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4,6/10
2,1 mil
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Quando seu pai é assassinado, uma herdeira da indústria farmacêutica se torna o próximo alvo de um assassino desconhecido que está no meio da alta sociedade internacional.Quando seu pai é assassinado, uma herdeira da indústria farmacêutica se torna o próximo alvo de um assassino desconhecido que está no meio da alta sociedade internacional.Quando seu pai é assassinado, uma herdeira da indústria farmacêutica se torna o próximo alvo de um assassino desconhecido que está no meio da alta sociedade internacional.
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Avaliações em destaque
Regarding "Sidney Sheldon's Bloodline", I'd like to correspond to Paramount and inquire why not re-edit the film (remaster), and create a SPECIAL EDITION, maybe with deleted scenes (with Ursula Buchfellner and Eleonore Melzer, which were cut), and commentary. I read parts of the book, and like the book, but the movie, when I watched it in the theater back in 1979, it made no sense, and was confusing, particularly with the Snuff films. The book lets you know WHY these films are created, as with the movie, you wonder why?! OR: remake the movie the way the book is! Great cast, but overall, movie STINKS! Anyway, anybody know the address to write to Sidney Sheldon so I can ask him?! Thank you.
It was said that midway through shooting "Bloodline" Audrey Hepburn finally realized what a horrible and degrading movie this was going to be and desperately wanted to get out of it, but she was under contract and had no choice.
When you see this movie you will realize exactly why she felt so bad about making it. The absolute only reason to watch "Bloodline" is to see how Audrey Hepburn aged like fine wine.
When you see this movie you will realize exactly why she felt so bad about making it. The absolute only reason to watch "Bloodline" is to see how Audrey Hepburn aged like fine wine.
Very disappointing.
Nobody expects film based on Sidney Sheldon's book to be come art-house masterpiece but at least it could be made into enjoyable crime movie like Death on Nile. Well it was not. Despite the rather famous director (Young is not Fellini of course but most his previous films were enjoyable eye-feasts; would that be a spy adventure (2 Bond movies), eurowestern (Red Sun) or costume drama (Mayerling)) and all-star cast the film is very weak.
The plot is inconsistent and empty the idea to equip the Agatha Christy-like crime puzzle with subplots from other genres may seem not bad idea but it doesn't work at all
Subplot 1- (WWII -Jewish Tragedy with absolutely aimless trip to Poland) and Subplot 2 (French one - Schneider/Ronet story ) seem to be taken from the absolutely different film as well as the type-cast Shariff's line
Actually this all-star cast is the only reason to watch it, but its is painful to watch so much talent wasted. If Hupbern, Gazarra and Mason are at least is doing something during the boringly unveiling plot, the others are just fitting the empty space. especially annoying to see superb dramatic actresses like Papas and Schneider wasting their talent in this turkey.
Nobody expects film based on Sidney Sheldon's book to be come art-house masterpiece but at least it could be made into enjoyable crime movie like Death on Nile. Well it was not. Despite the rather famous director (Young is not Fellini of course but most his previous films were enjoyable eye-feasts; would that be a spy adventure (2 Bond movies), eurowestern (Red Sun) or costume drama (Mayerling)) and all-star cast the film is very weak.
The plot is inconsistent and empty the idea to equip the Agatha Christy-like crime puzzle with subplots from other genres may seem not bad idea but it doesn't work at all
Subplot 1- (WWII -Jewish Tragedy with absolutely aimless trip to Poland) and Subplot 2 (French one - Schneider/Ronet story ) seem to be taken from the absolutely different film as well as the type-cast Shariff's line
Actually this all-star cast is the only reason to watch it, but its is painful to watch so much talent wasted. If Hupbern, Gazarra and Mason are at least is doing something during the boringly unveiling plot, the others are just fitting the empty space. especially annoying to see superb dramatic actresses like Papas and Schneider wasting their talent in this turkey.
I enjoyed this movie! Any time Audrey Hepburn graced the screen was an occasion and for her to be paired with Ben Gazzara made this movie extra special for me. The story is interesting; the scenery is beautiful; a delightful romance develops; and who could forget Omar Shariff's shenanigans with his wife, his daughters and his mistresses? I do not wish that every single copy would disappear - I wish that they would put it on DVD. In fact, I have an excellent copy on VHS that I taped from TV. I have tried to copy it on my DVD recorder but they marked it so that it cannot be copied. I don't understand this practice but that has nothing to do with this movie! Sidney Sheldon is an excellent storyteller - and this one is no exception. As pointed out by another reviewer here, there may be cinematic flaws and shortcuts in this film - I did not notice them. I was much too engrossed in the story.
It seems best to consider Richard Lester's lovely "Robin and Marian" Audrey Hepburn's swansong."Bloodline " is the most distressingly mediocre movie she ever made.
Terence Young had already directed the actress in the excellent thriller "wait until dark" ,a film which compares favorably with Hitchcock's "rear window" .So it was only natural that they teamed up again .
The screenplay is a mess,a disaster ,and it's more complicated than complex.Full of plot holes,of implausibilities (the fabulously rich heiress ,after several murder attempts does not even think of hiring a bodyguard!),and see how Young even copies himself for the last sequence where Hepburn is alone in the house ,of course in the dark,like in the 1967 highly superior effort.
An absurd international cast gives the coup de grâce to the movie: Americans (Ben Gazzara),English (James Mason),Germans (Romy Schneider,Gert Froebe),French (Maurice Ronet) ,Greeks (Irene Pappas),Egyptians (Omar Sharif).All are given lousy parts .They are supposed to be the suspects of a whodunit.
Terence Young had already directed the actress in the excellent thriller "wait until dark" ,a film which compares favorably with Hitchcock's "rear window" .So it was only natural that they teamed up again .
The screenplay is a mess,a disaster ,and it's more complicated than complex.Full of plot holes,of implausibilities (the fabulously rich heiress ,after several murder attempts does not even think of hiring a bodyguard!),and see how Young even copies himself for the last sequence where Hepburn is alone in the house ,of course in the dark,like in the 1967 highly superior effort.
An absurd international cast gives the coup de grâce to the movie: Americans (Ben Gazzara),English (James Mason),Germans (Romy Schneider,Gert Froebe),French (Maurice Ronet) ,Greeks (Irene Pappas),Egyptians (Omar Sharif).All are given lousy parts .They are supposed to be the suspects of a whodunit.
Você sabia?
- CuriosidadesAudrey Hepburn's first, and only R-rated film in the United States.
- Erros de gravaçãoIn Sardinia, when Major Campagna talks to his soldiers, he speaks in Italian, but when he talks to his superior, on the phone, he speaks in English and not in Italian.
- Citações
Elizabeth Roffe: [to Rhys as she flees Maxim's] You really and truly are a perfect bastard!
- Versões alternativasNetwork TV version features 40 minutes of additional footage not included in theatrical release.
- ConexõesFeatured in Sneak Previews: Prophecy/Bloodline/Moonraker/Dracula/Nightwing (1979)
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- How long is Bloodline?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- Lazos de sangre
- Locações de filme
- Burghausen, Bavaria, Alemanha("Krakow" exteriors)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 12.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 8.218.695
- Faturamento bruto mundial
- US$ 8.218.695
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