Jennifer Hills, uma jovem escritora, vai passar férias no campo. Mas a sua presença chama a atenção de um grupo de homens que a ataca, espanca e viola repetidamente. Traumatizada e ferida, J... Ler tudoJennifer Hills, uma jovem escritora, vai passar férias no campo. Mas a sua presença chama a atenção de um grupo de homens que a ataca, espanca e viola repetidamente. Traumatizada e ferida, Jennifer começa então a planear a sua vingança.Jennifer Hills, uma jovem escritora, vai passar férias no campo. Mas a sua presença chama a atenção de um grupo de homens que a ataca, espanca e viola repetidamente. Traumatizada e ferida, Jennifer começa então a planear a sua vingança.
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Lets just forget the title "Day of the Woman", the alternate title for which this movie is much better known for; "I Spit on Your Grave" is a far better one and part of the reason why this has become a sort of a cult-classic over the years. It's a pretty repulsive and extreme movie in which a young woman gets gang-raped. The second part of the movie focuses on the woman, taking revenge on her rapists, Charlie Bronson style, that on its own right is also pretty extreme as well.
This movie features the longest rape scene out of movie history? I don't know but the entire first halve of the movie is basically about the woman getting raped by 4 different guys, multiple times, in various violent ways. It just never stops and just when you think its over it starts all over again for her. That is what mostly makes the rape within this movie shocking and disturbing. It's something pretty extreme for a movie to feature, even for an '70's exploitation flick.
Also the way the woman takes revenge upon her rapists is pretty extreme and mostly original as well. The movie its story basically features too extremes; rape and killing. It's combination might not be unique but the way it is being handled within this movie is. On top of it all, it works out well within the movie, much to my own surprise. I mean, the main story for this movie sounds pretty ludicrous but because of the two extremes within the movie, the movie balances out well. I especially liked the way the second halve of the movie worked out, in which the woman starts her revenge. I can't of course with a straight face claim that this is a brilliant movie or anything like that, it's far too amateur like made for that but it basically is great as an '70's exploitation flick, that is worthy of its cult status.
For yes, it's an obvious very cheap made movie, with poor production values. The sound sounds pretty messed up at times and the acting is just plain poor for 80% of the time. Especially Camille Keaton is no great natural acting talent and is the reason why she isn't active in the business anymore and has never broken through. She was married to the movie its director/writer/producer/editor Meir Zarchi at the time, which probably was the only reason why she got cast in the movie. Appearantly she also is the grand-niece of the brilliant Buster Keaton and I must say that she looks a bit like him.
A great movie for what it is.
7/10
http://bobafett1138.blogspot.com/
This movie features the longest rape scene out of movie history? I don't know but the entire first halve of the movie is basically about the woman getting raped by 4 different guys, multiple times, in various violent ways. It just never stops and just when you think its over it starts all over again for her. That is what mostly makes the rape within this movie shocking and disturbing. It's something pretty extreme for a movie to feature, even for an '70's exploitation flick.
Also the way the woman takes revenge upon her rapists is pretty extreme and mostly original as well. The movie its story basically features too extremes; rape and killing. It's combination might not be unique but the way it is being handled within this movie is. On top of it all, it works out well within the movie, much to my own surprise. I mean, the main story for this movie sounds pretty ludicrous but because of the two extremes within the movie, the movie balances out well. I especially liked the way the second halve of the movie worked out, in which the woman starts her revenge. I can't of course with a straight face claim that this is a brilliant movie or anything like that, it's far too amateur like made for that but it basically is great as an '70's exploitation flick, that is worthy of its cult status.
For yes, it's an obvious very cheap made movie, with poor production values. The sound sounds pretty messed up at times and the acting is just plain poor for 80% of the time. Especially Camille Keaton is no great natural acting talent and is the reason why she isn't active in the business anymore and has never broken through. She was married to the movie its director/writer/producer/editor Meir Zarchi at the time, which probably was the only reason why she got cast in the movie. Appearantly she also is the grand-niece of the brilliant Buster Keaton and I must say that she looks a bit like him.
A great movie for what it is.
7/10
http://bobafett1138.blogspot.com/
You plan to spend the summer locked away, in a cabin in the woods is where you'll stay, start to write a piece of fiction, enjoy your time without restriction, what could possibly go wrong, get in the way? It's not too long before you're woken from your dream, as four assailants hunt you down and make you scream, raped and beaten left for dead, terror, fear, alarm and dread, but you will get recompense, and start to scheme.
A vicious and brutal piece of filmmaking that has the remarkable Camille Keaton excising a violent attack from her mind by replacing those memories with ones that are far more rewarding.
