Sette uomini d'oro nello spazio

Have plenty of crackers ready for all this cheese. This movie is for the person who loves those late-night public access horror hosted shows. In fact, it's a safe bet that's the only way you'll ever see this movie. It's that bad.

But that's what makes it so great! Hokey dialog, corny special effects and cardboard sets, along with some of the dingiest background music (and theme song) you're likely to ever hear. Add that to the cartoon-sounding sound effects and you've got a worse-than-Starcrash movie that'll satisfy any B-movie fan! UPDATE: This movie, believe it or not, has been released on DVD. The copy is as bad as the movie, but if you can find it in the dollar bin, there you go!

This is an effort at an outrageous space epic, where nothing is funny and the characters are about as bland and inconsequential as one can get. Once again the earth is threatened (actually it has been purchased). The population is going to be enslaved once this guy, who has a face like a hand grenade does what he does to them. The silly people of earth have to depend on some guy whom they treat badly, but who has great powers to repel the force. There are some idiotic droids, especially a male and female (for whatever reason), who provide what I guess is comic relief. The whole thing is a joke. We never really get what the powers are. We never really understand the strategies. There are, however, a group of androids who dress like Carol Channing. Now that could have been funny.

This is the third "Al Bradly" movie I have watched in the last couple of weeks and like the other 2 (Cosmos: War of the Planets and The War of the Robots) uses many of the same sets, costumes, cast and effects shots. And like the other two it is total and unmitigated crap from start to finish. The weirdness start in the credits when after the "Stars" the rest of the cast in listed in "Alphabetical Order". I don't know what kind of scary arsed alien alphabet they were using but it wasn't the ABC I was taught at school.

The plot is straight out of a 1920s pre Hugo Gernsback Scientifiction pulp with strutting heroes, mentally superior super-scientists (complete with beautiful niece), cute robots, an alien overlord intent on enslaving the human race etc. etc.

The Alien overlord shows his superiority over the puny humans by unleashing a short montage of Black and White footage of buildings being destroyed in World War 2 - a bit alarming coming in the middle of a colour SF movie. Meanwhile the Earth Government suppress the news that entire cities are being wiped off the face of the planet and turn to the only man who can stop the aliens reducing the earth to radioactive doo-doo and enslaving all the black people he can find.

That isn't a joke on my part - the only shots of aliens enslaving people has them rounding up some "African Natives" - though the translators, probably conscious of this blatant bit of racial stereotyping, do go out of their way to get characters to tell each other that other races are getting lifted in vast numbers too.

So confident are the powers that be in their chosen Super-scientist saviour he has to illegally assemble his team of Super-scientist helpers by stealing spaceships and springing them from Jail.

Even weirder is the sequence about three quarters through the movie in which three scenes that should have been at the start of the flick turn up in no apparent order (Though this may just be on the DVD copy I own -part of a 20 movie box set called Space Quest) when we see the gambler hero in the casino, the auction where "Sol 3" is bought by the Alien, and a scene in the Human control room where the High Command take a break from their "who has the gayest moustache" contest long enough to realise that the Earth is utterly screwed.

Aimed at a target audience of retarded 7 year olds.

I remember when my great great grandfather was on his deathbed he said these words to me 'son, whatever you do, never watch an Italian sci-fi movie'. After receiving this sage advice I sadly turned away, only for him to weakly call me back and say 'especially if it is an Alfonso Bescia space opera, those are particularly crap'.

I have subsequently watched several Italian sci-fi films over the years, four of which have been Alfonso Brescia efforts. I should have followed my great great grandfather's advice as watching all four Brescia films has been as much fun as being hit full on the face with a bag full of broken glass. This one like all of them feature space wars in which the villains are androids who look like Brian Jones of the Rolling Stones circa 1968. In this one we have an evil despot called Kress who uses his android army to enslave mankind; he is opposed by a small group of stereotypes and robots, who save the day. The date of this film should give you a clue that it is surfing the wave of Star Wars and to that end there is a light-saber battle where the Brian Joneses fight our heroes. Well, I say 'light-saber' but given the origins of this film, it should be no surprise to learn that technically it is a 'cardboard swords painted with fluorescent paint' battle. Interestingly the technology magazine Popular Mechanics reviewed this movie back in the day declaring it a 'dreadful trashpile'. A final note for film academics, the title this one went under in West Germany was 'Metallica'.

This has to be one of the worst films I've experienced so far from my trusty Mill Creek 50-film 'Nightmare Worlds' pack (on twelve double-sided DVDs, no less), and it did a further injustice at being way too long. Usually these turn out to be just over an hour, so if it's an unpleasant bore, all you have to do is blink and it's over, but this was almost two hours long. There were many ways in which the filmmakers tried to rip off and cash in on much better films--you can tell that their C3PO-type robot, that's supposed to be the perfect bartender, was designed using a garbage can; and the English title distinctly culls from both 'Star Wars' and '2001: A Space Odyssey', both legendary masterworks of the genre. Yet there WERE some interesting ideas of merit, which much better scriptwriters and directors could have really done fine things with (intergalactic auctions of planets being but one of them), so I couldn't discount the film altogether. I'm simply glad it's over and done with, and I will never bother watching it again.

In conclusion, it's only worth a look if you REALLY like bad films or sci-fi and don't mind that it's very poorly made--otherwise, give it a wide berth and simply move on.