Piranha

Piranha is a film more self-aware than most of the post-Scream crap to come out of Hollywood. The film knows it follows a formula. In an early scene, we meet the protagonist Maggie playing a Jaws arcade game -- acknowledging the film it shamelessly rips off. It knows it packs a clichés punch with its characters as well as showing off that trademark Roger Corman cost-saving devices. It knows it carries an obligatory anti-war message as a product of the 1970s. And Piranha brings with it an appropriate sense of humor towards its material.

So watching the film, I found myself despising the formula it follows; however, I couldn't help but appreciate how the film never takes itself too seriously. Good thing too, because the other protagonist, Paul, represents one of my greatest character pet peeves -- the self-serving social reject SoB who gets talked into tagging along who eventually evolves into something sympathetic. I can barely stomach that character type in this goofy ride, I don't think I could endure another character like that in a straight movie. Thank you Joe Dante.

Most films will toss out a painfully contrived excuse to get the adventurous Maggie and the hermit-wanna-be Paul to run through the plot together even though no amount of logic or reason could possibly yield that result, but not Piranha. Oh no. It doesn't even bother with an excuse, it just defies logic and common sense to put the two together and doesn't ask questions. Thank you John Sayles.

Of course, I still hated Paul, but that's okay. With any luck he'll wind up Piranha bait.

Keenan Wynn plays a colorful old man who lives out in the same neck of the woods as the Paul character, and he confirms the viewer's suspicion that Piranha opts for less realistic characters in favor of silly caricatures. This prepares the viewer for the big balding camp activities administrator, Earl, who encourages little kids to overcome their fears by essentially calling them sissies for having said fears. Also the evil Colonel Waxman who is evil solely because he represents the US Government around the same era in history as the Vietnam War. And let's not forget the cocky highway patrol trooper who informs the main characters, "Don't try nothing 'cause I got my gun right here in my left hand." What I find most amusing about Piranha is the fact that the "good guys" (Maggie and Paul) are the two characters most deserving of a crucifixion over the events in the film. These characters waltz into an abandoned Government test facility and start pushing buttons without asking any questions, or even attempting to go through the right channels, or find out anything about this once top-secret and highly classified test facility. They metaphorically walk into a antique shop blindfolded while swinging a baseball bat, and it's the store owner's fault for leaving stuff out. But they said they're "reawwy, reawwy, sowwy, and it'll nevah happen again." Is it any wonder that no one believes their word about the river that bypasses the dam? I mean, most sane people hesitate to take directions from a guy who just ran full speed face first into a brick a wall.

Piranha's story, in essence, describes two characters who screw up, and spend the rest of the film trying to fix it while the narratives desperately tries to lay blame on its villain of the day. In a straight horror flick, this would no doubt irritate me; however, in this caricature jamboree of clichés … it feels right. Especially with Dick Miller playing the "corrupt" businessman and owner of the aquatic park, and Barbara Steele playing a scientist associated with the project that generated the killer piranha -- both characters in league with the evil Colonel Waxman, thus villains by default. And, honestly, you can't go wrong with Keenan Wynn, Dick Miller, and Barbara Steele in a film like this.

What about the stars of this film? The piranha's themselves? There's a certain charm to the hyperactive fish going into epileptic convulsions while their teeth shred away at human flesh and, of course, the foggy silhouettes that stiffly pass by the camera like glorified cardboard cutouts. In other words: fun low budget creature effects whose flaws only enhance the viewing experience.

Unfortunately, the mayhem the Piranhas cause generally falls short to the point of, dare I say, boredom. The fish begin to bite, and the scene degenerates into a mass of extras kicking, screaming, splashing, intercut with convulsing piranhas feasting. The chaos in frame drags on with no arc, no climaxes, barely any visible progress. At best, every now and again, Joe Dante offers hints of a mass exodus from the water at such a casual pace that it's difficult to believe these people's lives are at stake.

Having said that, I must confess that I respect and appreciate one of the climaxes where Joe Dante not only places a child's summer camp in danger, but also follows through by having the piranha actually attack the kids. An apparent Hollywood taboo despite the fact we're talking fiction -- where's the suspense of children in danger when the viewer knows a mainstream studio won't dare go there? Sad that this parody has more balls than some of its serious horror film brethren.

That self-awareness and sense of humor separates Piranha from the pack, and saves it from the same bashing that other creature features would receive. However, it does not grant Piranha total immunity. While littered with flaws, Piranha is not afraid to acknowledge what it is, it's not afraid to go against Hollywood taboos, and it's not afraid to mock itself. And hey, you get a dose of Roger Corman, Joe Dante, Mark Goldblatt, Dick Miller, Keenan Wynn, and Barbara Steele all in the same package. If that's not worth the price of a rental, some popcorn, and a few laughs, I dunno what is.

