AVALIAÇÃO DA IMDb
6,0/10
1,6 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaThis children's fantasy tells the story of a 12-year-old boy who discovers a complex underwater world where young children are held prisoner by an evil shark and an eel.This children's fantasy tells the story of a 12-year-old boy who discovers a complex underwater world where young children are held prisoner by an evil shark and an eel.This children's fantasy tells the story of a 12-year-old boy who discovers a complex underwater world where young children are held prisoner by an evil shark and an eel.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória no total
Jon Pertwee
- Salmon
- (narração)
- …
Lance Percival
- Terence the Sea Horse
- (narração)
David Jason
- Cyril the Walrus
- (narração)
Ignacy Machowski
- Grimes
- (polish version)
- (narração)
Tadeusz Plucinski
- Foreman
- (polish version)
- (narração)
Jerzy Tkaczyk
- Sir John
- (polish version)
- (narração)
Avaliações em destaque
I saw this movie as a child and fell in love with it. It has a sweet sensitive story. Something children can appreciate. I loved so much as a child I had to find it for my daughter. It is definitely a movie I would watch with kids. It reminds me a great deal of story's of a Disney nature like Pete's Dragon and Mary Poppins. Both because of the live action and cartoon features but on its premise. It is also a good story to show kids that if they tell the truth they can be trusted and adults will listen to them. I think all kids should see it and would enjoy it. It is such a break from the violent movies of bad taste so many kids watch these days. It has all the charming qualities so many of today's movies don't have.
The 1978 adaptation had all the ingredients of a potentially wonderful film. It is based on an absolutely charming book by Charles Kingsley. It has a truly talented cast from the likes of James Mason, Bernard Cribbons and David Tomblinson, not to mention the vocal talents of David Jason and Jon Pertwee. There is also Lionel Jeffries, the director of wonderful classics such as The Railway Children and the Amazing Mr Blunden, and while the film is good on the most part, it was also a little disappointing. I had no problem with the performances, particularly those of Mason and Tomblinson as Grimes and Sir John Harriet respectively, and Tommy Pender and Samantha Gates are believable as Tom and Ellie. Billie Whitelaw is also intriguing in numerous roles, even if one or two of them are quite bizarre. The voice cast is also commendable, especially Jon Pertwee, voicing charming characters in their own right. I also liked the incidental music it is so haunting and beautiful, and the script was fairly faithful and in general well-written, particularly at the beginning. The characters, especially the Water Babies are very charming, and the villains are sinister and funny at the same time, I loved the part when Tom and his friends help the Water Babies escape, seeing the shark chasing the electric eel with an axe was very funny. However, I will say the film does look dated, especially the animation sequences, the live action parts weren't so bad, if you forgive the rather dark camera-work. The character animation was rather flat, and the backgrounds sometimes were a little dull, though there were some nice moments, like the scene with the Krakon and of course the first meeting with the Water Babies. I also had mixed feelings about the songs, the Water Babies's song was beautiful, but I found the first song forgettable, when Tom ends up underwater. Hi-Cockallorum is an example of a song, that is like marmite, you either love it or hate it. I personally don't know what to make of this song, it was fun to listen to at first, but once it's in your head, it is perhaps annoying. As much as I like Lionel Jeffries and his films, his direction just lacked the wonder and the magic it usually does. All in all, certainly not a terrible film, but could have been better artistically. 7/10 Bethany Cox.
How times have changed. When this film was made in 1978 its content was deemed perfectly acceptable for children.
Set in the Victorian age, it features a young child, Tom, who is beaten and forced into slavery by his two masters, most notably Bernard Cribbins as Masterman, and is often to be heard uttering exclamations such as the one above. His life is so horrific that as he passes through a town square (with a bare-knuckle fist-fight in full flow), his only escape is to drown himself. That's right, a children's film where suicide is seen as an acceptable form of salvation.
Once underwater things get a little less entertaining, as the voices of David Jason, Una Stubbs and Jon Pertwee combine with an unconvincing animation to tell the story of Tom's destiny as a "water baby". There are four or five songs throughout this segment, though they are chiefly forgettable, with only "Hicocalorum" managing - just - to remain in the cerebrum a day after viewing.
Tom emerges from the lake and it all comes to an end, with the revelation that a deformed old bag woman was his guardian angel. Well, at least it didn't adhere to traditional stereotypes and managed a PC characterisation ahead of its time. And the film? Hopelessly dated, and with vastly inappropriate elements for a family movie, it contains a perverse sort of enjoyment.
Set in the Victorian age, it features a young child, Tom, who is beaten and forced into slavery by his two masters, most notably Bernard Cribbins as Masterman, and is often to be heard uttering exclamations such as the one above. His life is so horrific that as he passes through a town square (with a bare-knuckle fist-fight in full flow), his only escape is to drown himself. That's right, a children's film where suicide is seen as an acceptable form of salvation.
Once underwater things get a little less entertaining, as the voices of David Jason, Una Stubbs and Jon Pertwee combine with an unconvincing animation to tell the story of Tom's destiny as a "water baby". There are four or five songs throughout this segment, though they are chiefly forgettable, with only "Hicocalorum" managing - just - to remain in the cerebrum a day after viewing.
