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"The Hills Have Eyes" is personally one of my favorite horror films of the '70s era, I'd say this one is just below Tobe Hooper's "The Texas Chainsaw Massacre". I love the whole atmosphere the film gives off, and how brutal the film is. "The Hills Have Eyes" follows a normal American family on a camping trip who accidentally crash their station wagon and trailer in the middle of the California desert. The gang consists of Bob and Ethel, and their teenage children Bobby and Brenda, and their adult daughter Lynne and her husband and infant. Their father goes out for help, while the rest of them wait at the trailer, but they are unknowingly being watched by a family of cannibalistic mountain people that are hungry for flesh. As night falls, the clan of mountain-dwelling cannibals close in on the family, attacking their little safe-haven Airstream trailer, and begin to brutally slaughter each of them as they fight to save their lives.

One of the more memorable exploitation films from the 1970s, this gruesome little chiller is a nice addition to the list. Wes Craven, writer and director of this movie, does a great job at setting a mood, atmosphere, and having plenty of scary moments throughout. The desert in the film is eerie itself, it's such an empty and genuinely creepy landscape for a horror film to be set in. Along with this is the brutality factor - this is a harrowing little movie. The violence is shocking and strangely realistic, and it makes it more unsettling than it could have been. I can see why Mr. Craven has gone on to direct so many other successful horror films, such as "Scream" and "A Nightmare on Elm Street", because he's good at what he does.

The acting here isn't bad, we have Dee Wallace Stone ("E.T.", "Cujo"), but most of the other actors are unknowns, who give decent performances. Some of the acting was admittedly over the top and a little laughable at times, but what could you expect from a low-budget '70s horror flick? This film comes to a close in a rather odd way, fading out into a red screen. The ending was surely abrupt and I'm sure there were other, better ways to conclude the story. But, again, the rough abruptness is another addition to the movie's raw atmosphere and visceral quality. This isn't a pleasant movie, and I think anyone who has seen it can agree on that.

Bottom line - "The Hills Have Eyes" is one of the best horror/exploitation films to come from the '70s era. Not the best, but it is definitely close to it. It's brutal, raw, unsettling, and it made me uncomfortable. Any movie that has the power to do that must really have something going for it. Definitely worth a watch, it's a classic midnight-movie. One of my many personal favorites. If you like this, I'd also recommend Craven's debut picture, "Last House On The Left", which is also a visceral exploitation B-movie classic. 9/10.

Despite being close to thirty years old, Wes Craven's "The Hills Have Eyes" maintains a distinct raw intensity - far surpassing the level of terror seen in horror films today. The plot in a nutshell; a family on vacation ventures from the main road, ends up stranded in the desert, and falls prey to a malevolent clan of inbred cannibals. Though the story idea may be far from original - it is the atmosphere, directorial style, and acting that raise the overall credibility of the film. The low budget and claustrophobic desert setting creates a sense of dread permeating throughout the entire film; while the grainy look of the print adds a sense of realism to the unfolding events. With a brisk running time of only 89 minutes the film doesn't waste a moment in setting the mood - then when all hell breaks loose it is unrelenting until the final scene. The actors portraying the Carter family bring sufficient emotional range to their characterizations, making it clearly evident that this a normal family being tested beyond the boundaries of civilized nature. It is also worth noting the performances by the actors who play Pluto and Mars (two of the baddies) - these characters are portrayed as both sadistic and devoid of any sympathy. Although the DVD print is grainy (as mentioned above), it is THE definitive version of the film and is thousands of times an improvement over the quality of the video release; quite amazing for a low budget film of this nature. Grim, violent, and symbolic; it is an amazing piece of 70's exploitation horror. "The Hills Have Eyes" is a classic in every sense of the word, and receives an 8/10.

Wes Craven's second film is well-crafted and frightening to say the least. LAST HOUSE ON THE LEFT was more realistic (almost too much), but this perfect drive-in movie leaves you wanting more. It must have been an unbearable shoot. Check out the 2-disc DVD.

A definite 7 out of 10 with Michael Berryman giving the best performance. Perfect locale in these California mountains that is scarier than the Bates Motel. Great cast with all unknowns. Dee Wallace was quite touching as the young mother and the old Grandpa Fred in the beginning was authentic to the max! Even if you're not a big horror fan, you should check this out late at night. Wes Craven has a good eye and feel for blood relations!

On a road-trip through the New Mexico desert, a family stranded in the area finds that a group of inbred, cannibalistic hillbillies have targeted the group and are set on killing them for food, forcing the family into a desperate race to stop them and get away alive.

This here was quite the fun if slightly flawed effort. When this one works, it's mainly due to the fact that there's quite an effective atmosphere here of being out alone in the wilderness. The film does an incredible job in the first half of depicting the desert of this one as creepy and chilling which really makes it so that being trapped on an open road in the middle of nowhere is a pretty terrifying ordeal and forces the ultimate traveling nightmare. The darkness that surrounds the family is terrifying, as anyone or anything can hide in there, and this film provides that fear in spades as tons of times we see or hear all these sights and sounds that would terrify any sane person. That gets exemplified best in the one scene of the characters run down the highway in the dark as these crazy laughs were heard echoing alongside him, a pretty terrifying ordeal, and it only gets better from there. That comes from the rather impressive event that kick-starts the film into overdrive which is the main assault on the van as the family gets into attacking the trapped members during an insanely fun ploy here, as the mounting tension plays into the initial first trap before the charge into the van and all the battles to confront them attempting to escape as well as one of the most horrendous acts ever committed to screen, and the audacity to pull it off and make it as striking as it is a huge testament to do something like that. By subjecting us to this scene, it works to keep the audience on the edge because now we don't know what else will be thrown at us and become anxious as the waiting game begins. The best part is the events that follow as the film is all action featuring plenty of solid action as the brutal encounters offer a lot of great moments. Also great is the family has a creepy air around them that makes us all become scared of them, and along with their great behavior patterns are the best parts. It doesn't have too many flaws here as the main issue is the illogical manner of getting them on the shortcut which really makes no sense and features plenty of stupid character decisions to move them along. There's also the manner of the rather sloppier effects for the gore and kills which does take away a bit of their effectiveness. Otherwise, this is quite an enjoyable effort.

Rated R: Graphic Violence, Graphic Language, attempted rape, violence-against-animals and children-in-jeopardy.

A Wes Craven classic, he truly nailed the suspense and the awkward atmosphere of the beginning. Almost nothing is revealed to the viewer until the later half of the film, which greatly increases the horror of the movie as a whole.

Despite the crappy cheesy costumes and really bad wigs this still manages to hold up pretty well because its all go from beginning to the end and it should have you one the edge of your seat. Basically a cast of unknowns, with Michael Berryman's performance the stand out.

Along with the Elm street series it's arguably the greatest contribution from Wes Craven.

This style of movie has been copied over and over since, but this one stands out from the rest for genuine horror fans.