O Mistério de Agatha

It's a famous real life case. Agatha Christie disappeared for 11 days in December 1926. For some, she never explained it convincingly and this is a fictional account of those days. Col. Archibald Christie (Timothy Dalton) asks his wife Agatha Christie (Vanessa Redgrave) for a divorce so that he can marry his secretary Nancy Neele. Agatha is under tremendous stress and desperate to keep her husband. When American reporter Wally Stanton (Dustin Hoffman) arrives at her doors for a scheduled interview, the colonel sends him away. Agatha's abandoned car is later found and the search is on.

The fictionalization gives the scriptwriter a blank slate. It could have gone a million different ways from the outlandish to the poignant. This doesn't do much of anything and that is the most disappointing aspect. I don't care about Stanton or the Colonel or the search. I would love to follow only Agatha but she just spends her time at a spa. It's probably the least intriguing destination although it's fun to have her do research during her stay. I don't find her budding relationship with Stanton based on mutual lies that compelling. Despite the great acting power available, it's not until well into the second half before something interesting happens.

Well photographed, carefully edited film, swimming in supposition. Almost quietly performed. Overall sense of loss and heartache gives further readings into Christie's books a tinged sense of sadness. Mannered but sympathetic acting by the 2 strong leads, balance well off the 2 sort of "villians": the snobby mistress and the caddish husband, played with icy detachment by the future and all too brief James Bond. The stunning visuals look especially nice on a large screen.

In 1926, when her marriage with a stiff colonel has run down, Agatha Christie mysteriously vanishes. In the middle of both police and public investigation after the famous writer, an American journalist finds her in a Harrogate spa-hotel where, under a pseudonym, she prepares an elaborate revenge against her husband's lover.

Straightly fictitious solution to a famous and still unsolved real-life disappearance, with more attention to gleaming period detail and chillingly murky atmosphere than to suspense or credibility, while Redgrave's finely sensible portrait is downed by the somewhat strained and out-of-place casting of Hoffman as love interest. Eventually, this glossily romantic thriller has its own fascinations and is always well worth looking at, but the mystery is simply not as startling or revealing as one would expect from the Grande Dame of whodunit.

Fie on all adulterers!!!! Vanessa makes you feel her pain as she is rejected by her handsome cold husband and then subjected to his lies about his new mistress. We follow her thought processes, so good is her acting, as she mulls over suicide and the various ways it may be accomplished. Her masochistic love for this man is hard to believe, unless you've been caught up in the spell of a @#$$^$*%()_ , know what I mean? She certainly doesn't need him, financially.

Anyway, Dustin Hoffman comes along playing a hard-eyed, confident newspaper man, quite against type. He meets the wealthy owner of the paper he's stringing for eye to eye with great firmness. The way he brings another reporter into some high faluting meeting place over the snobbish insults of the wait-staff is a beautiful and subtle thing to watch.

I of course enjoyed all the English scenery at Bath, England at the old hotel there meant for folks in the old days to take different 'cures'. Of course, we're talking the idle rich here, and it was rather fascinating since we have our own Warm Springs, also used for similar type cures during the 30s and 40s.

Buy the movie for your big screen TV, and back it up with some Merchant Ivory for a great evening of hoighty-toighty England.

who could be discovered as embroidery of speculations. or as coherent explanation of an obscure moment of life . but its virtue is the meet between Vanessa Redgrave and Dustin Hoffmann. and the atmosphere. and, in same measure, the story who has the gift to be reflection of a period more than reflection of a life. this is the key of film - status of woman, need to escape from pressure, desire to become anonymous, the impossible love who could be a second chance and the drops of great literature from Emma Bovary to Anna Karenina. a beautiful film and impressive performances. and the flavor of a lost time. using the figure of Agatha Christie as pretext.