Tom emerges from the lake and it all comes to an end, with the revelation that a deformed old bag woman was his guardian angel. Well, at least it didn't adhere to traditional stereotypes and managed a PC characterisation ahead of its time. And the film? Hopelessly dated, and with vastly inappropriate elements for a family movie, it contains a perverse sort of enjoyment.
I absolutely LOVED this movie as a child. I can't seem to find it anywhere! I was mentioning it to some friends just the other day, and not a single one of them remembers it! Can anyone help me out? My older sister vaguely remembers it. There was also another movie I remember that was half live action and half animation, but I can't remember the name of it. The characters were animated and the background was real...I seem to remember it being about a kangaroo, and I believe the setting of the film was in Australia. I'm going out of my mind trying to obtain copies of these films that were such a memorable part of my very enjoyable childhood. Edit: I searched IMDb for this other movie and found out it's called Dot and the Kangaroo! All I had to do was type in "kangaroo" in the search bar under characters, and the name of the movie in the list was like a bell going off! MAN, I love IMDb! Thanks!
Water Babies is a Victorian tale about a very young chimney sweep named Thomas (Tommy Pender) who becomes a fugitive from justice after being falsely accused of stealing the silver. Fearing the gallows (the punishment in those days for thievery), he jumps into a river, drowns, becomes a water baby and embarks on a series of adventures. For many people, this film was very childish, farcical and generally not good. Admittedly, it is not a great film by any means. Director Lionel Jeffries did far better with "The Runaway Children," but this film has its charms.
To begin with, Lionel Jeffries depicts life in Victorian England far more effectively than Franco Zefferelli ever did in Jane Eyre. It is one thing to dress actors in Victorian costumes, create sumptuous looking sets and have everyone speak in aristocratic accents, but quite another to bring the spirit of the Victorian age to the screen. Lionel Jeffries has a gift for doing that, whether it is with the scene in the pub where Tom is subjected to physical abuse and then given hard liquor by Mr. Grimes (James Mason) and Mr. Masterman (Bernard Cribbins) or in Hartover Hall, where we see the supreme pomposity and confidence exhibited by Sir John Hartover (played very well by David Tomlinson). The surreal touches are also very interesting.
Now the bulk of the film is animation. Many reviewers have criticized the animated part for its poor graphics. No doubt, they are right. But this is my point -- who cares? Maybe I am old fashioned, but I did not care when they improved the graphics for the Nintendo games or when they combined computer animation with the older animation for the movie Alladin. That apparently matters to some people -- usually the kind of people who complain about the texture of food. But for me, as long as I can see the pictures on the screen, I am content. The bigger problem was with the songs, which children will find enchanting, but which I (and probably many adults) found childish and a waste of time.
But with that said, this film has enough charming, good natured and funny characters to delight even adults. Characters like the lobster, the sea horse, the sword fish, the Krakon (whose bark is worse than his bite), the walrus, the polar bear and even some of the water babies (when they are not singing). Elly (Samantha Gates), the niece of Sir John, is also a delightful sweetheart.
To begin with, Lionel Jeffries depicts life in Victorian England far more effectively than Franco Zefferelli ever did in Jane Eyre. It is one thing to dress actors in Victorian costumes, create sumptuous looking sets and have everyone speak in aristocratic accents, but quite another to bring the spirit of the Victorian age to the screen. Lionel Jeffries has a gift for doing that, whether it is with the scene in the pub where Tom is subjected to physical abuse and then given hard liquor by Mr. Grimes (James Mason) and Mr. Masterman (Bernard Cribbins) or in Hartover Hall, where we see the supreme pomposity and confidence exhibited by Sir John Hartover (played very well by David Tomlinson). The surreal touches are also very interesting.
Now the bulk of the film is animation. Many reviewers have criticized the animated part for its poor graphics. No doubt, they are right. But this is my point -- who cares? Maybe I am old fashioned, but I did not care when they improved the graphics for the Nintendo games or when they combined computer animation with the older animation for the movie Alladin. That apparently matters to some people -- usually the kind of people who complain about the texture of food. But for me, as long as I can see the pictures on the screen, I am content. The bigger problem was with the songs, which children will find enchanting, but which I (and probably many adults) found childish and a waste of time.
But with that said, this film has enough charming, good natured and funny characters to delight even adults. Characters like the lobster, the sea horse, the sword fish, the Krakon (whose bark is worse than his bite), the walrus, the polar bear and even some of the water babies (when they are not singing). Elly (Samantha Gates), the niece of Sir John, is also a delightful sweetheart.
Você sabia?
- CuriosidadesThe film was released about 115 years after Charles Kingsley's source novel of the same name, first published in 1863.
- Erros de gravaçãoWhen Tom and the lobster are singing "High Cockalorum" for the first time, Tom's mouth is opening and closing when he is not actually saying anything. Likewise, his mouth is shut when he is saying something.
- Cenas durante ou pós-créditosThe movie's opening credits summarizes in illustrations of "A Story of a Little Chimney Sweep in the Year 1850". While the chimney sweeper is climbing:
- The live-action cast members is portrayed in oval picture frames.
- For the "animated sequences" credits, it shows the design of Tom ( Tommy Pender ), in his underwater design, and the design of the Otter.
- ConexõesReferenced in O Retorno de Mary Poppins (2018)
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Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- Der kleine Schornsteinfeger auf dem Meeresgrund
- Locações de filme
- River Wharfe, Yorkshire, Inglaterra, Reino Unido(on location)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 2.000.000 (estimativa)
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