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Raízes da Ambição

Título original: Comes a Horseman
  • 1978
  • 10
  • 1 h 58 min
AVALIAÇÃO DA IMDb
6,3/10
3,8 mil
SUA AVALIAÇÃO
Jane Fonda, James Caan, and Jason Robards in Raízes da Ambição (1978)
A brave and proud woman struggles for her land, finding help and something more in unexpected way.
Reproduzir trailer2:50
2 vídeos
32 fotos
Faroeste contemporâneoDramaOcidenteRomance

Com o fim da Segunda Guerra, Ella é importunada pelo corrupto Jacob, que quer forçá-la a vender suas terras. Mas a fazendeira está disposta a lutar pela sua propriedade e recorre a seu vizin... Ler tudoCom o fim da Segunda Guerra, Ella é importunada pelo corrupto Jacob, que quer forçá-la a vender suas terras. Mas a fazendeira está disposta a lutar pela sua propriedade e recorre a seu vizinho Frank, um veterano de guerra, para ajudá-la.Com o fim da Segunda Guerra, Ella é importunada pelo corrupto Jacob, que quer forçá-la a vender suas terras. Mas a fazendeira está disposta a lutar pela sua propriedade e recorre a seu vizinho Frank, um veterano de guerra, para ajudá-la.

  • Direção
    • Alan J. Pakula
  • Roteirista
    • Dennis Lynton Clark
  • Artistas
    • James Caan
    • Jane Fonda
    • Jason Robards
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,3/10
    3,8 mil
    SUA AVALIAÇÃO
    • Direção
      • Alan J. Pakula
    • Roteirista
      • Dennis Lynton Clark
    • Artistas
      • James Caan
      • Jane Fonda
      • Jason Robards
    • 36Avaliações de usuários
    • 28Avaliações da crítica
    • 41Metascore
  • Veja as informações de produção no IMDbPro
    • Indicado a 1 Oscar
      • 5 vitórias e 4 indicações no total

    Vídeos2

    Official Trailer
    Trailer 2:50
    Official Trailer
    Comes A Horseman: I Don't Want To Have To Ruin You
    Clip 3:00
    Comes A Horseman: I Don't Want To Have To Ruin You
    Comes A Horseman: I Don't Want To Have To Ruin You
    Clip 3:00
    Comes A Horseman: I Don't Want To Have To Ruin You

    Fotos32

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    Elenco principal15

    Editar
    James Caan
    James Caan
    • Frank
    Jane Fonda
    Jane Fonda
    • Ella
    Jason Robards
    Jason Robards
    • Ewing
    George Grizzard
    George Grizzard
    • Neil Atkinson
    Richard Farnsworth
    Richard Farnsworth
    • Dodger
    Jim Davis
    Jim Davis
    • Julie Blocker
    Mark Harmon
    Mark Harmon
    • Billy Joe Meynert
    Macon McCalman
    Macon McCalman
    • Hoverton
    Basil Hoffman
    Basil Hoffman
    • George Bascomb
    James Kline
    • Ralph Cole
    James Keach
    James Keach
    • Kroegh
    Clifford A. Pellow
    • Cattle Buyer
    Allan Baker
    • Pall Bearer
    • (não creditado)
    Antonino B. Garcia
    • School Kid
    • (não creditado)
    Cary Huff
    Cary Huff
    • Army Bugler
    • (não creditado)
    • Direção
      • Alan J. Pakula
    • Roteirista
      • Dennis Lynton Clark
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários36

    6,33.8K
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    Avaliações em destaque

    7bkoganbing

    The west is still wild

    Although at times the pace of Comes A Horseman is maddeningly slow, the players acquit themselves well in this old western type plot from the 19th century updated to 1945 and the end of World War II.

    Stars Jane Fonda and Jason Robards, Jr. have history together, were even married at one time. He's the local Ponderosa owner, she's barely getting by on the small spread her dad left her.

    Robards is in a cash flow situation though for the life of me he should be prospering during World War II and army beef contracts. The demand will slacken some due to war's end. There's possible oil on the property that oilman George Grizzard would like to exploit. Possible oil on both properties. Also on neighbor James Caan's small spread. He joins forces with Fonda against Robards.

    Jane might have gotten a few pointers from her dad who was never a western star as such, but Henry Fonda did a few classic westerns in his time. She comes across as a real western woman. Director Alan J. Pakula did some real good photography in those wide open spaces. That frontier square dance could have come from a John Ford western.

