O Sócio do Silêncio

Director Daryl Duke makes a very taut thriller here about a figurative chess game between Elliot Gould, a bank teller who stole in excess of $48,000, and Christopher Plummer the real thief who gets outwitted. Gould and Plummer have some remarkable scenes between them - most of them on phones - one upstairs and the other in a phone booth. The tension created has roller-coaster effects through much of the film to see what the next move is for each character. I was riveted through much of it. Added in for some extra measure are various love liaisons for Gould and lots of depth given to the main characters. Gould does a very good job carrying off a very difficult role as a man who is quiet, overlooked, and introspective. Plummer is his equal as a maniacal killer/thief who knows how to play cat and mouse. The film has several memorable scenes: the ending in the mall was just fantastic as were all the scenes shot in Gould's apartment. Susannah York gives an integral performance as a co-worker at the bank. The director gives this rather pedestrian material lots of life, though the film obviously is a product of the 70s with way too much nudity for a film like this. Just about every woman in the movies goes bare-chested at some point(not that I am complaining mind you). If you are looking for a real edge of your seater then the Canadian production The Silent Partner might just be what you need to see.

In Toronto, the methodical and lonely bank teller Miles Cullen (Elliott Gould) works in a bank in a shopping mall. He feels unrequited love for his coworker Julie Carver (Susannah York) but she is having a love affair with the married bank manager Charles Packard (Michael Kirby). One day, Cullen discovers a note on the counter indicating that the bank will be robbed and he soon identifies the handwriting of a Santa Claus in the mall as the author of the note. However he does not tell the police about of his findings and he hides a large amount of cash in his lunch box. When the thief heists the bank, he keeps the money for him. Soon the thief Harry Reikle (Christopher Plummer), who is a psychopath, tracks Cullen down, breaks in his apartment and threatens him to give the robbed money to him. However Cullen sets Reikle up and he is arrested for stealing a van. Meanwhile Cullen's father dies and he meets his nurse Elaine Muriel (Céline Lomez) at the funeral. They have a love affair and Cullen finds that she is working with Reikle that is in jail. But she is in love with Cullen and helps him to recover the key of the safety deposit box that he had lost. But soon Reikle is released from jail. What will happen to Cullen and Elaine?

"The Silent Partner" is one of the best thrillers from the 70's, with an intelligent story and top-notch performances. Christopher Plummer is scary in the role of psychopath. The gorgeous Susannah York and Céline Lomez have important participations. Elliott Could steals the show with another brilliant performance. The unforgettable John Candy has a minor role in the plot. The cat-and-mouse game between Elliott Gould and Christopher Plummer is breathless and increases the intensity along the story. After almost forty years, this film has not lost the impact. My vote is eight.

Title (Brazil): "Parceiro do Silêncio" (VHS)("Silent Partner")

You're in for a lot of suspense with this one, I've never understood why this movie was not more widely seen, even though it is deservedly highly-regarded. The whole cast is terrific, above all the great Elliott Gould. Curtis Hanson's screenplay offers just the right twists at just the right moments and it all adds up to a very believable story. Don't miss it!!

Technically mediocre, but an adrenaline-fueled crime-thriller adapted from Anders Bodelsen's book "Think of a Number". Bank employee Elliott Gould dupes bank robber Christopher Plummer out of a small fortune, leading to a head-spinning game of cat-and-mouse. Gould and Plummer both do career-peak work, with Plummer never more riveting (violence turns him on, making him a dangerous, bloodthirsty cat). The film's R-rated mayhem may be over-the-top, but the movie is never off-putting and director Daryl Duke, working from Curtis Hanson's screenplay, nearly keeps it on track the entire way. Duke mounts the proceedings with flair, accentuating the coal-black humor inherent in the tension for a terrifically lively effect. Engrossing picture was unjustly swept under the carpet in 1978, but has more excitement than most big-budget films in this genre. Watch out! ***1/2 from ****

Anders Bodelson's Danish novel "Think of a Number" has been transplanted to Toronto, intelligently updated by screenwriter Curtis Hanson, and directed by Daryl Duke in brilliant fashion. What makes this film so special, I think, is that you wind up rooting for Elliot Gould, a bank teller turned thief, to best Christopher Plummer, a sadistic bank robbery, even though Gould's character is basically amoral. This is that rare thriller that works on every level. The plotting feels free of contrivance, Gould and Plummer have never been better, chilly Toronto looks spectacular, and there's a wonderfully evocative, jazzy soundtrack by pianist Oscar Peterson.

Coming as it did out of Canada in 1978, this film, despite its high quality, was almost immediately forgotten, but it is surely deserving of rediscovery. Check it out. It's one of the very best thrillers you'll ever see.