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IMDbPro

O Último Concerto de Rock

Título original: The Last Waltz
  • 1978
  • Livre
  • 1 h 57 min
AVALIAÇÃO DA IMDb
8,1/10
21 mil
SUA AVALIAÇÃO
O Último Concerto de Rock (1978)
special ed. dvd
Reproduzir trailer1:33
1 vídeo
41 fotos
ConcertMusic DocumentaryBiographyDocumentaryMusic

Começou como um concerto. E virou uma celebração. Junte-se às ilustres superestrelas e astros do rock na histórica festa de despedida da ''The Band'', em São Francisco no ano de 1976.Começou como um concerto. E virou uma celebração. Junte-se às ilustres superestrelas e astros do rock na histórica festa de despedida da ''The Band'', em São Francisco no ano de 1976.Começou como um concerto. E virou uma celebração. Junte-se às ilustres superestrelas e astros do rock na histórica festa de despedida da ''The Band'', em São Francisco no ano de 1976.

  • Direção
    • Martin Scorsese
  • Roteirista
    • Mardik Martin
  • Artistas
    • Robbie Robertson
    • Muddy Waters
    • Neil Young
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    8,1/10
    21 mil
    SUA AVALIAÇÃO
    • Direção
      • Martin Scorsese
    • Roteirista
      • Mardik Martin
    • Artistas
      • Robbie Robertson
      • Muddy Waters
      • Neil Young
    • 147Avaliações de usuários
    • 65Avaliações da crítica
    • 84Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 3 vitórias e 3 indicações no total

    Vídeos1

    The Last Waltz
    Trailer 1:33
    The Last Waltz

    Fotos41

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    Elenco principal39

    Editar
    Robbie Robertson
    Robbie Robertson
    • Self - Guitar-Vocal
    Muddy Waters
    Muddy Waters
    • Self - Performer
    Neil Young
    Neil Young
    • Self - Performer
    Van Morrison
    Van Morrison
    • Self - Performer
    The Band
    The Band
    • Themselves
    Rick Danko
    Rick Danko
    • Self - Bass-Violin-Vocal
    Levon Helm
    Levon Helm
    • Self - Drums-Mandolin-Vocal
    Garth Hudson
    Garth Hudson
    • Self - Organ-Accordion-Saxophone-Synthesizers
    Richard Manuel
    Richard Manuel
    • Self - Piano-Keyboards-Drums-Vocal
    Eric Clapton
    Eric Clapton
    • Self - Performer
    Neil Diamond
    Neil Diamond
    • Self - Performer
    Bob Dylan
    Bob Dylan
    • Self - Performer
    Joni Mitchell
    Joni Mitchell
    • Self - Performer
    Emmylou Harris
    Emmylou Harris
    • Self - Performer
    Ringo Starr
    Ringo Starr
    • Self - Performer
    Paul Butterfield
    Paul Butterfield
    • Self - Performer
    Dr. John
    Dr. John
    • Self - Performer
    Ronnie Hawkins
    Ronnie Hawkins
    • Self - Performer
    • Direção
      • Martin Scorsese
    • Roteirista
      • Mardik Martin
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários147

    8,121.3K
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    Avaliações em destaque

    LeoneVsScorsese

    Out of the Shadow of Woodstock

    Martin Scorsese's documentary has been labelled a time capsule of an era, and whilst this type of reference usually sounds overstated, there is no doubting the accomplishment of this film as an event. Many use the documentary 'Woodstock: 3 Days of Peace and Music' as the ultimate example of a music-doco, but whilst the music in The Last Waltz is actually on par with the great performances of Woodstock (bar Jimi Hendrix[there's no substitute]), the thing which elevates The Last Waltz is the photography.

    This was the first music doco to be shot on 35mm and watching the concert, you'd think that each performance was carefully choregraphed over a few weeks of shooting rather than over one night. Special thanks must be given to Cinematogrpaher Michael Chapman for his efforts on this film. The look of the film is what elevates it's overall appeal, because the music was always going to be epic, especially with the cavalcade of great names performing. This is just great filmmaking from contemporary cinema's most accomplished filmmaker. And how about that haunting theme that both starts and ends the film. Just great.
    catchick37

    Glare of the Spotlight

    This movie was only a name to me until I saw it last year. Immediately, I was riveted by everything about it. I've always been a casual fan of The Band, and of Levon Helm in particular. However, I'd never been bowled over by Bob Dylan, except as a songwriter, so much of The Band's work remained unknown to me as well. I wouldn't say I've become a rabid fan, but I am much more interested in their work, now.

