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IMDbPro

Superman: O Filme

Título original: Superman
  • 1978
  • Livre
  • 2 h 23 min
AVALIAÇÃO DA IMDb
7,4/10
200 mil
SUA AVALIAÇÃO
POPULARIDADE
27
38
Gene Hackman, Terence Stamp, Ned Beatty, Christopher Reeve, Jackie Cooper, Sarah Douglas, Jeff East, Margot Kidder, Jack O'Halloran, Valerie Perrine, and Susannah York in Superman: O Filme (1978)
An alien orphan is sent from his dying planet to Earth, where he grows up to become his adoptive home's first and greatest superhero.
Reproduzir trailer1:33
4 vídeos
99+ fotos
Sci-Fi EpicSuperheroUrban AdventureActionAdventureSci-Fi

Um órfão alienígena é enviado de seu planeta moribundo para a Terra, onde ele cresce e se torna o primeiro e maior super-herói de seu lar adotivo.Um órfão alienígena é enviado de seu planeta moribundo para a Terra, onde ele cresce e se torna o primeiro e maior super-herói de seu lar adotivo.Um órfão alienígena é enviado de seu planeta moribundo para a Terra, onde ele cresce e se torna o primeiro e maior super-herói de seu lar adotivo.

  • Direção
    • Richard Donner
  • Roteiristas
    • Jerry Siegel
    • Joe Shuster
    • Mario Puzo
  • Artistas
    • Christopher Reeve
    • Margot Kidder
    • Gene Hackman
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,4/10
    200 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    27
    38
    • Direção
      • Richard Donner
    • Roteiristas
      • Jerry Siegel
      • Joe Shuster
      • Mario Puzo
    • Artistas
      • Christopher Reeve
      • Margot Kidder
      • Gene Hackman
    • 728Avaliações de usuários
    • 194Avaliações da crítica
    • 82Metascore
  • Veja as informações de produção no IMDbPro
    • Indicado a 3 Oscars
      • 19 vitórias e 23 indicações no total

    Vídeos4

    Official Trailer
    Trailer 1:33
    Official Trailer
    Superman: The Movie
    Trailer 2:39
    Superman: The Movie
    Superman: The Movie
    Trailer 2:39
    Superman: The Movie
    James Gunn on Superman Casting, Final Cut, and DC's Future
    Clip 4:34
    James Gunn on Superman Casting, Final Cut, and DC's Future
    We Are Superman
    Clip 0:59
    We Are Superman

    Fotos466

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    Elenco principal99+

    Editar
    Christopher Reeve
    Christopher Reeve
    • Superman…
    Margot Kidder
    Margot Kidder
    • Lois Lane
    Gene Hackman
    Gene Hackman
    • Lex Luthor
    Marlon Brando
    Marlon Brando
    • Jor-El
    Ned Beatty
    Ned Beatty
    • Otis
    Jackie Cooper
    Jackie Cooper
    • Perry White
    Glenn Ford
    Glenn Ford
    • Pa Kent
    Trevor Howard
    Trevor Howard
    • 1st Elder
    Jack O'Halloran
    Jack O'Halloran
    • Non
    Valerie Perrine
    Valerie Perrine
    • Eve Teschmacher
    Maria Schell
    Maria Schell
    • Vond-Ah
    Terence Stamp
    Terence Stamp
    • General Zod
    Phyllis Thaxter
    Phyllis Thaxter
    • Ma Kent
    Susannah York
    Susannah York
    • Lara
    Jeff East
    Jeff East
    • Young Clark Kent
    Marc McClure
    Marc McClure
    • Jimmy Olsen
    Sarah Douglas
    Sarah Douglas
    • Ursa
    Harry Andrews
    Harry Andrews
    • 2nd Elder
    • Direção
      • Richard Donner
    • Roteiristas
      • Jerry Siegel
      • Joe Shuster
      • Mario Puzo
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários728