    Richard Farnsworth established a career as a player with an Oscar nomination for Best Supporting Actor. That drawl at times is slow, but he's also unbelievably realistic as a veteran cowboy who has lost a step or two and realizes he can't quite the help to Fonda he'd like to be. That fall from his horse after those explosions is agonizingly real for a man getting on.

    Slow paced, but well done, Comes A Horseman is a fine modern western if indeed a western of times of the last century can be classified as modern. You might want to watch this back to back with Giant, another modern western about cattlemen and how they adapt to the coming of oil.
    6whpratt1

    Picture of Cattle Running Through the Woods

    If you like James Caan, (Frank Athearn), "City of Ghosts" who works as a cow hand for Jane Fonda, (Ella Connorfs),"Old Gringo" and owns a large stretch of land in the West and has just lost her husband in WW II and is left all by herself to run a big ranch along with Richard Farnsworth, (Dodger); who is an older man and has worked for Ella's father for many years on the ranch. Ella has some deep dark secrets in her life and rarely says a few words to anyone and plays the role of a rough and tough gal who can do everything by herself. Ella soon finds out she needs help and decides to hire Frank Athearn to assist her with her cattle. Jason Robards is a rich old man who has the hots for Ella and had become very close to her in the past and still wants to control her life. This is a different type of Western and if you like cattle, you can see them running all the time in and around all kinds of wood land. This picture disappointed me, however, Richard Farnsworth gave a great supporting role and was nominated for an Academy Award.
    9alanco

    One of the most real western movies ever!

    I only downrated this movie from 10 out of 10 for the predictable script. I was amused by the comment that Richard Farnsworth seemed out of breath. I am not even Farnsworth's age at filming yet, live in the sticks and I am similarly out of breath when doing heavy work. I have had to quit roping at age 60 due to back pain from previous ski racing injuries and occasional horse falls. In any case this is a very accurate description of cattle ranching anywhere. I have visited places in our Big Smoky Valley where real cattle ranches lived, raised kids and worked in mud, snow, very little for conveniences and without the power grid. We will go to a real cattle roundup near McDermitt, NV next fall of 4000 cattle. This is done by a pioneer family with four brothers, and offspring and is a prized invitation.

    Watching home movies from real ranchers might convince some city people who don't notice things like such rudimentary sparse conditions. One example of a goof in the movie was Fonda putting on a watch which would have been an extreme extravagance in 1945. Had this movie had writing as realistic as the filming, it would have been much better. Robards was just to vicious to be real. This was 1945, not 1875, and he couldn't have gotten away with all the murders. The automobiles used, Fonda's 1928 or 29 Model A pickup, and Robard's 41 convertible, the Sheriff's 37 Dodge, and the Banker's 42 Plymouth were all very typical. In 1945, people didn't have the kind of money that they do now, and drove a lot older cars and there were no new cars between 1943 and 1946, and very few 1942 models due to the war.

    The simple conversations are typical of cowboys and rural people who work hard and don't play boom boxes and don't say much. They are not driven like city people and work much more quietly. The courting buildup between Caan and Fonda had to do with each adapting to the other gradually and trust forming. It wasn't that Caan was laid back as much as he distrusted Fonda's impetuous reactions at first. The writers really got dialog and realistic conditions right.

    I am from a rural background, went to college, drafted into the Army, then finished college and lived and worked in bigger and bigger places and did travel to a lot of places including Europe and Asia. I finally got tired of it, knowing I could create my own job in a small place. This is why a lot of people live in simple places and why so many retire in simple places. They don't care that there are no cable systems, malls, stores, or hospitals. That last long ride to a hospital hopefully will finish you off in the time it takes to get there. Simple places with low housing prices, and a simpler more outdoor life allow retirement poor couples to survive with a decent lifestyle which is far divorced from city/suburban pressured lifestyles. When people wonder why anyone would choose such a life, particularly after "seeing the world" some of it is the above. Handshake business, people who care about each other but still fight and argue, and leaving your doors unlocked is real rural culture, particularly in the west, but you always distrust government and you keep your guns ready.

    I highly recommend this movie, I would have given it 8.5 out of 10, but the software is whole numbers, so it is rounded upward.
    thylacine-16436

    Some of you people

    Really shouldn't be allowed to review film.

