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I saw this in its original form during the first run on Television. Normally I think that most made for TV movies are really second rate. This one stands out as one of the best! A family looks to leave the rat-race of the big city for a simple quiet town. They found out that this town may be quiet, but it is anything but simple lving there. A particularly chilling performance from Bette Davis is of note in this one. If you are conditioned to think that every horror movie has to have a minimum of 200 severed heads and 10,000 gallons of blood in it to be good, you'll hate this one. The rest of you who still believe in great acting and a tense plotline will be THRILLED with Harvest Home. RATING: 10 out of 10!!!

Many horror fans, and those who try to write such stories, understand that Stephen King has taken inspiration from the work of others. And there can be little doubt King was influenced by Thomas Tryon's outstanding novels "The Other" and "Harvest Home."

The TV movie version of the latter book, titled "Dark Secret of Harvest Home," was the second and final adaptation of Tryon's work and was originally aired in 1978, two years after the big screen success of Stephen King's "Carrie." Unlike 1972's "The Other," "Dark Secret of Harvest Home" was presented as a mini-series with a superb cast headed by Bette Davis.

Thomas Tryon wrote with an elegant style somewhat reminiscent of H.P. Lovecraft's. His plots were engaging, his characters interesting and well developed, and his New England settings evoked the gloom and obscure anxiety traditionally associated with that region. So why has his work faded into obscurity while King's is heralded as the greatest in the history of horror?

Regrettably, Tryon started writing rather late in life after a well-regarded career as an actor in such films as "The Cardinal," and died while his creative powers were on the wane. He also chose to explore genres other than the Gothic (with generally good results.) There is also a more staid, pre-World War II air about his work that might not appeal to the Baby Boomers and Gen-X'ers who form King's core audience. Nevertheless, Tryon's Gothic efforts translated wonderfully onto the small screen, and he deserves a well-deserved place in the pantheon of American Gothic writers. Thankfully, American Movie Classics has begun airing the TV movie version "The Other" again. Hopefully, 'Dark Secret of Harvest Home' won't be far behind.

With THE DARK SECRET OF HARVEST HOME, Tom Tryon's novel is presented in the best way possible for the time of its release, a TV Mini-series. This allows for the story to unfold gradually, making the growing tension and creeping horror more effective. Much like in Mr. Tryon's classic, THE OTHER, we're taken to a seemingly wholesome, more "innocent" place, where everything appears idyllic. The true terror lies behind it all, where something sinister crouches and waits.

The brilliance of this tale lies in its mystery, which isn't fully revealed until the end. Until then, we're given hints and symbols to decipher. David Ackroyd is artist, Nick Constantine, who, along with his wife and daughter (Joanna Miles and Rosanna Arquette), purchase a house in the lovely town of Cornwall Coombe. At first, all is well, perfect in fact. Of course, if it stayed that way, this wouldn't be much of a horror story.

Enter Bette Davis as Widow Fortune, the town matriarch, healer, and spiritual center. Her dominion is evident from her first appearance. Ms. Davis gives this character a dignity that few others could instill, proving once again that her legendary status is well earned. Hers is a quiet, calm malevolence, a steel claw in a silken glove. Underplayed to perfection.

Special mention for young Tracey Gold as the enigmatic Missy Penrose. She's one creepy kid!

If you enjoy those shivery, dark, 1970s made-for-TV horror movies, then you should love this...

Stars like Bette Davis were not getting the big roles for the big screen that they were in the days of the big studio system so many like Davis turned to the small screen. One of her better choices was The Dark Secret Of Harvest Home where she actually went back to her New England roots to play the Matriarch in a special matriarchal society that has developed in an isolated corner of Connecticut.

David Ackroyd with wife Joanna Miles and daughter Rosanna Arquette think they've found this picturesque relic of a town where time seems to have stood still. Even the fact that they find a house in need of a bit of repair seems to be inviting them to stay. What they don't know is that the family is being auditioned by Davis known to one and all as the Widow Fortune who rules the roost there. In fact if this were a beehive Cornwell Coombe would have the men either as worker bees or worse drones.

The women acclimate quite quickly, but Ackroyd starts developing suspicions. Sad to say they prove to be right. These folks have their own kind of religion, Christianity with pagan fertility rites. There's one male among them who is the Prince of the Harvest and what perks come with John Calvin's office. But what a price he has to pay for them.

