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IMDbPro

Carry on Emmannuelle

  • 1978
  • R
  • 1 h 28 min
AVALIAÇÃO DA IMDb
3,2/10
2,2 mil
SUA AVALIAÇÃO
Carry on Emmannuelle (1978)
ComédiaParódiaRomance

Adicionar um enredo no seu idiomaEmmanuelle Prevert struggles with an uninterested husband. She pursues affairs with influential men. A jealous lover exposes her infidelities, causing a scandal. Her goal remains igniting pa... Ler tudoEmmanuelle Prevert struggles with an uninterested husband. She pursues affairs with influential men. A jealous lover exposes her infidelities, causing a scandal. Her goal remains igniting passion with her spouse.Emmanuelle Prevert struggles with an uninterested husband. She pursues affairs with influential men. A jealous lover exposes her infidelities, causing a scandal. Her goal remains igniting passion with her spouse.

  • Direção
    • Gerald Thomas
  • Roteiristas
    • Lance Peters
    • Vince Powell
    • Peter Rogers
  • Artistas
    • Kenneth Williams
    • Suzanne Danielle
    • Kenneth Connor
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    3,2/10
    2,2 mil
    SUA AVALIAÇÃO
    • Direção
      • Gerald Thomas
    • Roteiristas
      • Lance Peters
      • Vince Powell
      • Peter Rogers
    • Artistas
      • Kenneth Williams
      • Suzanne Danielle
      • Kenneth Connor
    • 51Avaliações de usuários
    • 13Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Vídeos1

    Trailer
    Trailer 2:47
    Trailer

    Fotos27

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    Elenco principal78

    Editar
    Kenneth Williams
    Kenneth Williams
    • Emile Prevert
    Suzanne Danielle
    Suzanne Danielle
    • Emmannuelle Prevert
    Kenneth Connor
    Kenneth Connor
    • Leyland…
    Joan Sims
    Joan Sims
    • Mrs. Dangle
    Jack Douglas
    • Lyons
    Peter Butterworth
    Peter Butterworth
    • Richmond
    Beryl Reid
    Beryl Reid
    • Mrs. Valentine
    Larry Dann
    Larry Dann
    • Theodore Valentine
    Henry McGee
    Henry McGee
    • Harold Hump
    Victor Maddern
    Victor Maddern
    • Man in Launderette
    Merlin Ward
    • Dandy
    • (as Guy Ward)
    Dino Shafeek
    Dino Shafeek
    • Immigration Officer
    Eric Barker
    Eric Barker
    • Ancient General
    Joan Benham
    Joan Benham
    • Cynical Lady
    James Fagan
    • Concorde Steward
    Malcolm Johns
    • Sentry
    Albert Moses
    Albert Moses
    • Doctor
    Robert Dorning
    Robert Dorning
    • The Prime Minister
    • Direção
      • Gerald Thomas
    • Roteiristas
      • Lance Peters
      • Vince Powell
      • Peter Rogers
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários51

    3,22.2K
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    Avaliações em destaque

    2JamesHitchcock

    So Bad It's Unfunny

    The permissive society of the seventies led to a growing number of erotic films in both Britain and France. The two countries, however, often had very different approaches to erotica. The characteristic British erotic film of the period was the 'sex comedy', typified by the later 'Carry On' films as well as the 'Confessions' series, 'Percy' and cinematic versions of stage farces such as 'Don't Just Lie There, Say Something' and 'No Sex Please, We're British'. These films all started from the premise that sex is something intrinsically comic, and attempted to get laughs from innuendo, doubles ententes and smutty, sniggering humour about breasts, bottoms, penises and bodily functions.

    The typical French erotic film of the period- characterised by the 'Emmanuelle' series- took quite the opposite approach. The 'Emmanuelle' films approach their subject with an almost reverential seriousness, and are filled not only with sex scenes but also with much tedious sermonising about the Meaning of Life (which generally means having as much sex as possible). Whereas the British made sex seem ridiculous, the French came close to making it seem boring.

