O Triângulo do Diabo

I stumbled upon the 1978 movie "The Bermuda Triangle" in 2021. I had never heard about the movie before. But as I had the chance to sit down and watch it, of course I did. And I must say that I was initially intrigued, because the mystery that surrounds the area of the Bermuda Triangle is very interesting in itself.

However, "The Bermuda Triangle" felt more like a series of randomly filmed segments filmed at the demand of director René Cardona Jr. As he came up with ideas as the filming progressed. There weren't really any real red thread to the course of the movie, which made for a less than mediocre movie experience actually.

Sure, the movie was showing signs of being from 1978, but it was actually sort of charming and fun to watch. The sound felt like it had been restored on the version I watched, and especially the dialogue felt like they had recorded new voice-over, because it sounded very atrocious and felt sort of out of tune with the characters on the screen.

I found little enjoyment in "The Bermuda Triangle", and it was a shame, because I had initially hoped for a bit more from the movie, truth be told.

I am rating this 1978 movie a mere three out of ten stars, mostly because the movie didn't really feel like a proper movie, but more like a random collection of filmed events put together to form a movie of sorts.

Rene Cardona, Jnr was arguably the most recognisable Latin exploitation film maker in the late seventies through mid eighties, and his brand was easily identifiable through his use of fading American character actors and gory special effects. Disappointingly, that brand is conspicuously absent here, with John Huston in a relatively brief supporting role, the only 'marquee' import, and little to none of the gory special effects usually synonymous with a Cardona picture.

The plot concerns the usual spate of mysterious disappearances converging on the Bermuda Triangle, while research vessel inadvertently sails into a maelstrom of intrigue and bizarre occult activity that seems to centre on a creepy-looking doll that is found floating in the ocean. It soon possesses the youngest child and in turn manages to wreak havoc amongst the rest of the crew, until, mysteriously, just a handful of weary survivors remain.

Perennial Cardona leading-men Stiglitz and Garcia make an amiable cinema coupling, and they continue their reliable presence here, with the once-sultry Marina Vlady and former bombshell Claudine Auger largely wasted in shallow supporting roles. Miguel Fuentes as a chiselled, Neanderthal looking mechanic is unintentionally hilarious at times, as he randomly emerges from the small engine room door to taunt the spooked passengers with doomsday prophecies, before returning to the ship's bowels to inhale more petrol fumes and envisage even more facile tales of terror for his next appearance.

While not totally inept - some unsettling suspense, good sets, colour and sound in particular - the special effects are profoundly amateurish and the dialogue is at times, painfully puerile. The possessed doll on which the story centres however does convey a certain Argento 'esque feel which is plainly scary (watch for those unnerving close-ups of the doll's face - creepy). Not your typical Cardona-style picture, and probably more accessible as a result. Average, but worth a look.

Folks on a boat cruising around the Bermuda Triangle find an evil doll floating around in the ocean. The doll is given to a little girl on board and then a bunch of strange stuff starts happening. What a turd. John Huston must have needed money badly. It doesn't have much to say about the Bermuda Triangle, either. That's just a means to an end to get this evil doll story going. On the plus side, the bad dubbing and worse dialogue are good for laughs. There are also a few weirdos in the supporting cast who are fun. Beautiful Gloria Guida certainly gives us some nice eye candy. It's not a good movie but fans of badly-dubbed stinkers might like it more.

Basically an evil doll movie on a boat. No events actually related to the "Bermuda Triangle." Totally boring and unimaginative. The girl and the doll are annoying. A couple of minutes of underwater scenes and pretty Gloria Guida for a few seconds here and there only interesting items. For curiosity only.

You have to hand it to Rene Cardona Jr.--maybe his films aren't very good, but he was always able to make them the way he wanted to in Mexico and successfully distribute them internationally (as opposed to today where most Mexican filmmakers manage maybe one acclaimed art film before they're swallowed whole by the Hollywood whale). This film seeks to exploit all the publicity surrounding the Bermuda Triangle at the time. A deep sea diver (John Huston)and his much younger wife and family sail into the Bermuda Triangle to explore some undersea ruins. Along for the ride is his bickering half-brother and sister-in-law and a superstitious crew of Mexican sailors. Strange things begin to happen. They find a creepy doll floating in the sea and give it to the youngest daughter who feeds it raw meat (which, hilariously, no one remarks on)and become possessed by it, accurately predicting the demise of various cast members. There are freak storms, bizarre accidents, and perhaps most creepy they keep hearing distress calls from the ships and planes that have disappeared over the years, including even their own transmissions.

This movie is pretty effective and has a surprising amount of character development. The cast is Cardona's usual mixture of washed-up Americans (Huston), Mexican regulars (Hugo Stiglitz and Andres Garcia) and a little delectable bikini-filler imported from Europe (Gloria Guida). Since this was marketed as a low-budget disaster movie, it is fairly family-friendly (although it's probably too violent and scary for little kids), so don't expect the usual sex and nudity from the director of "Tintorera"--in fact, this is the only movie I've seen with Gloria Guida where she does NOT take her clothes off (she spends most of the movie in bed, literally, after a diving accidentally). It is a testament to the effectiveness of this movie though that I really didn't mind. The only real negative here is the atrocious dubbing: the dubbed dialogue of the black cook, in particular, would be offensive if it wasn't so ridiculous--he comes off like a throw-back to Step'n Fetchit.

Still I would definitely recommend this. Even if it's not much of a compliment, this is definitely Rene Cardona's Jr.'s best movie.