Sela de Prata

An interesting film that shows Gemma at his best. Neat photography and some pleasant incidental music but an annoying main theme that repeats throughout! The kid is good and typical storyline, but gunfights are effective with realistic blood squid effects. One for Gemma fans for sure!

Lucio Fulci will probably always be best known for his gory zombie movies; but he also directed some of the best films in the Giallo genre as well as a few other gems elsewhere. Fulci only directed three films in the popular Spaghetti Western genre; and I for one am thankful for that as it was clearly not his strong point. His first attempt at the genre, Massacre Time, was an above average western, if not especially brilliant. Four of the Apocalypse was well made but frankly dull, which brings us on to this film; which is more exciting (slightly) than Fulci's last effort, but too sappy for a western and too lacking in important areas. The plot is very typical for a Spaghetti Western and focuses on a man who, as a child, witnessed his father being killed. He grows up to become a bounty hunter going by the name of Silver Saddle and naturally he wants revenge and starts plotting once he finds the people behind his father's death. However, he ends up coming across the young son instead and after thwarting an assassination on the boy, sets off for his revenge.

The music is generally a very important element of the Spaghetti Western; and again it's a place where this one is seriously lacking. The score is, simply, horrible. What we get is a singer droning on about the plot of the movie and it will do nothing but make you cringe! Ennio Morricone, this isn't. The film seems all too keen to shy away from the stuff that usually makes this genre so great - namely, violence and action, and instead decides to put its focus on the relationship between the central bounty hunter character and his enemy's nephew; a young and irritating blonde haired kid. This relationship may be interesting for some; but personally I found it very boring and it wasn't what I went into this film looking for. There are a few action scenes but nothing particularly startling and the way the film moves is rather boring far too often. Prolific Spaghetti Western star Giuliano Gemma takes the lead role and is one of the film's few saving graces as he puts in a believable performance. The ending is rather decent too and wraps things up nicely; but this is not a great western unfortunately.

Like the same director's "Four of the Apocalypse," whether or not this film ultimately succeeds for you probably depends on your willingness to tolerate its flaws for its strengths.

Its flaws include bad acting on the parts of Giulliano Gemma and Sven Valsecchi, who are the two leads, a frustrating tendency to establish promising themes, only to allow them to dissipate after the first thirty minutes, and another frustrating tendency to put all the best action scenes in the first act.

Its strengths include the presence of Geoffrey Lewis, Aldo Sambrell, and Donald O'Brien, some excellent classic western action that's filmed with a modern sense of realism (read: BLOOD SQUIBS), and great photography, locations, costumes and sets that give an overall feeling similar to that of Fulci's other 70's western, mentioned above. The musical score, overall, is great and befits the feel and tone, although the hippy-dippy theme song may mar it for some.

For fans of Fulci and/or Italian westerns from the 70's, this is more than worth checking out...between this and "Four..." it's obvious the guy was up to something interesting and cool with his westerns during this time period, it's just too bad he didn't have a better sense of pacing and focus and evidently wasn't aware that you save your best tricks for the end of the movie, not the beginning.

This 1978 release is generally considered as the last spaghetti western in the cycle commenced in 1964. The occasional entries from the eighties were simply a one off attempts to revive a genre which formally ended in 1978 but which had been in its death throes since the early seventies. This is a western for children directed by of all people Lucio Fulci with his trademark gore nowhere to be seen. Gemma who was always a heroic presence rather than an anti hero was perfectly cast for the film intended by the producers. The story has a young boy seeing his father murdered and murdering the Killer and taking his silver saddle.Growing up as a feared bounty hunter he saves the life and befriends the young nephew of the man he intends to kill for having commissioned his father's murder and from this point on the action and mild violence take a back sear to th relationship between Gemma , the kid his beautiful aunt and his partner a sympathetic crook excellently played by Geoffrey Lewis. A good but not exceptional score is aided by a catchy title theme in the De Angelis mold. Not a great film, maybe not even a great spaghetti western but very enjoyable from start to finish.

The third and last of Fulci's Spaghetti Westerns (coming at the tail-end of the genre) - not up to the vintage MASSACRE TIME (1966) but preferable to the disappointing and unpleasant THE FOUR OF THE APOCALYPSE (1975) - with a distinct kiddie interest, since the violence isn't particularly graphic. In fact, even if star Giuliano Gemma (perhaps best known for two "Ringo" Westerns) is given the possibility of a couple of romances, the central relationship involves him and the young nephew of his sworn enemy!

As such, it emerges as unremarkable but surprisingly engaging, with a pleasant soundtrack and able support from Geoffrey Lewis (as Gemma's sidekick, a more likable version of the slimy bounty-hunters played by Strother Martin and L.Q. Jones in Sam Peckinpah's THE WILD BUNCH [1969]), Ettore Manni (as the chief villain) and Aldo Sambrell as a Mexican bandit-leader.