Newsfront

A really good Australian film .Beautifully recreates the look and feel of Sydney as it was in the 1950s. This movie greatly impressed me when I first saw it during its initial cinema release and it still stands up very well. Fine directing job by Phil Noyce, wonderful camera work , thoughtful lighting and some fine performances across the board. An absolute "must see" for any students of '70's Australian cinema.One out of the box !

This finely crafted little film from Australia has a freshness and spontaneity lacking in most major productions, and because it is so fresh and spontaneous, and because the actors are not known in the States (except for Bryan Brown, who has since made a name for himself) nothing is predictable. The backdrop of the newsreel industry, and the men and women dedicated to their careers is slightly reminiscent of some of those Warner Brothers pictures of the early 30's where everything happened in the pressroom or the police station or the hospital, the job itself structuring the plot and moving the characters' development forward. A thoroughly different and enjoyable film.

When respected film critic David Stratton rates a movie as his all time Australian favourite it's a high bar to reach. And there's no doubt Newsfront conveys a terrific sense of post WW2 life and times, fortified by the injection of a generous dose of archival newsreel footage.

But despite boasting so many of Australia's finest new wave actors, there's a certain emotional pull missing from the fictional narrative, script and characters around the real life events. Even the film's saddest moment, occurring during the 1955 Maitland floods, whilst technically clever on one level, lacked gravitas (not aided by the newsreel inspired music). And the stunning Wendy Hughes, who plays a strong female lead in the early going, becomes oddly passive and morose by the latter stages. Perhaps it was a deliberate pattern that went to Len Maguire's (played by Bill Hunter) effect on women, his ex-wife portraying a similar demeanour throughout.

Also curious was the back and forth between colour and black & white, which I found mildly distracting for lack of any logical pattern.

Interestingly, the project was originally conceived as a documentary, and whilst the surrounding story added some depth and context to the political and historical aspect, as a drama it felt like a skipping stone through time. Writer Bob Ellis' displeasure at the cuts to his screenplay might have been justified. Or maybe the production tried to achieve too much.

All criticism aside, overall Newsfront is an above average movie that will engage, until the final Cinetone credits, anyone with an interest in Australian cinema and history.

If you are interested in Australian Cinema this is a film for you. Although it is long, you will be thankful you sat it through. 'Newsfront' takes us back in time to a different Australia - a country that has no television or other technologies of today. Noyce uses the backdrop of the rivalry between the two newsreel production companies to explore the tensions that exist in the character's lives, set against the historical moments recorded in the Newsreels. With engaging characters and a superb depiction of what life was like in the newsreel industry of the 1950s, Noyce gives us an enjoyable and memorable experience of Australian film and national history.

i saw this film as part of my australian cinema course and i thought it was very good, if a little too long. casting was very good, with bill hunter doing a good job as len mcguire, the quintessential aussie battler who has old fashioned values and a strong commitment to his work. wendy hughes was absolutely GORGEOUS in this film, she puts many hollywood starlets to shame, she was so hot in this movie. the transitions from B&W to colour were inventive and the use of stock newsreel footage gave the film a sense of reality. overall, a good but not excellent aussie film.