The kid who is scheduled to be Calvin's successor wants to commit the unpardonable heresy of leaving. Michael O'Keefe plays him and it's his story that makes Arquette start to question 'the ways'.

Bette Davis really was born to play the Widow Fortune, I cannot imagine another actress doing justice to the role. O'Keefe as the young man who thinks there just might be something more to this old world than a New England farming community that has some strange ways is very touching in his performance.

I'm not a big fan of these kind of horror novels and the films that come from them. But author Tom Tryon did a wonderful job in creating some real three dimensional characters, not just meat waiting to be slaughtered by some guy waving an ax.

The Dark Secret Of Harvest Home is more than horror film fans.

Directed by Leo Penn (father to Sean, Christoper and Michael and director of many, many TV shows), the near 5-hour movie moves as slowly as the book at times, but it's definitely worth watching. Broken into two nights, the real craziness doesn't really start happening until the second part.

Nick Constantine (David Ackroyd, who played Dr. Nicholas Conrad in the 1970's TV movie ripoff of Iron Man, Exo-Man), his wife Beth (Joanna Miles, Bug) and their daughter Kate (Rosanna Arquette, Desperately Seeking Susan) are living the kind of dreary life that I imagine everyone in New York City does. Nick cheats on her and drinks away his problems as he struggles in the advertising industry. Beth stays in therapy every day of the week. And their daughter has such a bad case of asthma, she can't even stay outside for long. Yet they decide to relocate to a Connecticut village called Cornwall Coombe after falling in love with it on a trip.

Sure, the villagers only do things the old ways, not using modern farming equipment or communicating with the outside world. Sure, they celebrate weird festivals all year long and are obsessed with corn. But come on — the couple's romance is back, Kate is cured and everyone is just so nice!

Kate even has a love interest — Worthy (Michael O'Keefe, Caddyshack), who wants to leave the town behind and go to college. He's been saving money so he can escape, but as Kate becomes more and more part of the town, he sees that their love can't survive.

Then, there's Robert and Maggie Dodd, their neighbors. They once lived in the modern world and have also decided to come here. Robert is blind and listens to Donald Pleasence reading from several plays. And oh, hello, here's Justin and Sophie Hook, who will be this year's Harvest Lord and Corn Maiden in the Corn Play. And most importantly, here's Bette Davis (if I have to explain who she is, stop reading now) playing Widow Fortune, the town's herbal healer and most important person. Davis claims that she wanted this role since she read the book and she's a force in this — perfectly sweet at times and infused with menace at others.

Nick increasingly becomes obsessed with learning the secrets of the town, particularly why one grave — that of a suicide victim — is outside the cemetery. Things get worse when Worthy busts into church and curses the corn and someone called Mother before running away. And then he gets seduced by Tamar, a widow who has a clairvoyant daughter who picks each year's Harvest Lord (she's played by Tracey Gold from TV's Growing Pains).

So what is Harvest Home? Its "who no man may see nor woman tell," a pagan fertility rite connected to the earth mother. Nick is now obsessed with it and his marriage is falling apart all over again. His wife just wants to get pregnant again and he can't figure out why.

Worthy is hiding, but a letter to Nick is intercepted. A posse goes to get him and they hang his corpse in a field as a scarecrow before burning it on Kindling Night. At this point, there's no normal in this town. Nick tries to escape and turns to his blind neighbor Robert, who tells him that Harvest Home is happening. He explains that he was blinded trying to learn the secret and that Nick should just run.

Instead, he goes to save his wife and daughter. The ritual scene that follows is lunacy and worth sitting through this entire movie. To Nick's horror, he learns that his daughter is the new Corn Maiden. He is forced to watch as the Harvest Lord has sex with her, ending with the man's throat being cut as he is sacrificed to the earth. Nick is caught, blinded and his tongue is cut out, much like his friend Jack Stump (Rene Auberjonois, Eyes of Laura Mars and so many other roles). He is trapped in the town now, forever stuck, his virility reduced to being dependant on his pregnant wife and daughter, who are now part of the pagan secret that is Harvest Home.

There's a cut down commercial release of the film, but there's no way to get this on DVD without finding a bootleg. It's worth the search, however. The last ten minutes of the film are perfect.

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