    'Carry On Emmannuelle' would therefore seem to represent an intriguing fusion of two quite different approaches to the erotic film. The 'Carry On' films were by no means uniformly bad. They were generally at their best in the fifties and sixties when they concentrated on exploiting a vein of humour which was later to be mined to great effect by Mel Brooks- the deliberate parody of an established film or television genre. Thus 'Carry On Cowboy' parodied the western, 'Carry On Cleo' the sword-and-sandal epic (especially 'Cleopatra' itself) and 'Carry On Constable' British TV cop shows such as 'Dixon of Dock Green'.

    The 'Emmanuelle' films might be thought to offer plenty of targets to the parodist or satirist, with their misty, soft-focus photography, their stilted dialogue and their pretentious philosophising. 'Carry On Emmannuelle' does not, however, attempt to guy the affectations of its original models, but is made as a fairly standard piece of British sex comedy- the main difference between this and earlier 'Carry Ons' is that smutty innuendo has largely been replaced by direct sexual references. The only links to the original films are the name of the heroine (deliberately misspelled- apparently for copyright reasons), the fact that she is married to an older man who works for the French diplomatic service (in London rather than in Bangkok) and the fact that she is continually unfaithful to him. The actress who plays Emmannuelle, Suzanne Danielle, another long-legged, curly-haired brunette, has a passing resemblance to Sylvia Kristel, although she is more voluptuous and lacks the Dutch girl's delicate features. Emmannuelle's husband M. Prevert (a fairly common French surname meaning 'green meadow', but probably chosen in this instance because of its closeness to the English word 'pervert') is impotent, so she enjoys herself with any other man she can find, including a gallery of VIPs, an entire football team, various embassy servants and an Australian body-builder. (Unlike her namesake one-n Emmanuelle, who takes as many female lovers as male ones, two-n Emmannuelle seems to be exclusively heterosexual).

    The film does not, however, generate any humour from Emmannuelle's frantic sexual couplings. It simply assumes that the fact that she seduces so many men is a hugely amusing joke in itself. The film's theme tune 'Love Crazy' (apart from being intensely irritating) is not appropriately named. Emmannuelle may be sex-crazy, but that is not the same thing. Love is not an emotion featured anywhere in this film. The script's attempts at wit are feeble in the extreme- a running joke about the butler Lyons, whose name Emmannuelle consistently mispronounces as 'Loins', is as about as good as it gets. There is the typical 'Carry On' assumption that any sexual or lavatorial reference is automatically good for a laugh. All genuine humour seems to have been surgically removed.

    This is a good example of one of the most miserable types of film, the failed comedy. A wretched serious drama can at least provide inadvertent humour of the 'so-bad-it's-funny' kind. A wretched comedy cannot. 'Carry On Emmannuelle' is so bad it's unfunny. When she walked out on this film, Barbara Windsor showed a greater discernment than I thought she possessed. The producers of the 'Carry On' films seem to have agreed that it was a failure, because it persuaded them to wind up the series and we were spared more offerings of this nature in the eighties. The failure of the attempted revival 'Carry On Columbus' (another rat-wretched 'comedy') in the early nineties shows what a wise decision that was. 2/10.
    1Nestor-4

    Making the Confession movies look classy...

    By the time that Carry On Emmannuelle rolled around, the boom in smutty sex comedies in the UK reached it's zenith and the comparatively innocent double-entendres of the Carry On movies were looking increasingly dated with audiences preferring to seek out something with strong nudity and some crude laughs, rather than watch another Carry On movie in the hope that there might be a fleeting glimpse of a pair of breasts.

    With the Confession movies pulling in the punters, and with David Sullivan muscling into the scene with movies like Come Play With Me & Playbirds, Gerald Thomas & Peter Rogers ventured into previously unexplored territory and plunged into spoofing adult movies.

