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7,8/10
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Arthur Daley, um pequeno vigarista, contrata o ex-pugilista Terry McCann para ser o seu "minder".Arthur Daley, um pequeno vigarista, contrata o ex-pugilista Terry McCann para ser o seu "minder".Arthur Daley, um pequeno vigarista, contrata o ex-pugilista Terry McCann para ser o seu "minder".
- Indicado para 5 prêmios BAFTA
- 5 indicações no total
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George Cole and Dennis Waterman team up in an ITV classic. The show combines subtle humour with genuinely entertaining scripts and a whole host of brilliant supporting characters. The show lets stories develop over an hour rather than rushing through them and puts today's so-called comedy dramas in the shade. The early episodes were more serious and hard-edged, but the comedy was apparent even then. As the show progressed Cole took over as the centre of attention, playing cockney geezer Arthur Daley, a TV masterpiece. Waterman's easy going style made for a great double act. Barman Dave is another great character, his members only Winchester pub being the local haunt of all the low level crooks on the manor! The language used in Minder is very funny at times, I love the Cockney slang they use, like 'er indoors' for wife, and 'sobs' for pounds! Of course Cole is the star of Minder, his trademark brown overcoat and trilby hat always raising a smile even before he's made one of his dodgy promises! The show coped very well with Waterman's departure at the end of the 80s, the new chap brought in to replace him fitting in well. ITV nowadays consists mainly of cheap and tacky gameshows and reality programmes, all of them terrible. Minder was an original and in many ways unique show. It should appeal to fans of the Sweeney and those who enjoyed Only Fools and Horses. Minder is actually better than Only Fools, not getting mired down in sentimentality. It's a shame no terrestrial station will repeat it, it'd thrash most of today's programmes.
I was 8 years old when this started, and when I left home aged 18 it was still on. The theme tune followed me through the 80s - Bagpuss came and went, Dangermouse arrived, a raft of American programmes designed to sell toys (which was a brand new idea then) crashed onto UK shores, the Commodore 64 bleeped and caroused in the corner, acid house music chipped and blooped onto the radio..... and Arthur & Terry were still there. I saw a handful of episodes as child & teenager, and always found the on- screen chemistry pulled me in...... but I did feel that it had become a bit of a dinosaur by 1990. I left home and virtually forgot about it, until ITV4 started re-running it again.
The writing was, and is, simply superb. Secondary characters are strongly developed and given good lines, something non-existent nowadays (see Taggart, Waterloo Road, Monarch Of The Glen) and almost every episode hangs together as a complete thing, ends tied up, viewer satisfaction assured. That takes good writing and good acting. Another, unintentional but wonderful, boon for the programme was that due to 75% of each episode being filmed on location outdoors over 15 years, it captured London in a constant state of flux that is clear and visible, something no other show has. It's fascinating to see London in that era, changing from series to series. And there's that chemistry between Cole and Waterman, which really shines through. That was fairly rare in a TV series back then, but is now like hen's teeth.
Its success with 15-24 year olds today is surprising, yet gratifying. It says, perhaps, that things like story, good acting and love of craft do not age, or lose their brightness.
The writing was, and is, simply superb. Secondary characters are strongly developed and given good lines, something non-existent nowadays (see Taggart, Waterloo Road, Monarch Of The Glen) and almost every episode hangs together as a complete thing, ends tied up, viewer satisfaction assured. That takes good writing and good acting. Another, unintentional but wonderful, boon for the programme was that due to 75% of each episode being filmed on location outdoors over 15 years, it captured London in a constant state of flux that is clear and visible, something no other show has. It's fascinating to see London in that era, changing from series to series. And there's that chemistry between Cole and Waterman, which really shines through. That was fairly rare in a TV series back then, but is now like hen's teeth.
Its success with 15-24 year olds today is surprising, yet gratifying. It says, perhaps, that things like story, good acting and love of craft do not age, or lose their brightness.
Minder is without doubt one of the greatest TV shows produced in Britian with a topnotch double act providing its heartbeat. Cole and Waterman work so well off each other that only repeated viewing can allow you to fully appreciate their chemistry. Cole's Arthur Daley is easily the best "Wheeler Dealer" ever created, anywhere on television. Although Del Boy in "Only Fools..." is carved from the same mould he shows signs of weakness through family commitments and links to friendship, where as Daley is 100% in it for himself, drooling at the mouth at the merest sight of money or personal profit. Waterman as Terry is perfectly legit in the role as he sympathetic hardman and the fact that he doesn't get lost under the giant shadow of Cole's tour de force is a testiment to Watermans skills as an actor.
I'd advise anyone who isn't familiar with the show to hunt for the early episodes and enjoy what was a very gritty and real drama, where Terry is clearly the main man whilst, at that point, Arthur is secondary in the writers minds (Not that it deminishes his screen presence, just leaves you wanting more). Another important component to its success was its grand array of support players, from Dave the barman at everyones favourite watering hole, the Winchester, to dodgy geezers like Des the mechanic and the hilarious, bumbling Police who could never catch Arthur in the act. The show did lose some of its hard edge as it veered off towards a comedic element but it always remained true to the characters, and as such the characters became the central theme. Instead of getting embroiled in incidents, they BECAME the incidents. I can't say enough good words about this programme. I have every episode on tape and watch them all the time. The only thing that you can say is that they DEFINITELY don't make 'em as good as this anymore.