    It's a Scorsese film--how could it not be beautifully photographed, but Scorsese managed a difficult feat: he keeps himself out of the movie, except as interviewer during those sequences. This is not really Scorese's vision of a rock concert. It happened mostly organically, certainly with mistakes, gaffes and grit. This is part of its charm.

    There are better singers than the guys in The Band, but few better musicians. This can be illustrated with Robbie Robertson in the Clapton song: Clapton's guitar strap comes off and Robertson, with one beat, picks right up on the solo. It looked planned, but wasn't. Joni Mitchell was notoriously hard to back up, due to her original guitar tuning, and ragged song phrasing, but bassist Rick Danko fills in every space with intricate bass figuring.

    Perhaps we have become too accustomed to the overwrought, over-hyped, overproduced, overexposed, shiny gack that passes for popular music to appreciate the raw, the imperfect, the sheer humanness of this music. Scorsese shows it all. The guys in The Band were largely worn out and sometimes strung out in the interviews. They are tired, scrawny, empty-eyed from the excesses of the road. Rick Danko is hovering on the ragged edge, as his band is dissolved, and he says his goal is to "keep busy." Richard Manuel looks lost as he says "I just want to break even." These are two musicians who desperately needed the music, but who were murdered by the road. We see their bleak destinies in their eyes in this film.

    It is bittersweet certainly, but also a moment in time, crystallized into something great by the music, the love of friends, the willingness of the director to simply stand back and allow the music to happen. It also reminds us what good music used to sound like and makes me wish could exist again.
    ametaphysicalshark

    One of the best, simplest, and most joyous films ever made

    In the words of Robbie Robertson, "The Last Waltz" began as a concert and turned into a celebration. There is no word that can be used to describe "The Last Waltz" better than 'celebration'. This is a celebration of The Band, and of music, specifically American music, which The Band loved and played so many styles of.

    "The Last Waltz" is a concert film, and there's a common sentiment outside of the rock fan community that such films can never be true art films. If proof exists that this is not true, "The Last Waltz" is it. The film is brilliantly directed by Martin Scorsese, who captures this incredibly powerful and remarkable performance with skill that can't be described as anything other than amazing. This film looks absolutely stunning. What else can one ask for other than a film that looks pristine and beautiful, and contains some of the best music ever written? Scorsese is a smart filmmaker and knows that he could add to the film by including short interview segments with the members of The Band, all of which are relevant to and enhance the film.

    The beauty of "The Last Waltz" is its simplicity. The Band were probably the most unpretentious major musical group there has ever been. They were interested in nothing other than playing good music, and Scorsese, at least in this instance, is not interested in doing anything other than creating a simple, true document of a memorable, great musical event. That's what he does, he captures a brilliant concert where the addition of celebrity musical guests does not cheapen it at all, but makes it a true celebration of music. Muddy Waters, Paul Butterfield, Joni Mitchell, Neil Diamond, Van Morrison, Eric Clapton, Dr. John, Neil Young... the list goes on and on.

    Phenomenal musicianship, phenomenal film-making, a phenomenal film all around. One of the best and most joyous films ever made.

    10/10
    wdeadder

    A Classic

    Forget "Woodstock". Forget "Gimme Shelter". "Let It Be'? Forget that too. This is, truly, THE greatest rock and roll film ever made. Why? Well, try for a moment to forget that the actual performance itself features the great artists it does (including The Band) and focus on the film itself.

    This film is shot in 35mm format which gives the picture pristine look (as opposed to all other previous rock films, which were shot on 16mm). But it's not just a spralling work, this is also well executed as well. By that, I mean the production value is outstanding. The lighting is unlike any rock concert I've seen (and I've seen many). The camera work is top-notch (apparently it was done by the best in Hollywood at the time). It's also easy to see that a great deal of planning went into the production. Other concert films (Woodstock, Monterey Pop) suffer from a "last minute scramble" look that simply isn't there with "Waltz".