    The result was ghastly.

    Featuring only a handful of the regular cast, most of them had flown the coup by this time. Kenneth Williams only appeared in the movie as a favour to Gerald Thomas, Kenneth Conner (the unsung hero of the Carry On series in our opinion) tries to have fun with the appalling material, but just ends up making himself look foolish - a great pity. Of the others, only Joan Sims, Peter Butterworth & belated regular Jack Douglas are on hand to help tie this car-crash of a movie to the Carry On series.

    One joke that will have a modern audience spitting their drinks across the room involves Dino "Mind Your Language" Shafeek as an immigration officer at an airport.

    The saddest slight of all in this non-starter of a movie has Kenneth Conner as Leyland, the Ambassador's chauffeur, showing Suzanne Danielle around London, in a bid to get her sexually excited - driving past Nelson's Column, he starts gurning and emoting "corr", or terms along those lines. Dear oh dear...

    Ultimately, Carry On Emmannuelle was too tame for the Dirty Mac Brigade and too strong for those who loved the more innocent Carry On movies. No wonder this was the last regular entry in the series.
    1Sleepin_Dragon

    Doesn't deserve the Carry on name

    I have to say 'Carry On Behind' ranks as the last great 'Carry On' film; after that, they really do go downhill. But this one, I can't even think of many words to describe it. It's so bad that it's almost unwatchable.

    Thomas and Rogers must have been disappointed with the final outcome. They were so used to brilliance, and so were the cast. What they made was a cheap, desperate attempt to suit a change in society.

    I'm scarred by the look on Joan Sims's face as she tries to deliver her lines. When I read that Beryl Reid was in it, I was really excited to see it. A fabulous comedy actress-what a shame this was her first and last.

    The worst film of all time? It's truly embarrassing, and it's just crude, but not even funny crude. I can't believe I got to the end. Hated it.

    1/10.
    gnb

    RIP Carry On films 1958 - 1978

    One would expect this, the last in the long line of Carry On films, to be a load of old rubbish. And while it is perhaps not Carry On heaven it is still worth a look.

    It is ironic being the last in the series, that after the utterly appalling Carry on England, Emmannuelle is actually a slightly better film. Kenneth Williams is in fine nostril-flaring form, Kenneth Connor is a delight as the sleazy chauffeur and stunning Suzanne Danielle a joy to behold in her body hugging outfits. Even the snazzy 70s theme song, "Love Crazy" is quite catchy!

    However, we are now at the end of the line for this series of comedy favourites and it is sad to see a now bloated Joan Sims doing not very much, an ancient Peter Butterworth doing not very much and underused Jack Douglas not falling over and making silly noises.

    Also long, long gone is the series' subtle use of innuendo and double entendre. As with Carry on England, we are now subjected to nude bottoms and breasts to raise a titter among the audience. And the nose cone gag on the Concorde has to be seen to be believed!

    Better than its predecessor and worth an occasional viewing but by no means one of the best. A very, very different film to Sergeant which launched the series a staggering 20 years before.
    2Libretio

    Bottom of the "Carry On" barrel

    CARRY ON EMMANNUELLE

    Aspect ratio: 1.85:1

    Sound format: Mono

    "Carry On" regular Sid James had been dead for almost two years when this threadbare concoction hit UK cinemas in 1978, and principal scriptwriter Talbot Rothwell had retired from the business in 1975 following a bout of ill health, throwing the long-standing (and extremely lucrative) "Carry On" series into disarray. While CARRY ON EMMANNUELLE isn't the worst of them - that 'honor' belongs to CARRY ON ENGLAND (1976), an utterly turgid wartime entry - Lance Peters' script was initially rejected by star Kenneth Williams as unworkable, though the finished product could hardly be worse! A mild, half-baked spin on the "Emmanuelle" series (inspired by Just Jaeckin's 1974 softcore drama), the 29th "Carry On" epic features Williams as the French ambassador to London, whose sexpot wife (Suzanne Danielle, surprisingly assured in her screen debut) has it off with all and sundry whilst pining for her husband's absent libido (lost when he landed on a church spire during a parachute jump - which demonstrates the film's level of wit). Series stalwarts Joan Sims, Jack Douglas, Kenneth Connor and Peter Butterworth look suitably embarrassed as members of the ambassador's household staff, and Larry Dann plays a downtrodden nerd who falls in love with Danielle following an amorous encounter on Concorde; Beryl Reid is his mum, a vision in chintz.