    7,4199.5K
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    Resumo

    Reviewers say 'Superman' (1978) is celebrated for Christopher Reeve's iconic dual role, groundbreaking special effects, and John Williams' epic score. Richard Donner's direction is highly praised. However, criticisms include slow pacing in the first act, lengthy runtime, and campy portrayal of villains like Lex Luthor. The special effects, though innovative, are noted to have aged. Despite these issues, the film is widely regarded as a classic and a major influence on the superhero genre.
    Gerado por IA a partir do texto das avaliações de usuários

    Avaliações em destaque

    8xxdisintegrationxx

    Unbelievable...

    Having recently seen the huge disappointment: Superman Returns, I felt an obligation to watch this version to see how it measured up. I couldn't believe my eyes, and ears! 'My God!' I thought, 'Characters that actually interact with one another!'. That is one of the key elements Superman Returns was missing: dialogue. This movie had so much fun with the story, and the characters, that despite its lack of modern effects, it was still immensely enjoyable to watch. There was real character development, real humor (particularly the scenes between Lex and Otis, which I found hysterical) and a palpable chemistry between Lois and Clark/Superman. From the very beginning, this movie grabs you tightly and keeps you interested. It has an enlivening effect on you, where you feel genuinely happy after watching it, which, to my understanding, is what the movies are all about. Gene Hackman had great one-liners, for instance,"Otis, do you know why the number 200 is so vitally descriptive to both you and I? Because it's your weight, and my IQ", and the entire cast sat right. The roles fit, the effects (for their time) were great, and the script was wonderful. It's amazing to me, that movies like this can still hold up against movies that are made with the gross national product of a small country. If you want Superman in all his glory, ignore 'Returns', and pick up this one; you won't be disappointed.

    "Otis, do you want to see a very, very long arm?" "Oh no, Mr. Luthor!"
    Kirpianuscus

    from childhood

    It remains one of the most fascinating slices of my childhood. The fascination is the same. The same the emotion. And the believe than Christopher Reeves remains the best Superman. Sure, after decades, it could be seen as naive. But its freshness is yhe same. Like the noble moral message.
    9Robert_duder

    A brilliant Epic for the generations!!

    This is it ladies and gents...my 200th review. I thought long and hard about what I would dedicate my 200th review to...would it be something new and flashy, a movie that I knew was a knockout, something more personal to me?? One of my faves perhaps?? I finally decided on this film.

    Since I was a little boy I have loved Superman. Even now many years later I am still fascinated by the character, I mean he has withstood 6 decades of changes and world upheaval and still one of the best selling heroes of our time. Without further ado let's talk about Richard Donner's big screen epic Superman: The Movie. Thanks for reading my reviews!! Superman: The Movie MUST be judged not by today's standards but by the standards set for films of the late seventies/early eighties. That's not to say that it doesn't stand up for itself even almost 3 decades later but it's true brilliance may be lost if you don't remember when and where it was made. Brilliant Director Richard Donner (Lethal Weapon series, The Goonies, and stocks of brilliant TV series) I think really knows what the audience wants out of characters. I'm sure he tread on thin ice when it came to bringing the infamous Man of Steel to the big screen having only comics and TV and radio before him to base it on. Donner took everything Superman stood for, truth, justice, American Way, fighting evil, his estrangement from his home planet, his love for Lois Lane and put it all into this film.

    Nothing is left out of Superman, we have the origins including an in depth look into Krypton (which at the time would have been a first.) We see Kal-El's parents and their conflicts, we are given a small introduction to Clark Kent's youth and his coming of age and then everything else we know and love about the Superman legend. Everything from "The Phantom Zone" to Lois and Clark falling in love. I always thought the casting for Superman was it's one downfall but after watching the film again I really see that it wasn't such an error in judgment.

