Dramático Reencontro no Poseidon

A lot of people don't like this picture, but, I think it works. It is helmed by a strong cast of principle performers and carried off by a unique twist on the sequel impetus. The idea is fairly original, as opposed to the usual: for this story, one would normally expect they'd just focus on another group of survivors and how they get out. Instead of dealing with people wanting to get out, the plot is spurred on by people wanting to get IN. Then, ironically, they become trapped and become the people who have to get out, along with some of those aforementioned survivors to keep with tradition. I also have to give the film credit for that little bits of continuity, like Linda's body is still lying near the entrance of the ship the crew uses, the same hole the original movie's survivors escaped from. In the end, the movie isn't as bad as it is often called.

If you liked the original "Poseidon Adventure" then you can not find one redeeming feature of this lamebrained "sequel" that represents exploitation for a quick buck at it's worst. Paul Gallico's novel, while not stellar, at least brought back Rogo, Martin and Manny Rosen while this time out the orignal cast and characters is gone completely apart from an obscure reference to the helicopter that picks them up.

I won't bother dissecting the horrible performances by the actors in their uninteresting roles. I would like to gleefully note the absurdities of the entire plot when compared to it's predecessor. As two others have noted, it is impossible to believe that there could be no other rescue ships out to the scene at this point. And did anyone else notice how the ship seems strangely much more intact than it did in the original? Fred Koenekamp's cinematography in the original was dark, grimy, realistic and effective. This time out, this search crew ends up back in a spotless looking kitchen which in the original was devastated by a flash fire and then submerged only moments later! The photography is much too bright, the settings too spotless, and the story just plain stupid. The bigger mystery is why, after being humiliated in "The Swarm" did Michael Cain ever agree to work with Allen again?

Pretend this film never happened and just stick to the original, which is far more intelligent.

My Take: Formulaic disaster movie, but has its moments with its well-known cast. Otherwise, a pretty weak disaster movie.

This sequel is not as good as its hit predecessor "The Poseidon Adventure" was, but easily passable, depending on the yardstick you measure it with. I really like Irwin Allen's production films. They really show a great and realistic disaster and a great well-known cast. This elements would set the pattern to today's disaster hit films. Many bad things has been said about this failed sequel to the 1972 classic, so I guess this is quite a guilty pleasure to me. It's hardly a good movie, in fact its quite a mess upon further observation (plot holes, needless back stories, and one character is disposed of without explanation), but I did kinda enjoyed it on a "it wasn't the complete disaster" way.

The film resembles a little like the original disaster was. But I think it was meant to be that way. Anyway, most of the cast die heroically. Michael Caine gives a fine performance, but I really liked Sally Field here. She really gives a spunky performance. Field's character is the one Caine's character likes to call "monkey", but she turns out to be his love interest in the film. Telly Savalas makes a really good villain as Dr. Svevo. Jack Warden and Shirley Knight are fine as the couple who never seems to lose hope for each other. The other cast includes Karl Malden, Shirley Jones and Peter Boyle, do their best without being too embarrassing. But Slim Pickens is quite weird in his role as a Texan drunk, who never seems to let go of his priceless bottle through the entire film.

Overall, I kinda liked "Beyond the Poseidon Adventure", though I think a large amount of suspension of disbelief is required. Non-disaster buffs won't dig it, but for nostalgia, fans of the original may want to check it out. It wasn't as good as that film, but along with THE SWARM, it's kind of a guilty pleasure.

Rating: ** out of 5.

This formula disaster movie from Irwin Allen (Towering inferno) concerns about the famous ship , previously winner of numerous Oscars and some former footage is sprinkled into the opening sequence . Later wreckage Poseidon during New year's eve , when a tidal wave overturns it , now Michael Caine is the captain of a crew (Sally Field,Karl Malden) which race each other commanded by Telly Savallas for obtaining reward and loot . After sea tragedy Poseidon centering on survivors from liner passenger and the rescuers of the shipboard .

