to push peoples' buttons frequently (that gang couldn't be more despicable if they tried).
Seven out of 10.
Você sabia?
- CuriosidadesFinal theatrical feature film of actress Lillian Roth who played Ruth.
- Trilhas sonorasNever Felt So Right
Written by Susan Collins, R. Berardi, M. Berardi
published by April Blackwood Music/Chappell Music
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- How long is Boardwalk?Fornecido pela Alexa
Detalhes
- Tempo de duração1 hora 38 minutos
- Mixagem de som
- Proporção
- 1.85 : 1
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