    Opening with a dreadful disco ditty ('Love Crazy', written by Kenny Lynch and sung by 'Masterplan') which must have seemed dated even in 1978, CARRY ON EMMANNUELLE swaps the double entendres and deconstructive satire of Rothwell's era for a barrage of blatantly obvious sex jokes, none of which are even remotely funny, while Williams is reduced to mugging frantically over Danielle's 'suggestive' dialogue and dropping his drawers every time there's a lull in the action. While exploitation fans in other countries had been enjoying frank cinematic depictions of sex and sexuality since the late 1960's, British voyeurs - ie. those whose tastes ran more to NAUGHTY KNICKERS (1970) and DEEP THROAT (1972) than the mature exploration of adult themes favored by Ken Russell (THE DEVILS), Stanley Kubrick (A CLOCKWORK ORANGE) and others at the cutting edge of mainstream outrage - were forced to endure heavily censored imports and tawdry homegrown comedies (I'M NOT FEELING MYSELF TONIGHT, CAN YOU KEEP IT UP FOR A WEEK?, LET'S GET LAID, etc.) which reinforced sexual stereotypes of every persuasion, and CARRY ON EMMANNUELLE is no better or worse than any of them. Having bombed at the box-office, this SHOULD have been the series' last gasp, but director Gerald Thomas and producer Peter Rogers revived the format in 1992 for the equally lackluster CARRY ON COLUMBUS, while "Carry On London" (shudder!) currently exists in pre-production limbo. All together now:

    "That woman is lo-o-ve crazy / She's lovin' all night! / That woman is lo-o-ve crazy / Won't stop for a bite!..."

    Told you it was dreadful, didn't I?...

    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      The title had an extra "n" in it to avoid copyright problems with the "Emmanuelle" movie series.
    • Erros de gravação
      When Emmannuelle is seen at the back of Leyland's car when he drives her around London, a crew-member's hand enters shot, on the right of the screen, very briefly.
    • Citações

      Emile Prevert: Why me? You could have Tom, Dick or Harry.

      Emmannuelle Prevert: I don't want Tom or Harry!

    • Cenas durante ou pós-créditos
      The cast of the film are credited at the end. No Carry On film had done this previously, as the cast were credited at the beginning of the movie only.
    • Conexões
      Featured in Dusk to Dawn Drive-In Trash-o-Rama Show Vol. 3 (1996)
    • Trilhas sonoras
      Love Crazy
      Composed by Kenny Lynch

      Sung by Masterplan

      [Played periodically throughout the movie including during the opening title card and credits, and during the closing credits]

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    • How long is Carry on Emmannuelle?
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    Detalhes

    Editar
    • Data de lançamento
      • 24 de novembro de 1978 (Reino Unido)
    • País de origem
      • Reino Unido
    • Central de atendimento oficial
      • Carry On Line
    • Idiomas
      • Inglês
      • Francês
      • Latim
    • Também conhecido como
      • Mach' weiter Emmanuelle
    • Locações de filme
      • 78 Addison Road, London, Greater London, Inglaterra, Reino Unido(Emile Prevert's home)
    • Empresa de produção
      • Cleves Investments
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • £ 320.000 (estimativa)
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 28 minutos
    • Mixagem de som
      • Mono
    • Proporção
      • 1.85 : 1

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