    The late and incredible Christopher Reeve truly was built for Superman. He embodied the character and created two completely different people to the point where you believed a pair of glasses and a different part in the hair was the perfect alter ego. His Clark Kent was goofy but pure and honest but completely different from the strength and character of Superman. His Superman was tall, larger than life, strong, honest, too good to be true. He was perfect and he looked both parts perfectly too and he will forever be known....in my books...as The Superman of film. Margot Kidder pretty much had Lois Lane nailed. I always thought she was a little old for the role and wasn't sure she looked the part but the personality was perfect, strong, forceful, pig headed, leap before you look kinda gal. And the chemistry with Reeve's Superman was very good. They established a fast but very bonding romance between the two characters. The supporting cast was also well done...Jackie Cooper was great as Perry White, Marc McClure was perfectly cast as the young, naive Jimmy Olsen, and Marlon Brando was an awesome screen presence for Jor-El and considering the billing he got for his brief role it's good that he had that pull. Gene Hackman is a brilliant actor, I've loved him in many roles...he was not right for Lex Luthor or perhaps even his character wasn't written right. Although diabolical and evil it was done in a comedic way right down to the doofus sidekick which was more cartoonish than it was big budget film. You just didn't truly feel the tension and arch rivalry between Reeve and Hackman's characters. The only other beef I can find with Superman is the overlooking of some key elements of reality. Yes I know Superman must leave reality at the door and that's easy to do with such a brilliant beautifully done Epic but the whole concept of Superman reversing time by making the earth spin backwards, or turning into Superman and having his "human" clothes literally vanish into thin air...these are things that the writers should have looked more closely into. But I think they focused so much of their time on making sure other elements were in place that they let these things slide and that's okay but it's such a minor thing but still with such perfection in other areas they stand out.

    Special effects like this had never been seen before and they are still stunning. Watching Superman fly and the explosions and earthquake and his miracle powers are just wonderful and will forever be in the mind of movie goers. This is such a brilliant film and put a stamp on the genre of superheroes that every other film will try to live up to. For the record I am thrilled and excited about the upcoming Bryan Singer Superman film, I think he will take everything that was great about this original and utilize it to continue on the epic. Bravo to him!! Superman: The Movie also had and still has one of the most haunting, beautiful and stunning scores ever created. The music became his anthem no matter where Superman is. This is one of the best films ever, and will always be a classic especially to me!! 9/10
    8LookingforJulia

    Best opening title sequence... ever!

    We all have unique reasons for loving a film. That's what makes cinema so magical. It's personal. You can love the meat of the movie, or you can love the trimmings.

    There's a bunch of good stuff here. Most people my age will refer to "Superman" as THE definitive superhero film. None will ever take it's place. A position no doubt dictated by the age we were when first viewing it. As with films like "Star Wars" and "Raiders of the Lost Ark", WHEN you experience them is just as important as HOW you experience them.

    As we age, youth's eyes fade. Cynicism creeps in. Experience leads us to see the many injustices this life offers and we become more critical... less likely to accept that which we would rather believe. After all, an adult who clings to the youthful ideals of wonder is simply naive... right?

    To this day, the opening title sequence for "Superman" fills me with the same magical joy it did over twenty years ago. Never was a score so perfectly crafted around a film. John Williams and Richard Donner created such an indelible experience that over 25 yrs later, Bryan Synger will use the same music and theme to bring the magic to a new generation of wondrous eyes.

    As for me though, this will always remain the best.
    9Hitchcoc

    It's So Exciting...And I Loved the Beginning

    This is, for me, the best of all the Superman films. It takes into account the mythos of the most famous superhero ever. The beginning is so incredible. I already knew the story (by the way, I'm not a fan boy, just encountered it along the way). I think that the Superman oeuvre is the best plotted out of all these heroes' stories. We get to see the struggles of the father, Jor-el, dealing with the short-sightedness of the civic leaders. We get set up for a future with the three malcontents who are out there somewhere. We get the storied life of Clark Kent/Superman as a kid and the struggles he faced. We get an explanation for the Fortress of Solitude. And finally, there is an introduction to Lex Luther, the mastermind, who will make Superman's life a continuous battle. Clark has left home and seems to have some real insights. He is prepared. Now the story and future stories will move along. Oh, we will miss the kind and accomplished Christopher Reeve for this and other roles.

