Ilsa A Tigresa Da Sibéria

I don't see what the big deal is here...Almost all the other reviewers seem to hate this film, and I don't really get it. After the goofy, uninspired HAREM KEEPER, and the pretty dull sleaze-fest WICKED WARDEN, I was pleasantly surprised with TIGRESS. It's no masterpiece by any means, but this one had some inventive torture and a decent amount of tits-and-ass. This one has the mammoth-mounded Ilsa playing baby-sitter to a bunch of Russian traitors in the first half of the film, and a Canadian whorehouse madam in the second half. Yes, the story is definitely a little disjointed, almost playing like 2 different films, but I think this one had a good balance between sex and gore, and enough sleazy humor to make it an all-around worthwhile and entertaining entry. Definitely worth checking out if you like the series (or sleazy exploit cinema in general), but you may have a hard time finding it - I don't believe that there is a DVD release as of yet (at least not in the States), so start scouring those old mom-and-pop video stores. Regardless of what the other guys say, I like this one - 8/10

I loved the other three, but it's easy to see why Jess Franco's Ilsa the Wicked Warden was picked as the third movie in the trilogy, and this one was forgotten. Nowhere near as shocking as any of the others. The best part of the movie is the starting when they're actually in Siberia (most of the movie takes place in like Canada or something). The deaths at the Siberian camp are entertaining, but the chainsaw/arm-wrestling scenes is cut under the title, The Tigress. Over all its a pretty boring action movie.

Some films have great stories. Others have thrills, suspense and mystery. This one has a phenomenal pair of breasts. And I have to admit that, all things considered, that's a pretty good production value. Yes, Ilsa the Tigress of Siberia may very well be an uneven movie in many ways but at the end of the day Dyanne Thorne is the only reason to watch this, right? Ms Thorne has a truly eye-popping physique and she gets naked a lot. And that's more or less it really.

The story is hilariously half-hearted. The cold-hearted and massive-chested Ilsa controls a communist gulag where she dominates a group of male dissidents. After a prisoner rebellion the story cuts to Montreal 1977, twenty-five years later. The gap in time is almost impossible to detect as everyone looks exactly the same. But even though I point this out, I really don't care because the filmmakers sure didn't, it makes no difference to this trash-fest. Somehow, Ilsa runs a luxurious whorehouse in this second half of the film, giving ample opportunity to feed us even more nudity and sleaze of course.

There's a bit of gore, quite a lot of torture and loads of T&A. Good enough for me.

ILSA, THE TIGRESS OF SIBERIA, is the third film in the ILSA series I've watched and my favourite yet. That's not to say I particularly enjoyed it, but I am pleased to report that it doesn't just focus on senseless and sleazy torture like the previous movies in this series. Instead, it has an actual plot for once, alongside action sequences to recommend it.

The storyline sees Ilsa now working at a remote Siberian prison camp where the inmates are routinely abused and killed (including by a tiger in one memorable moment). She sets her sights on one particular Russian agent, but he manages to escape her clutches when the camp is overthrown. Later, Ilsa and her chums are holed up in Canada, where she once more runs into the agent she's obsessed with punishing.

There are a few torture and gore scenes in this film but they're relatively tame and if not tame then at least unrealistic. Most of the film seems to have been devised as a softcore flick, with tons of sex scenes involving Dyanne Thorne in various states of undress. She's certainly an arresting beauty, and her charms just about carry the film, at least until an arresting shoot-out at the climax which is handled adroitly. ILSA, THE TIGRESS OF SIBERIA is no classic but at least it's less offensive than the previous outings and has a better story.

Tigress starts out promising enough with Ilsa as the kommie kommander of a Siberian gulag. Between torturing political prisoners and feeding them to her tiger, the buxom goddess still finds time for some nightly romps with her rowdy guards and the results are often hilarious. Alas, proceedings take a turn for the worse when the scene shifts to a bordello in Montreal. I mean, when you think of all the gruesome settings in the Ilsa series: a Nazi P.O.W. camp, a Middle Eastern slave harem, an asylum in South America and said gulag, a Montreal bordello really pales in comparison. Furthermore, Ilsa's torture techniques are now performed via a (yawn...) mind control chamber. Instead of physically tormenting her victims, she inflicts psychological torture which results in several highly forgettable hallucinatory sequences. But the producers really missed the boat when they decided to play the latter half as a straight action drama with very little of the campy flair which made the series (and the first part of the movie) so entertaining. Another big mistake was to forego Ilsa's classic transformation from cold-hearted vixen to vulnerable lust-bunny. One of the most appealing (and humorous) aspects of her character was the fact that this femme fatale could be brought to her knees and made a love slave when the right "stud" came along. In Tigress, she's just a one-dimensional sadist from beginning to end. Also missing in action are Ilsa's prerequisite pair of lesbian henchwomen, which makes one wonder if the producers even bothered to watch the first two movies! Even the ending, when Ilsa gets her usual comeuppance, seems largely uninspired and comes across as if they simply ran out of ideas. All in all, Tigress is worthwhile viewing only for true fans of the series. To the uninitiated, I'd suggest Harem Keeper or She Wolf for your first taste of Ilsa's whip.