Date with a Kidnapper

You would never think that a movie with a name such as "Kidnapped Coed" would be so..well..boring. But, it is. There are long stretches where absolutely nothing happens! I actually shouted at the screen several times, "DO SOMETHING!" and I'm not usually that agitated. This had so much sleaze potential and it bypassed all of its opportunities. There is a violent rape scene in the first 15 minutes, but it's ineptly staged and filmed in a slapdash manner.

Several other drawbacks: the girl is plain, to be kind and there is no nudity (It may have been cut-out, but I doubt it). There's also many odd plot devices which make no sense whatsoever.

I will say that the photography is excellent and the actor that plays the kidnapper is a fairly decent thespian. The subplot regarding his trying to relate to his mother in a nursing home oddly resonated with me since I've had some experiences with my own mom. I hate myself for tearing up during "Kipnapped Coed"!

Kidnapped Coed (1976)

* 1/2 (out of 4)

Criminal Eddie Matlock (Jack Canon) kidnaps Sandra (Leslie Rivers) so that he can hold her for ransom and get a major pay-down from her rich father. A couple goons have other ideas but Eddie and Sandra hit the road where their adventure leads them to a strange farm house.

KIDNAPPED COED is the second feature from director Frederick R. Friedel. As with his first film AXE, this one here was made in North Carolina on an obviously low-budget but unlike that film, this one here really doesn't have too much going for it. I say this because like that film this one here doesn't have too much of a story but while AXE was rather weird in its own way, this one here just plays out like a no-budget version of BADLANDS.

I will say that the best thing going for the film are the performances by Canon and Rivers. I thought both of them were quite good in their parts and it's really too bad that there wasn't more of a story for them to act in. For the majority of the running time the two are sitting, standing or laying around and talking about subjects that don't really move the plot and instead are just downright boring. At 75 minutes the film seems double that and by the time the ending comes you're already out of it.

I will say that other than the performances there is a really campy moment that happens towards the end with a farmer. I'm not going to spoil it but the dialogue and acting had my laughing extremely hard.

Actor Jack Canon reteams with cult filmmaker Frederick R. Friedel for this exploitation-drama in which Canon gets to show a softer side. He'd previously played an unrepentant lowlife in "Axe"; here he's a small-time criminal named Eddie Matlock who kidnaps boarding house resident Sandra Morely (Leslie Rivers), intending to collect a ransom from her reasonably wealthy father.

But as writer / producer / director Friedels' story plays out, the relationship between Eddie and Sandra is developed in interesting ways. Put through more than one traumatic encounter, she becomes attached to Eddie as the two endear themselves to each other more and more. Their relationship even takes on a sexual bent.

The performances by Canon and Rivers are quite good, and Friedel crafts an entertaining film with some unexpected turns along the way. As we can see, Eddie dotes on his invalid mother (Gladys Lavitan), who lives in an old folks' home, although their own relationship is obviously rather strained. He just wants the best for her, though. And, although she name-drops her dad in order to gain an edge, Sandra ultimately thinks that her life with her parents is not all it's cracked up to be.

Excellent cinematography by Austin McKinney and superior hand-held camera operation add to the visceral feel of this deliberately paced feature, which does have a somewhat episodic nature. The no-name cast (this was filmed in both North and South Carolina) is generally watchable, with Charles Elledge an amusing standout as the aged farmer. Be sure to look for 'L.A. Law's' Larry Drake in a small role!

The only real problem is the ending, which is just a little too abrupt. It would have been nice to get just a little more time with the main characters. Even so, this is a pretty short film at just 76 minutes long.

Friedel (who also does the voice for Sandras' father) has also edited his two films "Axe" and "Kidnapped Coed" into one long crime saga entitled "Bloody Brothers". It's too bad he's made only a few films, as he is noticeably more talented than the average exploitation filmmaker of the period.

Seven out of 10.

John Canon and Leslie Rivers...what a pair! These two unsung decent actors had surprisingly convincing chemistry between them. They both made this movie that much more tolerable as did the excellent cinematography and the well conveyed moody atmosphere. The story is well-tread and predictable and the incidents too few for the movie's timeframe. As a result, we have a movie that drags on with its poigniant moments of developing love between kidnapper and abductee fizzling to an ignorable drone. What's remarkable is how society in this picture is portrayed as uncaring and ugly: an old man sits on a bench looking on as blood curdling shrieks emit from the window of the hotel where Leslie River's character is being raped. Other incidents of violence occure while passers-by either go about their own business or wish not to be disturbed. At one point, while running from her abductor, Rivers pleads with a wandering man for help but he can't do anything as he is blind. The surroundings being filled with useless or evil people creates a feeling of helplessness. Finally, the picture ends as it does (I wont spoil) and mercifully so as it tends to go on a bit too long and instead of "THE END" we see "FOR ADOLPH". What the hell does that mean? Hitler? Probably not, but still, one of those mysteries that makes a movie that much more special.

My oh my, what a terrible movie. I've rarely seen a film that starts out so promisingly and engaging but then collapses into a boring dud so darn fast! The first ten-fifteen minutes are really strong and full of excitement. A small-time thug, a loner but nevertheless reasonably clever bloke, kidnaps the young and redhead daughter of a rich man and demands a ransom. On the first night of his plan, he seeks refugee in a sleazy and practically abandoned hotel to hide out with the girl, but they are assaulted and raped by the pervert hotel owner and his drooling bellhop. This traumatic experience somehow creates an emotional bond between kidnapper and victim, a kind of messed up Stockholm Syndrome - if you will. Sadly, it also means the abrupt ending of a potentially fantastic exploitation film. From here onwards, "Date with a Kidnapper" is indescribably tedious (despite the short running time) and thoroughly unremarkable.

Many of my fellow exploitation fanatics/friends around here seemingly had a good time with Frederick R. Friedel zero-budgeted effort, and I'm happy for them, but unfortunately, I cannot concur. Friedel's other twisted flick entitled "Axe" (aka "Lisa, Lisa"), on the other hand, I found sardonically entertaining.

One noteworthy aspect about "Date with a Kidnapper" is the minuscule supportive role of Larry Drake (the really cool maniac from "Dr. Giggles" and "Darkman") as retirement home worker. Blink your eyes and you'll miss him, though.