Na Trilha dos Cheyennes

This poorly-made movie has a surrealistic tone to it that numbs the mind. Details of why crucial events are unfolding seem sketchy and unfinished. Perhaps that was the director's intent, except for the fact that the whole film lacks any semblance of direction. Nor is there much in the way of acting, dialogue, plot or cinematography. The resolution is out of focus and painfully obvious political correctness abounds, typical for its time frame. In fact, Grayeagle seems like a lousy hallucinogenic drug trip, especially when viewed at three AM. One of Alex Cord and Ben Johnson's worst efforts, and I'm a fan of both actors---a real waste of their talents and of the viewer's time.

Grayeagle is entertaining. Jaime Mendoza-Nava made a fine music score. Nicely shot landscape panoramas give the impression of the Big Country. The outdoor reminds me of the movie Dances With Wolves. Alex Cord is a feast for the eyes with his costume, his body paintings and his decorated horse. He plays a decent fellow and is active as an indian warrior in full proud colors who is kidnapping the daughter of Ben Johnson. Ben Johnson automatically assumes the cliches, that a young woman can only be kidnapped by hostile indians to be disgraced. Therefore he eagerly tracks the enemies and gets into a lot of selfmade trouble. Persons of different cultures get acqainted. The kidnapping is disclosed as a friendly forced invitation for the daughter to meet her biological father who is the chieftain of the tribe. Alex Cord and his fellows have the best intentions to escort him through his few left final hours until he dies of old age. Furthermore they try and succeed to make him feel happy and to be in party with his people while he passes away. This movie creates a warm human feeling.

When a homesteader (Ben Johnson)'s daughter (a gorgeous Lana Wood, Natalie Wood's sister) is abducted by a Cheyenne Indian (Alex Cord), one of the greatest Cheyenne warriors who ever lived , the father launches a search for her recovery . He's is accompanied by an Indian friend (Iron Eyes Cody) and a frontiersman (Jack Elam). They spend time doggedly pursuing his kidnapped daughter when are attacked by a bunch of nasty Indians and then the hard-hearted trapper takes revenge .

This nice and well-paced Western contains adventure , interesting characters , romance , shootouts and spectacular fights . Action Western is pretty good , stylishly developed , a first-rate story and powerful told too . A great featured-role acting by veteran Jack Elam leads some eye-catching supporting performance along with Ben Johnson and Paul Fix . Appears relevant secondary actor named Iron Eyes Cody , usual player Indian roles (¨Great Sioux Massacre¨, ¨Sitting Bull¨, ¨A man called Horse¨) , though actually of Sicilian origin . Full of wide open spaces with breathtaking landscapes exceptionally filmed ; however it is necessary an urgent remastering because of the film copy is worn-out . The flick was well directed by Charles B Pierce who even appears credited in a brief role . He's an expert on terror genre (¨The Evictors¨ , ¨Boggy Crek¨ I, and II , ¨The town that dreaded sundown¨) and Western (¨Hawken's breed¨, ¨The winds of autumn¨, and ¨Winterhawk¨ realized in similar style to ¨Grayeagle¨). This big-scale adventure will appeal to Indian Western fans because you will find impressive battles and an ending haunting or over-melodramatic according your tastes . Rating : Good , worth a look for fans of Western.

This film started off well enough (apart from the curious scene with the mysterious rider silhouetted in the setting sun on the horizon contrasting with the cabin in full sunlight) but its last 30 minutes or so dragged along when they should have been more exciting. Very few of the Native Americans looked realistic, one exception being Standing Bear, ironically played by Iron Eyes Cody, whose heritage has been queried in other reviews.

Talking of whom, I couldn't work out the significance of his flashback halfway through the film, when a young Running Wolf visits Standing Bear's cabin and ominously eyes his young daughter (or wife?) who looks nothing like a Native American. Was she to become the mother of Beth, who was later adopted by the Colters? Enigmatic scenes like this make me wish for the IMDB Message boards (discussion forum) of a decade ago where I might have been enlightened.

The version I saw was the full 104-minute version. Perhaps the 60-minute UK cut was less puzzling.

Great cinematography, and it's always good to see Ben Johnson and Jack Elam.

I can understand the actors, all skilled second-tier people working to make a living, participating in this nonsense, but the writer/director/producer has really, truly stunk the place up. I recommend he find a decent textbook and re-read the part about high concept. Watch this as an archaeological expedition, a research exercise into truly dreadful scriptwriting. But not for serious entertainment. Lana Wood -- I'm sure God will forgive you. Charles Pierce, you managed some stunning cinematography, you hired good costume and props people, and your method of faking dead animals to keep the SPCA off your tail was remarkable, but the rest is Hollywood crap at its crappiest. There is absolutely no reason to believe in, or care about, or ...when it comes right down to it...watch any of these people. Not one of them. There's a lot more to verisimilitude than costumes and props. Apparently you were on some kind of mission to revive the noble savage myth, but all you managed to do was mock and trivialize it.