A vicious and brutal piece of filmmaking that has the remarkable Camille Keaton excising a violent attack from her mind by replacing those memories with ones that are far more rewarding.
In summertime, the aspirant New Yorker writer Jennifer Hills (Camille Keaton) rents a lakeside cottage in the woods of the peaceful Park Hell Lane, Connecticut, to write her first novel during the vacation. A couple of days later, she is successively and brutally gang raped by three local bigoted rednecks and one retarded delivery boy from the supermarket. The humiliated and abused Jennifer does not report the sexual assault to the police and a couple of weeks later, she is physically recovered and has just plotted revenge against the rapists.
"Day of the Woman" is extremely realistic and violent; therefore the simple and scary story is absolutely credible. The unknown Camille Keaton has an amazing performance, especially in the impressive long sequence when she is repeatedly beaten and raped. However, this gore movie is only recommended for very specific audiences and prohibited to sensitive persons due to the savagery of most of the scenes. My vote is seven.
Title (Brazil): "A Vingança de Jennifer" ("The Revenge of Jennifer")
"Day of the Woman" is extremely realistic and violent; therefore the simple and scary story is absolutely credible. The unknown Camille Keaton has an amazing performance, especially in the impressive long sequence when she is repeatedly beaten and raped. However, this gore movie is only recommended for very specific audiences and prohibited to sensitive persons due to the savagery of most of the scenes. My vote is seven.
Title (Brazil): "A Vingança de Jennifer" ("The Revenge of Jennifer")
This film begins with a writer from New York City by the name of "Jennifer Hills" (Camille Keaton) deciding to spend some quiet time in the country to work on a new novel. At first, everything is going smoothly, and she seems to be on good terms with the people in the small town not too far from her cabin on the river. Everything is peaceful and quiet. Then one day, while canoeing on the river, she comes across some young men in a boat with an outboard motor who begin to make a nuisance of themselves. One thing leads to another, and they soon drag her canoe to the shore where they then proceed to brutalize and rape her. To make matters even worse, within a day or two they show up at her cabin and savagely beat and rape her again. This time, however, rather than taking the chance of her reporting them to the police, one of the men named "Matthew Duncan" (Richard Pace) is selected to kill her while the rest of them wait outside. Not wanting to anger his colleagues, he initially agrees but, once inside the cabin has a change of heart and, rather than killing her, smears some of the blood from her body onto his knife and then presents it to the rest of the group to satisfy their concerns. What they don't realize, however, is that Jennifer has no intention of reporting them to the police--and they will soon discover why. Now, rather than reveal any more, I will just say that this is an extremely graphic film which some people might find rather disturbing. So, be prepared as this is not a movie for the squeamish. On a completely different note, although this film features a number of action scenes, none of those related to the revenge aspect were very credible. Likewise, other than Camille Keaton, and possibly Eron Tabor (as "Johnny Stillman") none of the other actors really stood out. But that's just my opinion. At any rate, although I certainly don't consider this to be a good movie by any means, it does stand out as being one of the one of the most memorable rape & revenge movies ever produced, and I have rated it accordingly. Average.
I tried to watch this film once before and made it up to the second rape scene before leaving the room, believing I was seriously about to throw up. I finally forced myself to watch it all the way through recently, and I'm glad I did.
Jennifer Hill is a young, hip, free-spirited woman of the 70s, who leaves her home in New York City for a long vacation in Connecticut, where she plans to write her first novel. Jennifer soon attracts the attention of four lowlife scumbags as she sunbathes in her bikini. The semi-evolved thugs kidnap Jennifer, drag her into the woods, rape her, beat her, sodomize her, beat her some more, follow her home, rape her again, kick her when she's down, make fun of her manuscript, rip it to shreds, rape her with a bottle, beat her up one last time and leave her, bleeding and unconscious on the floor of her vacation home. Damn. They send the retarded Matthew back into the house with a knife and instructions to kill her, but Matthew can't bring himself to do it. He tells the guys that he has killed her, and they stupidly believe him and leave. But Jennifer is alive, and as she heals from her hideous wounds and recovers her strength, she plots revenge against her rapists.