    Enredo

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    Você sabia?

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    • Curiosidades
      On his first day on the set, Marlon Brando suggested to Richard Donner that the cameras roll during rehearsal. Brando reportedly said, "Who knows? We might get lucky." According to Donner, that very first take was the one that was used in the finished film. Brando was notoriously lazy and was constantly pulling little stunts like this to lessen his workload. Christopher Reeve even complained about it in interviews, saying Brando was "phoning it in and it shows!"
    • Erros de gravação
      When Superman is catching the cat burglar falling down the side of the skyscraper, his cape (also note the burglar's flashlight) is flat against his body revealing the tilt camera special effect.
    • Citações

      Superman: Easy, miss. I've got you.

      Lois Lane: You - you've got me? Who's got you?

    • Cenas durante ou pós-créditos
      For the first few opening credits, the graphics 'soar' towards the viewer. Following the appearance of the 'S' symbol, they change direction and from the film's title onwards, recede into the distance.
    • Versões alternativas
      The current DVD, in addition to containing the 2000 restored director's cut, has 2 deleted scenes (both of Lex' babies, and seen in the TV edits in their original context), and alternate audio scoring for 8 sequences (including an unreleased alternate pop version of Margot Kidder's "Can You Read My Mind"). The DVD has the 2000 restoration with the following additions / expansions (all of which were seen in previous expanded television versions):
      • Some added dialogue when Jor-El is talking with the council.
      • The council calls an "Executioner" to hunt and kill Jor-El to keep the rocket from launching.
      • Noel Neill and Kirk Alyn's speaking cameos on the train.
      • Little girl sees Clark running faster than train, parents call her Lois Lane.
      • In the kitchen Martha Kent takes out a box of Cheerios.
      • After rescuing Air Force One Superman returns to Fortress of Solitude and has a conversation with his father.
      • In Metropolis when the news of Superman comes out, Clark is a spectator. A stranger (played by an uncredited Richard Donner) comments "that'll be the day when a man can fly"; Clark grins.
      • While trying to get Luthor's lair Superman goes through machine guns, flame throwers, ice machines with Luthor taunting on loudspeaker.
      • The sequence with the Girl Scouts.
    • Conexões
      Edited into Superman II: A Aventura Continua (1980)
    • Trilhas sonoras
      Can You Read My Mind
      Music by John Williams

      Lyrics by Leslie Bricusse

      Performed by Margot Kidder

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    Perguntas frequentes32

    • How long is Superman?Fornecido pela Alexa
    • Which characters were adapted from the Superman comic books?
    • What is Miss Teschmacher's relationship to Lex Luthor? Is she his girlfriend? If so, why does he not call her by her first name? Does she work for him?
    • Why did a supposedly super-advanced civilization like the Kryptonians not realize their planet was mere hours from total destruction?

    Detalhes

    Editar
    • Data de lançamento
      • 2 de abril de 1979 (Brasil)
    • País de origem
      • Reino Unido
    • Idioma
      • Inglês
    • Também conhecido como
      • Super-Homem
    • Locações de filme
      • Range Road 264, Blackie, Calgary, Alberta, Canadá(The Kents' farm, coordinates: 50.675111, -113.558333)
    • Empresas de produção
      • Dovemead Films
      • Film Export A.G.
      • International Film Production
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 55.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 134.478.449
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 7.465.343
      • 17 de dez. de 1978
    • Faturamento bruto mundial
      • US$ 300.478.449
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      2 horas 23 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Atmos
    • Proporção
      • 2.39 : 1

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