This mediocre sequel blends action , intrigue , gunshots , disaster spectacle , suspense and emotional byplay with romance included . Our heroes get stuck in the ship before it sinks . The protagonists spend most of their time devising grisly ways for avoid to die like the first part . The picture isn't bad but deeds better and more spectacularly filmed in ¨The Poseidon adventure¨ . The explosion , pyrotechnics , floods are spectacular but the film is just another usual Hollywood product . Succeeds only in wasting various talented actors , an all-star-cast formed by Michael Caine in a similar role Gene Hackman-alike , Jack Warden as a blind passenger , Slim Pickens as a habitual role , Peter Boyle as a zealous father of his daughter Angela Cartwhright enamored by Mark Harmon , besides appears Veronica Hamel , Shirley Knight , Shirley Jones...Lively score musical by Jerry Fielding and colorful cinematography by Joseph Biroc . It's an Irwin Allen's rehash of former disaster movie clichés that even the splendid casting cannot save . The picture is one of the last Allen's flops along with ¨Swarm¨ and ¨When the time ran out¨. Rating : Average but entertaining , it's a fairly watchable disaster movie .

This horrifyingly bad and automatically inferior sequel to "The Poseidon Adventure" came and went in theaters so quickly that one could be forgiven for not even realizing that it ever existed! The real victim here was Paul Gallico, the author of the original story. When "PA" was made into a film, the writers changed several things around (as often happens). When plans of a sequel came about, Gallico wrote the sequel to the novel based NOT on his own great little book, but on the FILM's storyline. Then the filmmakers discarded his novel "Beyond the Poseidon Adventure" and went with the version found here. So he adjusted his characters and story to fit Hollywood's version, only to have it abandoned in favor of this rehash. In it, two disparate groups join up to either salvage loot from the overturned vessel or rescue any leftover survivors. Instantly they are trapped as the boat belches and rocks continuously, yet they stay inside to find salvage, linger over conversations with newly discovered passengers and finally run around shooting at each other! The inexplicable cleanliness of the sets and utter illogic of the storyline pale in comparison to the hilariously bad dialogue and the banal music score. Previous, greater disaster movies had majestic scores done by excellent composers. This music has no memorable opening theme and features inappropriate and discordant music during scenes (often a whimsical "Flight of the Bumblebee" type of thing is heard.) Some of the dialogue has to be heard to be believed. One classic scene is when Knight dislocates her shoulder after grappling to save her blind husband Warden. Award-magnet Knight does a terrific job of displaying her injury and is carried over to a corner and revived realistically with smelling salts. Then purportedly-kind nurse Jones reveals an utter lack of bedside manner. Does she resort to the standard "You'll only feel a slight prick" or "This won't hurt a bit"??? Nooooo She grabs Ms. Knight's arm and goes, "This is going to hurt a great deal Mrs. Meredith, I'm so sorry!" Apparently, the violence of this scene was so intense that it had to be filmed through debris (fully obscuring Jones' face!) so as not to shock the audience! The characters are unwaveringly pathetic and annoying (and in many cases, just thinly disguised versions of folks from the original film.) Boyle is mercilessly loud and obnoxious, taking Ernest Borgnine's "type" to a new level of irritation. Cartwright is a little old to be playing the little girl sort of role that Pamela Sue Martin already did. Her costume makes her look like a frump. Pickens is hilarious, drawling out lines like, "Who's Svevo? As a matter of fact, who's Suzanne?" in a thick Texas accent. Jones' character is a drippy nurse and has to dredge up her own long-ago award just like Shelley Winters' swimming medal, to no good effect. Warden and Malden vie for audience sympathy with their afflictions, but don't get any. Field rubs immediate tarnish on her Oscar for "Norma Rae" with her over-the-top, "Three's Company" - level comedic attempts and Caine should have known better, but this was his period of making bomb after bomb. Still, it's fun on a camp level to watch once and future Oscar-winners slumming badly. Hamel, for the brief time she is on screen, is both alluring and amusing. Sadly, this and "When Time Ran Out" would slam the lid on any hopes of a film career, but she rebounded on television. Knight adds some much needed class, desperately trying to underact and say her lines with dignity amidst all the squalid overacting and preposterous situations. She is done no favors for this. Sadly, the old VHS and now the newly released DVD shear 8 minutes off the film's running time, cutting a lot of Warden, Knight and Jones' scenes, even removing the fact that Warden and Knight are authors! These were sentimental moments between all three and must have been spliced out in order to keep the action, such as it is, moving. It's a pointless, grave-robbing hack job intended to wring more money out of the classic original, but which sank like a stone at the box office. At least now it can be enjoyed for the audacious mess that it is!