In the wake of "Jaws" came countless man vs. nature flicks with everything from bees to grizzly bears to frogs coming out to get man back for his crimes against the ecology (and don't forget "Night of the Lepus" in which huge bunny rabbits munched on hapless victims!) This film is considered one of the best imitators, primarily because of its tongue-in-cheek approach and it's deliberately campy writing and casting. Menzies is a hotshot missing persons expert who goes in search of two young hikers who have disappeared. She enlists the aid of hermit-like Dillman who lives near an abandoned government testing facility where the hikers were last suspected to have been. When they come upon a murky tank and believe the bodies could be at the bottom, Menzies releases the contents, unwittingly unleashing a school of vicious, genetically-altered piranha onto an unsuspecting river full of camp kids and park revelers. From there, it's a race against the clock to get to Dillman's young daughter who is about to enter a camp relay race in the water downstream. The film is deliberately peppered with actors who've made their mark in either horror or suspense films and it makes no pretenses about its lack of originality (though it does manage to come up with some despite itself!) Dillman (sporting an atrocious come-and-go Southern accent) and Menzies have a surprisingly decent rapport with each other with a few amusing scenes tossed in amongst all the panic. McCarthy pops up as a terrified scientist who knows his plans have gone awry. Wynn has a cameo as a gruff, but likable neighbor of Dillman's. Steele plays an ominous scientist in cahoots with Army colonel Gordon to keep the whole situation under wraps. Bartel is the persnickety camp counselor and Miller is the smarmy amusement park owner, both of whom disbelieve that there's any danger. Despite it's minuscule budget and rather homemade effects, the film does generate a bit of eye-opening gore and more than a little discomfort as these tiny fish nibble away at anything in the water. If "Jaws" caused people to avoid the ocean, this film could make people think twice about cloudy rivers and lakes! The murkiness of the water only adds to the horror of it all as the bikini-clad tourists and innertube-wielding kids can't begin to see what's coming. It's just a sting, then a nibble, then blood everywhere! Some of the effects are tacky and amusing, but there's a certain level of true fear as well. If one likes this genre to begin with, it will probably be a pleasure to watch. Others may be less enthralled.

The ultimate underwater horror movie. Well at first Piranha does seem to live up to other horror films but it does have various goofy and campy moments. The beginning is quite fine whilst the film does show a bit of nudity. However, during the middle of the film viewers will be on the edge of their seats, wanting to find out how these small killer fish might cause relentless horror and unspeakable doom. Given its popularity and its mediocre writing I'd rather be not wanting to watch its sequels rather than only watching this movie. In the end, while the movie may be an edge of your seat roller coaster ride, it may also have its ups and its downs.

RELEASED IN 1978 and directed by Joe Dante, "Piranha" chronicles events when genetically-enhanced piranha are accidently released into a river system in central Texas, which threaten kids & counselors at a Summer Camp and vacationers at a lake resort. A spirited skip tracer (Heather Menzies) and a backwoods drunkard (Bradford Dillman) team-up to save the swimmers. Kevin McCarthy and Barbara Steele play military scientists who experimented with the escaped piranha.

While "Piranha" is sort of a "Jaws" (1975) knockoff, it's different enough to not be a rip-off: The story takes place in a river system deep in the mainland and not the ocean; the 'monster' consists of teams of little vicious fish rather than a huge Great White Shark; the beach sequences involve quaint campground-like beaches rather than major ocean beaches; unlike "Jaws," there's a focus on alluring young women, although "Jaws 2" (1978) delivered the goods in this area as well; there's more of a sense of adventure and even suspense; and the tone mixes-in amusing elements with the horrific mayhem.

As inferred, the picture is highlighted by several quality females with curvy Belinda Balaski (from "The Howling") and cutie Melody Thomas Scott (from The Young and the Restless) featured in prominent roles. Moreover, voluptuous Janie Squire has some worthy screen time in the prologue. There are superb women in the periphery as well. Interestingly, the 2010 quasi-remake, "Piranha 3D," took the sleaze route with loads of nudity, but the women are ironically hotter here, not to mention the film's all-around more entertaining.

THE MOVIE IS LEAN and filler-free at 93 minutes and was shot along a river near San Marcos in the heart of Texas, Northeast of San Antonio. WRITERS: John Sayles and Richard Robinson.

GRADE: A-

Better than expected.

Having seen the 2010 version of Piranha (and the 2012 sequel, which was even worse) I really didn't expect much from this, the 1978 original. Turns out it's not bad, and better than I expected.

Starts very well - setting the scene, developing the plot and characters. There is a genuine feeling of intrigue and engagement. You keep thinking "How are they going to stop this?".

From a point, however, it does degenerate into a B-grade creature feature, with action, body count and gore being the main drivers. It also feels like a bad ripoff of Jaws.

However, for the most part it is reasonably enjoyable and worth the watch.