Roger Ebert called this the worst film ever made and feminists damned it to hell for all eternity, but you know what? I'm a woman and I liked it. Jennifer is no weak, whimpering, helpless little victim. She tries her best to fight back. When threats and violence fail to work in her favor, she uses the only other weapon she has: sex. The men are all stereotypical slobs, disgusting pigs who are clearly already emasculated and use Jennifer as an outlet for their frustration and rage. The rapes have nothing to do with sex and are portrayed most realistically - they are ugly, brutal, violent, nasty and completely devoid of eroticism. The sodomy scene was the one scene that horrified me the most, as Jennifer emits the most bloodcurdling scream of pain ever heard. It is very difficult not to flinch from that sound. Jennifer's revenge is every bit as bloody and painful, and nowhere is it more sadistic than in the infamous "bloodbath" scene. These guys all get what's coming to them, and Jennifer makes sure that the punishment fits the crime, turning the men into the helpless, pleading victims and feeding their own sadism right back to them.
Okay, so not all of the plot points make sense, and not everyone is going to agree with Jennifer's decision to kill the men, but it's still a powerful film. It's told primarily from Jennifer's point of view but it never takes sides. It simply tells the story and lets you decide - is Jennifer an insane psycho-killer who ought to go to jail for her crimes, or is she an angel of vengeance delivering poetic justice?
Scaredy cats like me might prefer to watch this film with the audio commentary by Joe Bob Briggs turned on. Joe Bob provides a lot of interesting information about the making of this film, and also supplies some much needed comic relief throughout.
Jennifer Hill is a young, hip, free-spirited woman of the 70s, who leaves her home in New York City for a long vacation in Connecticut, where she plans to write her first novel. Jennifer soon attracts the attention of four lowlife scumbags as she sunbathes in her bikini. The semi-evolved thugs kidnap Jennifer, drag her into the woods, rape her, beat her, sodomize her, beat her some more, follow her home, rape her again, kick her when she's down, make fun of her manuscript, rip it to shreds, rape her with a bottle, beat her up one last time and leave her, bleeding and unconscious on the floor of her vacation home. Damn. They send the retarded Matthew back into the house with a knife and instructions to kill her, but Matthew can't bring himself to do it. He tells the guys that he has killed her, and they stupidly believe him and leave. But Jennifer is alive, and as she heals from her hideous wounds and recovers her strength, she plots revenge against her rapists.
Roger Ebert called this the worst film ever made and feminists damned it to hell for all eternity, but you know what? I'm a woman and I liked it. Jennifer is no weak, whimpering, helpless little victim. She tries her best to fight back. When threats and violence fail to work in her favor, she uses the only other weapon she has: sex. The men are all stereotypical slobs, disgusting pigs who are clearly already emasculated and use Jennifer as an outlet for their frustration and rage. The rapes have nothing to do with sex and are portrayed most realistically - they are ugly, brutal, violent, nasty and completely devoid of eroticism. The sodomy scene was the one scene that horrified me the most, as Jennifer emits the most bloodcurdling scream of pain ever heard. It is very difficult not to flinch from that sound. Jennifer's revenge is every bit as bloody and painful, and nowhere is it more sadistic than in the infamous "bloodbath" scene. These guys all get what's coming to them, and Jennifer makes sure that the punishment fits the crime, turning the men into the helpless, pleading victims and feeding their own sadism right back to them.
Okay, so not all of the plot points make sense, and not everyone is going to agree with Jennifer's decision to kill the men, but it's still a powerful film. It's told primarily from Jennifer's point of view but it never takes sides. It simply tells the story and lets you decide - is Jennifer an insane psycho-killer who ought to go to jail for her crimes, or is she an angel of vengeance delivering poetic justice?
Scaredy cats like me might prefer to watch this film with the audio commentary by Joe Bob Briggs turned on. Joe Bob provides a lot of interesting information about the making of this film, and also supplies some much needed comic relief throughout.
Você sabia?
- CuriosidadesAll four male actors asked to appear naked in the film, to remove awkwardness or embarrassment about their own nudity, and to show solidarity for Camille Keaton who spends much of the film nude.
- Erros de gravaçãoWhen Jennifer runs away in the woods and stops to throw the wooden tree trunk at the two men chasing her, a female crew member can be seen on the far left of the screen.
- Citações
Jennifer Hills: [about to kill Stanley] Suck it, bitch!
- Versões alternativasThe BBFC passed a cut version of this film as an 18 certificate in November 2001 after removing 7 minutes from the 3 rape scenes. An alternate version - re-framed by the distributors and featuring the rape scenes though in a more obscure and off-screen way - was submitted in 2003, though the BBFC cut 41 seconds from the 2nd 'rock' rape because much of the errant thrusting was still visible. The uncut version was resubmitted for DVD in 2010 and, although some previous cuts were waived, 2 mins 54 secs of cuts were again made to the rape scenes.
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What is the Japanese language plot outline for A Vingança de Jennifer (1978)?
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