AVALIAÇÃO DA IMDb
7,5/10
2,2 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaIn this gothic rendition of the classic fairy tale, a merchant's youngest daughter is held prisoner by a mysterious winged beast.In this gothic rendition of the classic fairy tale, a merchant's youngest daughter is held prisoner by a mysterious winged beast.In this gothic rendition of the classic fairy tale, a merchant's youngest daughter is held prisoner by a mysterious winged beast.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias e 1 indicação no total
Jorga Kotrbová
- Málinka
- (narração)
Tatjana Medvecká
- Julie
- (narração)
Avaliações em destaque
9mar9
SBS-TV used to screen this film on an annual basis, but it has been missing in action for some years, which is cause for regret. The title may seem obscure, but a look at the alternative English translations ("Maiden and the Beast" and "Virgin and the Monster") should make this clearer. This is quite simply a wonderful interpretation of the classic fairy tale of Beauty and the Beast, produced and filmed in the then Czechoslovakia. Cinematic gems can be found in what may be thought to be unlikely places, and this film is an example.
Students of cinema may be aware that Cocteau did a version of this story in B&W, and there is of course the more recent and rather tame Disney version. This film is a very different proposition. For a start, it is unsuitable for young children because of some fairly graphic violence, including scenes of animal cruelty. The film-makers seem to strive for realism, particularly the scenes in the village where Beauty (here called Julie) lives, all mud and images of earthy rural life before the Industrial Revolution. But even the magical bits are portrayed realistically. The Beast's castle is maintained by an array of goblin-like servants, who skulk in the shadows of the fireplaces and chandeliers. If I have one complaint about this film, it is that the scenes are sometimes so dark that it is difficult to see what's happening. This does heighten tension, but it can be overdone.
The actors are great, especially the two charismatic leads. The Beast (Vlastimil Harapes) is fashioned more as a great bird of prey than Cocteau's leonine creation, and there is great suspense as he struggles with his inner violent nature (a sinister whispering voice) that is urging him to remain in his beastly form and kill the innocent Julie. Julie (Zdena Studenková) in turn is wonderfully portrayed. We can see why she is so obviously her father's favourite.
Fairy tales are expositions of the human condition, and the Beauty and the Beast story is no different. "Every woman has the power the make the one she loves beautiful". It's a simple theme, but this film explores it beautifully. See it if you can.
Students of cinema may be aware that Cocteau did a version of this story in B&W, and there is of course the more recent and rather tame Disney version. This film is a very different proposition. For a start, it is unsuitable for young children because of some fairly graphic violence, including scenes of animal cruelty. The film-makers seem to strive for realism, particularly the scenes in the village where Beauty (here called Julie) lives, all mud and images of earthy rural life before the Industrial Revolution. But even the magical bits are portrayed realistically. The Beast's castle is maintained by an array of goblin-like servants, who skulk in the shadows of the fireplaces and chandeliers. If I have one complaint about this film, it is that the scenes are sometimes so dark that it is difficult to see what's happening. This does heighten tension, but it can be overdone.
The actors are great, especially the two charismatic leads. The Beast (Vlastimil Harapes) is fashioned more as a great bird of prey than Cocteau's leonine creation, and there is great suspense as he struggles with his inner violent nature (a sinister whispering voice) that is urging him to remain in his beastly form and kill the innocent Julie. Julie (Zdena Studenková) in turn is wonderfully portrayed. We can see why she is so obviously her father's favourite.
Fairy tales are expositions of the human condition, and the Beauty and the Beast story is no different. "Every woman has the power the make the one she loves beautiful". It's a simple theme, but this film explores it beautifully. See it if you can.
What a wonderful film it is. Never having seen it before and only the Cocteau, made in 1946, a couple of times. I know there are many other versions but I think these two will be good enough for me when I like to watch this story again. I didn't really think that this one would be very good but it is amazing. Right from the beginning there is a stunning opening with a forest and a terrible ride with many horses and wagons, in the rain and the mud. Then there are the credits, even more wonderful as surrealist like paintings almost animated, unusual and original. Then back to the forest, the peasants have taken the wrong turning and they are lost but there is fire and horror. In the village and the man and his three girls with two of them getting married but he gets word that the wagons and their treasures and spices are lost and he will not make his money. There will be no wedding. He goes into the forest with his painting of his dead wife all seems to be okay and later with the third daughter she has to go into that gothic ruin in the forest and maybe find a husband. We know the story well enough but with this one and the beast or monster or her lover it is really well done and thrilling and beautiful to watch it all the time throughout. Breathtaking.
This film noir version of the classic fairytale, Beauty and the Beast, is captivating and magical. In many respects it is closer to the original story than other versions I have seen. I did see it once on television in the US. I have not been able to locate a copy of the video. I highly recommend it.
10Atulur
Although I doubt that this film was ever on in the U.S., since I live in the country where it was shot, I can warmly recommend it to anyone who loves fairy tales taken in a harsher and darker manner. The atmosphere of the film is gloomy and the camera is very original - we can see the Beast /who has here gruesome bird-like looks/ only in the middle of the film. In the first part of the film we feel his presence only through his eyes. The beginning of the movie has nothing to do with a fairy tale, it is a pure horror - a dark forest, amazing church-pipe tones, chilling to the bone, mist all around and a sudden sound of hoofs getting nearer and nearer... The dark atmosphere of the whole film is weakend by a dream interlude in which the Monster is shown as a normal human being dancing with the heroine in rooms full of glare and light. Fantastic music again. Perfect acting /best Czech actors whatsover, great choreography/,a super setting /a dark palace of the Monster/. The film will give you a totally different approach to the old well known fairy tale.
I saw this film many years ago at Filmex in Los Angeles, and it left a strong impression. It is a truly beautiful version of the fairy tale Beauty and the Beast. It is a real shame that Herz's films are not available today, at least to US cinephiles.
I remember this film as having been done in a very naturalistic way, with (I think) no optical effects at all. The costumes were wonderful, as was the music and the acting. It seems to me there was a situation in which a woman's dress turned to mud (in a simple jump cut). The "Beast" is especially striking, with his bird-like plumage.
Anyone at Facets want to take this one on?
I remember this film as having been done in a very naturalistic way, with (I think) no optical effects at all. The costumes were wonderful, as was the music and the acting. It seems to me there was a situation in which a woman's dress turned to mud (in a simple jump cut). The "Beast" is especially striking, with his bird-like plumage.
Anyone at Facets want to take this one on?
Você sabia?
- CuriosidadesThe Monster's mansion (which was also used as the residence of the evil astrologer Aldobrandini in O Nono Coração (1979)) was the largest construction in the long history of Barrandov Studios up to that time. It was only surpassed by a faithful replica of one of the Prague churches in Operação Anthropoid (2016).
- Erros de gravaçãoWhen the father is travelling with the painting, a crow flies out from behind a log. A crew member's hands can be seen throwing the bird upward.
- ConexõesFeatured in Predcasná úmrtí: Bozský skeptik (2001)
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