AVALIAÇÃO DA IMDb
5,8/10
2,9 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaOn the remote Norwegian Bear Island, used as a submarine base by the Germans during World War II, U.N. scientist Larsen sends a distress signal using an emergency N.A.T.O. frequency, and is ... Ler tudoOn the remote Norwegian Bear Island, used as a submarine base by the Germans during World War II, U.N. scientist Larsen sends a distress signal using an emergency N.A.T.O. frequency, and is received by scientific vessel Morning Rose.On the remote Norwegian Bear Island, used as a submarine base by the Germans during World War II, U.N. scientist Larsen sends a distress signal using an emergency N.A.T.O. frequency, and is received by scientific vessel Morning Rose.
- Direção
- Roteiristas
- Artistas
Hagan Beggs
- Larsen
- (as Hagen Beggs)
Avaliações em destaque
I've been a movie geek since my childhood in the early 80's. This is one of the titles that for some reason stuck in my mind, even tho I never saw it because I was too young. Now was the first time I caught it on TV (scandinavian TCM). I'm surprised to see it's only available as a Spanish DVD and has an such a low score on IMDb (5.4/10).
I must say it's one of the better films I've seen this year, although I'm easy to please when it comes to certain types of film and this really is one of them. The locations and set design are amazing. This kind of isolation, feel of cold bleak winter, snow storms are very rarely portrayed so well, it's up there with Carpenter's The Thing. Grab a warm cup of coffee on a rainy day or a whiskey on a darkening evening while watching this.
I saw this without subtitling and had a bit of a trouble keeping up with the plot, even tho I'm pretty fluent in English. There are characters from USA, Germany, Denmark, Poland etc and a lot of exaggerated accents. It also doesn't make it much easier to follow the plot when the actors have similar clothing and are covered all the way, so you can't see their faces when outdoors.
I'm not much into action, but the scenes here worked. They are quite few, but longish and build slowly. There is some noticeable trick cinematography and jump cuts, but they're easily forgiven.
It's a fun detail that the expedition to Bear Island is initially about investigating the global warming. Judging by the original book synopsis, this wasn't the case on Maclean's book, but added to the movie. The movie is already over 30 years old so it's a nice eye opener for those who think global warming is something Al Gore invented.
It's far from perfect movie (from a relatively unknown Hammer horror director!), but the arctic scenery, some enjoyable performances (Sutherland) make up for it. Catch it if you can (TCM shows the widescreen version). It's a true nostalgia trip to a movie land that doesn't seem to exist anymore.
I must say it's one of the better films I've seen this year, although I'm easy to please when it comes to certain types of film and this really is one of them. The locations and set design are amazing. This kind of isolation, feel of cold bleak winter, snow storms are very rarely portrayed so well, it's up there with Carpenter's The Thing. Grab a warm cup of coffee on a rainy day or a whiskey on a darkening evening while watching this.
I saw this without subtitling and had a bit of a trouble keeping up with the plot, even tho I'm pretty fluent in English. There are characters from USA, Germany, Denmark, Poland etc and a lot of exaggerated accents. It also doesn't make it much easier to follow the plot when the actors have similar clothing and are covered all the way, so you can't see their faces when outdoors.
I'm not much into action, but the scenes here worked. They are quite few, but longish and build slowly. There is some noticeable trick cinematography and jump cuts, but they're easily forgiven.
It's a fun detail that the expedition to Bear Island is initially about investigating the global warming. Judging by the original book synopsis, this wasn't the case on Maclean's book, but added to the movie. The movie is already over 30 years old so it's a nice eye opener for those who think global warming is something Al Gore invented.
It's far from perfect movie (from a relatively unknown Hammer horror director!), but the arctic scenery, some enjoyable performances (Sutherland) make up for it. Catch it if you can (TCM shows the widescreen version). It's a true nostalgia trip to a movie land that doesn't seem to exist anymore.
German scientist Otto Gerran (Richard Widmark) leads an expedition to icy Bear Island - which was also a base for Nazi U-boats in WWII - for some kind of environmental research. Included in the group are fellow scientist Frank Lansing (Donald Sutherland), nurse Heddi Lindquist (Vanessa Redgrave), Russian Lechinski (Christopher Lee) and boat captain Smithy (Lloyd Bridges) among others. When they arrive at the titular location, the group discovers one of the three folks stationed there has gone missing. Before you can say TEN LITTLE INDIANS, folks start getting offed in an effort to hide the island's secret.
This is a pretty enjoyable action-mystery adaptation of Alistair MacLean's snowbound novel. The cast is all game, which is good as this must have been a hell of a production to shoot as 70% of it looks shot on location (Alaska and Canada). Director Don Sharp keeps things moving fast and, while you'll probably solve most of the mystery early on, there are still some nice twists. The production is nicely mounted, with great sets and some nice Bond-esquire snow chases. One great scene has Sutherland discovering a German U-boat and he finds the dead crew aboard it, shackled to their posts.