    Add to that the shear magnitude of what The Band had undertaken. Imagine learning, arranging and performing so many songs in so many styles by so many artists in one night with only one take of each allowed. When that is taken into consideration, you have to have a degree of respect for them. Of course, I'm bias. I'm Canadian, as were 4/5ths of The Band.

    My only critique would be a technical one. It seems Rick Danko redubbed all of his bass playing. Whether this is attributed to a technical problem or unhappiness with his performance is unclear. However, what is clear is that what you hear the bass doing in the audio and what you see on the screen are completely different.
    9movibuf1962

    Take a load off, Annie.

    Either I'm getting older or the world's getting younger, but when a rock concert documentary film airs on TCM, there should be some sort of pause for a reality check. In a salute to WALTZ'S director Martin Scorsese, the film aired on TCM over the New Year's weekend. I hadn't seen it or thought about it in 25 years. And all I can say is that it hasn't lost any of its power. (And this from someone who's never been to a live rock concert.) The stars of the film- the all-purpose backup and touring band called 'The Band-' give a simple but enlightening insight to the mechanics of their 16 years on the road and how their Thanksgiving Day final concert in San Francisco turned into a revival-like celebration. Even though I grew up on jazz music more so than rock, I can fully appreciate The Band's intense, immense music background- influenced by everything from blues to country to folk music. As for the concert itself you have the likes of Neil Young, Ron Wood, Joni Mitchell, Van Morrison, Muddy Waters, and Dr. John (who gives a standout, honky-tonk performance of "Such A Night,") kickin' it on stage before it's all over. And if these live performances weren't enough, there are additional performances done on a sound stage with artists that weren't part of the live show woven into the 117-minute film: a fabulous folk/gospel jam session of the song "The Weight" teamed with the Staples Singers (lead by Mavis Staples, who sounds very Gladys Knight-like) and about thirty minutes later shifting gears into the lovely folk ballad "Evangeline," replete with fiddle, mandolin, and acoustic guitar from Emmylou Harris. Also cool is Muddy Waters bluesing on "Ain't that a Man," and the finale with all the artists of "I Shall Be Released." You just might be.

    What Scorsese Film Ranks Highest on IMDb?

    What Scorsese Film Ranks Highest on IMDb?

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      During his opening guitar solo in "Further On Up the Road", Eric Clapton's guitar strap came off. To compensate while he fixed it, Robbie Robertson spontaneously played a brief solo of his own.
    • Erros de gravação
      During Garth Hudson's solo in the song "Stagefright", the entire song cuts forward approximately 25 seconds.
    • Citações

      [Speaking about Ronnie Hawkins]

      Himself: He called me up, and I said, "Sure I'd like a job. What does it mean? What do I do?" And he said, "Well, son, you won't make much money, but you'll get more pussy than Frank Sinatra."

    • Cenas durante ou pós-créditos
      At the beginning of the film it just says: "THIS FILM SHOULD BE PLAYED LOUD!"
    • Versões alternativas
      The DVD features an outtake of the jam session onstage towards the end of the concert.
    • Conexões
      Edited into Once Were Brothers: Robbie Robertson & The Band (2019)
    • Trilhas sonoras
      Who Do You Love
      Written by Bo Diddley

      Performed by Ronnie Hawkins with The Band

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    Perguntas frequentes18

    • How long is The Last Waltz?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 24 de julho de 1978 (Brasil)
    • País de origem
      • Estados Unidos da América
    • Idiomas
      • Inglês
      • Inglês médio
    • Também conhecido como
      • El último rock
    • Locações de filme
      • Winterland Arena, San Francisco, Califórnia, EUA(concert)
    • Empresas de produção
      • FM Productions
      • Last Waltz Inc.
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 322.313
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 16.151
      • 7 de abr. de 2002
    • Faturamento bruto mundial
      • US$ 363.707
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 57 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Stereo(original release)
    • Proporção
      • 1.85 : 1

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