I'd advise anyone who isn't familiar with the show to hunt for the early episodes and enjoy what was a very gritty and real drama, where Terry is clearly the main man whilst, at that point, Arthur is secondary in the writers minds (Not that it deminishes his screen presence, just leaves you wanting more). Another important component to its success was its grand array of support players, from Dave the barman at everyones favourite watering hole, the Winchester, to dodgy geezers like Des the mechanic and the hilarious, bumbling Police who could never catch Arthur in the act. The show did lose some of its hard edge as it veered off towards a comedic element but it always remained true to the characters, and as such the characters became the central theme. Instead of getting embroiled in incidents, they BECAME the incidents. I can't say enough good words about this programme. I have every episode on tape and watch them all the time. The only thing that you can say is that they DEFINITELY don't make 'em as good as this anymore.
I recently watched an episode on one of the cable "repeats" channels, and there's no doubt that it's dated a bit in the 20-odd years since it came out; but there are still some priceless lines.
For those of us who saw him in 'The Sweeney', there was little doubt that affable Cockney schmuck Waterman would find another vehicle for his talents; but very few predicted that it would be paired with old George. However, the duo of Arfur and Terry became one of the enduring symbols of the hard days of the early 80's, and the unseen "'er indoors" a byword for the reason most blokes spend their time "down the pub".
Arguably, it was Cole who stole the thunder with his brilliant portrayal of overgrown wide-boy Daley, but it definitely wasn't the same after Waterman left. Truth be told, it was beginning to lose steam even before that, but for the first 6 years or so it was one of the best shows on TV. All the satellite characters, especially Dave and Chisolm, are well-drawn, and Euston Films provided the suitably gritty backdrops they'd already become known for with 'The Sweeney' and 'Special Branch'.
All in all, an 80's delight.
For those of us who saw him in 'The Sweeney', there was little doubt that affable Cockney schmuck Waterman would find another vehicle for his talents; but very few predicted that it would be paired with old George. However, the duo of Arfur and Terry became one of the enduring symbols of the hard days of the early 80's, and the unseen "'er indoors" a byword for the reason most blokes spend their time "down the pub".
Arguably, it was Cole who stole the thunder with his brilliant portrayal of overgrown wide-boy Daley, but it definitely wasn't the same after Waterman left. Truth be told, it was beginning to lose steam even before that, but for the first 6 years or so it was one of the best shows on TV. All the satellite characters, especially Dave and Chisolm, are well-drawn, and Euston Films provided the suitably gritty backdrops they'd already become known for with 'The Sweeney' and 'Special Branch'.
All in all, an 80's delight.
Brilliant British TV series starring George Cole as Arthur Daley, a shady businessman and used-car dealer on London's "alternate economy". Dennis Waterman is Terry McCann, Daley's business associate and bodyguard, or "minder", hence the title. The show ran for several years and usually centered on Arthur hatching some half-baked scheme, only to escape just a half-step ahead of the police or British mobsters. Patrick Malahide played Det. Sgt. Chisholm, a low-rent Javert who always seemed to let Arthur and Terry slip through his fingers.
Você sabia?
- CuriosidadesDennis Waterman originally wanted Denholm Elliott to play the part of Arthur Daley. Executive producer Verity Lambert disagreed.
- Erros de gravaçãoIn the opening titles for the Terry McCann episodes (Seasons 1-7) a sporty white Ford Escort with a blue stripe down the side is seen in the background. In a close-up shot of Terry looking at the Ford Capri he is about to buy, the Escort's window is up, but in a later shot where Arthur and Terry walk from the back of the Capri to admire it from a distance, the Escort's window is wound down.
- Cenas durante ou pós-créditosThe characters of Terry McCann and Arthur Daley are only ever credited as "Terry" and "Arthur" onscreen.
- Versões alternativasThe title sequence originally had 'Euston Films presents' over the opening shot. Later prints of the same episodes did not have this. (Additionally, early episodes also began with the Thames Television ident sequence, which, particularly after Thames lost their broadcast franchise in 1992, have been dropped from most repeat runs).
- ConexõesFeatured in It'll Be Alright on the Night 3 (1981)
- Trilhas sonorasI Could Be So Good For You
Lyrics by Patricia Maynard (as Waterman)
Music by Gerard Kenny (as Kenny)
Sung by Dennis Waterman (as Waterman)
Title song (1979-1988)
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- How many seasons does Minder have?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Der Aufpasser
- Locações de filme
- Fulham Police Station, Heckfield Place, Fulham Road, Fulham, Londres, Inglaterra, Reino Unido(closing credits, Seasons 1-7: Arthur and Terry walk out of a police station)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
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