    Contrary to popular belief, Lorem Ipsum is not simply random text. It has roots in a piece of classical Latin literature from 45 BC, making it over 2000 years old. Richard McClintock, a Latin professor at Hampden-Sydney College in Virginia, looked up one of the more obscure Latin words, consectetur, from a Lorem Ipsum passage, and going through the cites of the word in classical literature, discovered the undoubtable source. Lorem Ipsum comes from sections 1.10.32 and 1.10.33 of "de Finibus Bonorum et Malorum" (The Extremes of Good and Evil) by Cicero, written in 45 BC. This book is a treatise on the theory of ethics, very popular during the Renaissance. The first line of Lorem Ipsum, "Lorem ipsum dolor sit amet..", comes from a line in section 1.10.32.
    6Lejink

    Slightly plodding (sorry!) Pakula drama

    I'm a fan of the late Alan J Pakula's naturalist style of direction, low on action but high on character, particularly his earlier contemporary political thrillers "The Parallax View" and of course "All The President's Men" and so came to this low-key out-west drama set during the second world war, (not that you'd know from the storyline itself). With an A-list acting cast boasting James Caan, Jane Fonda & Jason Robards you just know there's going to be a fair bit of intensity on display. In fact Fonda, despite being on screen from pretty much the start takes ages to utter her first line and it's fair to say that the director employs the "say more with less" approach throughout.

    The plot, characters and indeed cinematography recall to mind classic films of yore, like Hawks' "Red River", Stevens' "Giant" and even a touch of "Gone With The Wind" with the fire at the conclusion, but the action is a little laboured, with, to these ears slow-talking, drawling dialogue quite often proving fairly difficult to decipher. The camera however picks out some wonderful scenery in natural clear light and throughout there's a sympathetic musical soundtrack adding shading to the pictures up front.

    Back to the plot, which is a little melodramatic, I fear, with its casual slaughter of various individuals and depiction of Jason Robards as the smouldering resentful villain of the piece - I found all this much harder to swallow in its mid-40's settings than if it had been set in the old west. Ditto in fact all the other main characters - if it wasn't for the appearance of the oil derricks, light aircraft and contemporary cars, this story could have happily slotted into a mid 1860's time-line.

    Of the acting, it's obvious that Pakula is going to get his handsome leading couple romantically involved although when it's done it's at least done without preamble, subverting the romantic courtship ritual of every other western since the year dot. Caan is fine as the strong-willed individual well able to look after himself (he early on dispatches a couple of Robards' thugs in short order in one of the few action scenes in the film), at least willing to consider adapting to the present-day, while Fonda is probably a bit too mannered in her portrayal of the independent single woman being driven to sell up her ranch by a combination of failing resources and Robards' machinations. She overplays occasionally with her eyes acting more than the rest of her, especially when she swears her "Damn your soul" oath against Robards. Robards himself, late of "All The President's Men", of course, does moody and stolid throughout, with sometimes variable results.

    In summary then, a slow-moving but reasonably involving tale of the new old-west, which could have stood more enlivening in my opinion.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Stuntman Jim Sheppard was killed when a horse that was dragging him veered from its course and caused him to hit his head on a fence post. The scene appears in the movie, although it was cut right before Sheppard's fatal accident.
    • Erros de gravação
      When Ewing is shot and falls off of his horse, his foot slips THROUGH the stirrup. When the horse gallops away, the foot of the stuntman doubling for Jason Robards is TIED to the stirrup by a long strap that can be safely released.
    • Citações

      Frank 'Buck' Athearn: You know lady, you got balls the size of grapefruits.

    • Cenas durante ou pós-créditos
      Our thanks to the Forest Service for allowing us to film in the Coconino National Forest
    • Conexões
      Featured in Sneak Previews: Paradise Alley, Magic, Midnight Express, Watership Down, Comes a Horseman (1978)
    • Trilhas sonoras
      Get Along Little Dogies
      Cowboy cattle song

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    Perguntas frequentes20

    • How long is Comes a Horseman?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 25 de outubro de 1978 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Comes a Horseman
    • Locações de filme
      • Coconino National Forest, Arizona, EUA
    • Empresa de produção
      • Chartoff-Winkler Productions
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 10.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 9.585.769
    • Faturamento bruto mundial
      • US$ 9.585.769
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 58 min(118 min)
    • Cor
      • Color
    • Proporção
      • 2.39 : 1

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