Apocalypse Now

Apocalypse Now is an interesting film, not because it is supposedly an anti-war film, but because it is surreal and shows an interesting journey into madness.

Martin Sheen gives us an insight into his character here and we see the senselessness of the whole situation and how easy it is to lose yourself in certain situations.

We follow his journey and the various events that befall him and a small group of soldiers in a patrol boat traveling deep into the jungle. On their way, really bizarre things happen.

Along the way, we also see Robert Duvall in the role of a completely insane officer, whose episodic role has a profound impact on the film.

The film should essentially be anti-war, but it didn't strike me as such, but simply as a film about the fate of various people who found themselves in unusual situations.

Their whole mission doesn't really make sense, and in the end they accomplished nothing, but that's the point. Everything was really in vain.

The direction is excellent, the music is perfectly integrated into the film and matches the tone of the film.

For me, this is a film about the loss of reason and the journey to madness. If civilization completely collapses, and somewhere it has already collapsed a long time ago, this is roughly what we can expect, madness and insanity.

I watched three versions of the film and I liked the Redux version the best.

An interesting and brutal journey into madness and darkness.

As I stated above, I think that the 2000 version of the film ought to be treated separately. The Redux is not just a longer version. It contains two new and important scenes, and one of them, the "french" episode, adds a whole new touch to a classic movie, WITHOUT breaking the atmosphere or disturbing the overall picture. I remember as I saw the Redux for the first time, that my whole understanding of the war in Vietnam changed, and how I had to go to the library and get an update on a few things. Also it is interesting that Coppola chose the year 2000 for the longer Redux. My guess is that he feels that the movie is as important today as it was back in 1979. He even went to the trouble of making an excellent piece of art even better, in order to actually make all the old fans see the new stuff, and to present a whole new generation with a very controversial and strong comment on one of the most bloody wars in recorded history. The movie is thought-provoking indeed, but also it has a visually very beautifully composed screenplay. Capturing the madness and chaos of war the storyline is also filled with more or less obvious metaphors and philosophical or existential riddles. A friend of mine called it "the most philosophical of all movies" - perhaps an overstatement - in my opinion it is just a very good film about war and the politics of war. But I can see that there is plenty for everyone here. What I'm saying is that it's one of those movies that you are likely to hear distinctly different opinions about, and you are most probably going to think again and again about it. I've seen the Redux 5, 6 or 7 times, and it is always a puzzling experience. Highly recommended.

I first saw APOCALYPSE NOW in 1985 when it was broadcast on British television for the first time . I was shell shocked after seeing this masterpiece and despite some close competition from the likes of FELLOWSHIP OF THE RING this movie still remains my all time favourite nearly 20 years after I first saw it

This leads to the problem of how I can even begin to comment on the movie . I could praise the technical aspects especially the sound , editing and cinematography but everyone else seems to have praised ( Rightly too ) these achievements to high heaven while the performances in general and Robert Duvall in particular have also been noted , and everyone else has mentioned the stark imagery of the Dou Long bridge and the montage of the boat traveling upriver after passing through the border

How about the script ? Francis Ford Coppola is best known as a director but he's everyway a genius as a screenwriter as he was as a director , I said " was " in the past tense because making this movie seems to have burned out every creative brain cell in his head , but his sacrifice was worth it . In John Milius original solo draft we have a script that's just as insane and disturbing as the one on screen , but Coppola's involvement in the screenplay has injected a narrative that exactly mirrors that of war . Check how the screenplay starts off all jingoistic and macho with a star turn by Bill Kilgore who wouldn't have looked out of place in THE GREEN BERETS but the more the story progresses the more shocking and insane everything becomes , so much so that by the time reaches Kurtz outpost the audience are watching another film in much the same way as the characters have sailed into another dimension . When Coppola states " This movie isn't about Vietnam - It is Vietnam " he's right . What started off as a patriotic war to defeat communist aggression in the mid 1960s had by the film's setting ( The Manson trial suggests it's 1970 ) had changed America's view of both the world and itself and of the world's view of America

It's the insane beauty of APOCALYPSE NOW that makes it a masterwork of cinema and says more in its running time about the brutality of conflict and the hypocrisy of politicians ( What did you do in the Vietnam War Mr President ? ) than Michael Moore could hope to say in a lifetime . I've not seen the REDUX version but watching the original print I didn't feel there was anything missing from the story which like all truly great films is very basic . In fact the premise can lend itself to many other genres like a western where an army officer has to track down and kill a renegade colonel who's leading an injun war party , or a sci-fi movie where a UN assassin is to eliminate a fellow UN soldier who's leading a resistance movement on Mars , though this is probably down to Joseph Conrad's original source novel

My all time favourite movie and it's very fitting that I chose this movie to be my one thousandth review at the IMDb

So just how insane is 'Apocalypse Now'? Well, let's say that it is the kind of film that makes you want to bang your head against the wall. The beginning has no credits or titles; nothing. The whole film seems like it's taking place on a different world, and as the story moves on, sanity itself is shed. There was a French plantation scene that got cut out, and an alternate ending that would have had a massive battle scene outside Kurtz's compound.

'Apocalypse Now' is not a realistic film in the sense that the presentation of the Vietnam War is far from correct: helicopters going in BEFORE the napalm strikes, a USO show in the jungle at night, and the final bridge all lit-up like a Christmas tree. (for more realistic 'Nam War movies, try 'The Deer Hunter' or 'Platoon')

But what 'Apocalypse Now' lacks in historical accuracy, it makes up in artistic and dramatic scripting. Some of the best photography and lighting ever can be found here.

The film also raises some severe philosophical issues, and gives us entirely new ones. When the movie begins, the war is raging around us. It is chaotic and nerve-racking, yet still rational. When we finally get to Kurtz's base, the action has died down, but rational thinking has long since been vanquished to the point of total lunacy. This shows us the truth about men of war in times of war and peace. The voyage down the river has a sense of time travel (a sense that would have been much more apparent had the French Plantation scene remained.) And when you get to the end, keep in mind the old phrase: The King is dead... Long live the king.

Is Kurtz insane? Or are we not yet ready to understand him? These questions and more are up to you as 'Apocalypse Now has no easy answers.

After the success of the first two 'Godfather' films in 1972 and 1974 respectively, Francis Ford Coppola embarked on an ambitious attempt to bring home the reality of the war in Vietnam, which had concluded with the fall of Saigon to the Vietcong in 1975… The plot was loosely based on the book 'Heart of Darkness,' a story by Joseph Conrad about Kurtz, a trading company agent in the African jungle who has acquired mysterious powers over the natives…Coppola retains much of this, including such details as the severed heads outside Kurtz's headquarters and his final words, "The horror… the horror…"

In the film, Sheen plays an army captain given the mission to penetrate into Cambodia, and eliminate, with "extreme prejudice," a decorated officer who has become an embarrassment to the authorities… On his journey up the river to the renegade's camp he experiences the demoralization of the US forces, high on dope or drunk with power…

Although, as a result of cuts forced on Coppola, the film was accused of incoherence when first released, it was by the most serious attempt to get to grips with the experience of Vietnam and a victorious reinvention of the war film genre… In 1980 the film won an Oscar for Best Cinematography and Best Sound…

"Apocalypse Now" was re-released in 2001 with fifty minutes restored… As a result, the motion picture can now be seen as the epic masterpiece it is