Mulher Nota 10

All right, so this isn't a great movie. It just happened to come along at the right moment in my life to have an impact. As a young man not yet turned 20, I could certainly identify with both Dudley Moore wanting to recapture youth through a fling with Bo Derek, and Bo Derek just wanting to have fun (and show her appreciation for Dudley's saving her boyfriend's life.) Add to that the fact that I was working at a record shop and remember selling about 9832 copies of Ravel's Bolero, and it boils down to this; "10" brings back a host of good memories for me. - mps

... 45 years ago, Bo Derek and Dudley Moore weren't well known. They had both been in American films before, but not prominently and not in an A list property. It was AFTER this film that they both littered the screen with some real stinkers in separate career paths. So given that Derek and Moore were "fresh faces" at the time, I was not that surprised to go back and view Siskel and Ebert's positive review of this film in 1979 and see that they both gave it a thumbs up. But I digress.

George Webber (Dudley Moore) is a successful award winning song writer in a relationship with singer Samantha Taylor (Julie Andrews). He's just had a birthday, and as a man in his early 40s he's starting to feel old. In the midst of this middle aged angst he's driving down the road when he sees, in the car next to him, the most beautiful girl he's ever seen before. The complicating factor is that she's in her wedding dress. He follows her to the church and sees where she's getting married. He uses that information to figure out her name and where she is honeymooning. In the meantime, he is treating his actual age-appropriate girlfriend like rubbish.

Webber does manage to meet the girl of his dreams - on her honeymoon no less - but she turns out to be personality wise not exactly what he was expecting. Let me reword that - at no point do you see he was fantasizing about what she would SAY - just what she looked like and what it would be like to embrace her. But he was still slapped in the face by the reality of what she was like. What he really wants, after all, is the mind and personality of his 40 something girlfriend in the body of this 20-something "10".

The film does have its moments, but I've always found that Moore's brand of humor can get tedious. A standout is Dee Wallace, who laments the fact that, as they age, men become distinguished and women get old. Also look for Brian Dennehy as a sympathetic and philosophical bartender.

We all have 'secret pleasure' films - those films that, for some reason, we get immense joy out of, yet might not want people to know. '10' is one of those films.

Of course the humour may have dated, but that doesn't detract from what is still a nicely paced, genteel, well rounded and well performed film. But the real joy in this film comes from the skill of director Blake Edwards in getting his actors to actually act. It seems almost alien in this day and age that actors should perform extended shots in one take, where they react to each other without umpteen cuts. But that was always Blake Edwards' thing. Check out the Pink Panther films and watch how many classic scenes featured only a few cuts. It's almost stage acting on film.

There are many joys to be found in '10', especially if you are of a certain age and can relate to the mid-life crisis of George Webber. But if you are looking for a movie which really delivers on the 70s chic - from 8-track tapes to disco, it doesn't get much better than this.

Approach this film with the right relaxed mindset and enjoy.

I'll never forget seeing Bo Derek for the first time in this movie. I was shocked (hated the hair, but it made the character) This is a great movie about a man who is having a mid-life crisis. Dudley Moore, has just turned 42, and is single (dating Julie Andrews.) While driving around in his Rolls, he sees Bo Derek in a Mercedes on her way to her wedding. Hes totally wild over her, and she becomes a sort of obsession. So he finds out where they are honeymooning, and goes there. The movie is great, its funny, and keeps you laughing. This was also Bo's break-through. Shes a total 10, and even though she speaks very little, her character is a HUGE part of the film. Its great, everyone should see this film.

Dudley Moore, we will miss you. This film was Moore's signature role - he made it funny, he made it poignant. Blake Edwards' script was funny and sweet, but Dudley brought it to life. A little dated now, but a great trip back to 1979 and still relevant today. If you haven't seen this film at least once, do yourself a favor - skip the latest Adam Sandler vehicle and find this one on the shelf. Adam is no Dudley Moore.