One interesting thing my friend who sent this to me pointed out is that this totally has a vibe of John Carpenter's THE THING. Now, of course, THE THING is a remake but I'd wager that film's screenwriter Bill Lancaster or John Carpenter saw this before setting about their version. The opening - where a lone guy runs across a snow-covered plain while being chased by a snowboat - sounds exactly like the opening of Carpenter's film. Look for Bruce Greenwood in his first big screen roll as Tommy the Technician, sporting an epic beard.
This is a pretty enjoyable action-mystery adaptation of Alistair MacLean's snowbound novel. The cast is all game, which is good as this must have been a hell of a production to shoot as 70% of it looks shot on location (Alaska and Canada). Director Don Sharp keeps things moving fast and, while you'll probably solve most of the mystery early on, there are still some nice twists. The production is nicely mounted, with great sets and some nice Bond-esquire snow chases. One great scene has Sutherland discovering a German U-boat and he finds the dead crew aboard it, shackled to their posts.
One interesting thing my friend who sent this to me pointed out is that this totally has a vibe of John Carpenter's THE THING. Now, of course, THE THING is a remake but I'd wager that film's screenwriter Bill Lancaster or John Carpenter saw this before setting about their version. The opening - where a lone guy runs across a snow-covered plain while being chased by a snowboat - sounds exactly like the opening of Carpenter's film. Look for Bruce Greenwood in his first big screen roll as Tommy the Technician, sporting an epic beard.
Film with good scenes from Alaska and good actors. He holds attention until the end of the film
As usual with Alistair McLean, it's a great story, but this time they fooled around with it a little too much, overdoing it into almost a parody, drowning the thriller in deafening music and exaggerated technical effects, waltzing around with snow scooters in wild goose chases, and so on. Everything is good until the stormy night, when everything collapses and relapses into chronic confusion, and on top of it all the actors can't speak clearly. Donald Sutherland is clear enough and sticks to his role all the way, Vanessa Redgrave is fair enough also in her acting as always, Richard Widmark also excels in honesty as usual, and who already in 1979 grapples with the problem of climate change and global warming, Christopher Lee is the greatest actor here though, playing an honest Russian for a change, Lloyd Bridges is queer enough, but in the resulting confusion of the sabotages coming in tautologies, it's not quite clear who fired on whom and who caused all those fires and ruined the generator, the radio mast, mixed up the books and so on. Many seem to have messed with many things, and what about poor Larsen? Was his body ever found? Who killed him and why? What did he try to communicate? Sorry, there is too much confusion in this hullabaloo of intrigues and counter-intrigues.
Still it's worth seeing, if not for anything else then at least for the story and Donald's discovery of his father. Here is the real mystery and central plot of the story – the mysterious fate of the last German u-boat captain, and the scene revealing the u-boat is a thriller in itself you'll always remember.
Still it's worth seeing, if not for anything else then at least for the story and Donald's discovery of his father. Here is the real mystery and central plot of the story – the mysterious fate of the last German u-boat captain, and the scene revealing the u-boat is a thriller in itself you'll always remember.
The similar theme music, Arctic setting, Norwegians and group alone left wondering who the antagonist is. This is a neat little film I found cross referencing Donald Sutherland films I haven't seen before. The Nazi U boat subplot is also great for its atmosphere. Another bonus is that it offers a pretty good line up of old school actors such as Richard Widmark, Loyd Bridges and Christopher Lee. There aren't many great films about the Arctic but this is one that you will enjoy.
Você sabia?
- CuriosidadesAn announcement at the end of the closing credits reads "Coming Soon -Alistair MacLean's Goodbye California". This movie was intended as the first in a series of Alistair MacLean adaptations, which would have included "El Dorado", "Athabasca", "Night Without End", and "The Way to Dusty Death". The next intended movie in the series, "Goodbye, California", was to be shot with a budget of between $12-$13 million. However, due to this movie's disappointing box-office performance, "Goodbye, California", and the other titles were never made by producer Peter Snell, who had bought the rights to numerous MacLean works in 1975, including ones at the time that had not even been published or written yet. Snell, however, did get Pânico na Torre (1980) and Na Mira Certa (1995) made for television.
- Erros de gravaçãoWhen everyone is outside after the generator explosion it is blowing a blizzard, but the flames are rising vertically with minimal wind disturbance rather than being virtually horizontal, revealing that wind machines are being used just on the area where the actors are.
- Cenas durante ou pós-créditos"Coming soon: Alistair MacLean's Goodbye California"
- Versões alternativasThe Region 1 DVD has certain graphic elements removed. Most notably, the view of the captain Lansing's cabin presents the captain's corpse being handcuffed to bulkhead and another corpse sitting by the desk. (Later the viewer learns it was an SS operative.) However, in the censored version only a glimpse of the captain Lansing's corpse is shown, the SS-man is totally cut out. This censorship severely interferes with the plot, as it is crucial to the novel to understand the motives of captain Lansing.
- ConexõesReferenced in The Bond Essentials (2002)
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Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- Isla del infierno
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- CA$ 12.100.000 (estimativa)
- Tempo de duração
- 1 h 58 min(118 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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