Buck Rogers no Século 25

Okay, if I had not grown up with the show then I am sure I would not find it so endearing - and speaking of Deering - Colonel Wilma Deering that is, what adolescent young man would not like seeing her each week? What Erin Gray does to tight green, red, blue, and purple spandex pants should be criminal...but I digress. Buck Rogers in the 25th Century is a lot of fun for me. It has lots of hokey, enjoyable dialog, a zippy story of a guy returning 500 years later and dealing with everything he has missed, lots of familiar faces from my childhood, and the aforementioned Erin Gray who actually is fairly tame in this pilot/movie released for public consumption in theaters(Pamela Hensley as Princess Ardala gets to get the motors running in this one!). Yes, I saw this in the movie theater and didn't feel duped at all. I then watched it on a fairly regular basis and always enjoyed it. Returning to it has brought back fond memories, and unlike some shows that interested me as a child but made an unfavorable impression in middle age - Buck Rogers withstands the test of time and is still fun to watch. Sure, the effects are very dated and the actors are mugging for the camera and really saying dialog that will occasionally make you wince, but when I hear William Conrad's voice and know all systems go - I always seem to be entertained. Gil Gerard is a pretty good Buck. He has the looks and charisma to carry off the role. Sure, he is no Buster Crabbe - that might be a good thing? Other notable performances in this pilot are again Erin Gray(I don't know why but my mind keeps shamelessly drifting to her, Hensley, Tim O'Connor in the thankless role of Dr. Huer, Joseph Wiseman, and Henry Silva as Kane. Twiki the annoying robot is in here, and I am sure I liked him when I was younger but now more than anything I find his role to be unnecessary and a serious detractor from the plot as he seems to be able to understand Buck's language and speaks it with 20th century references to the point of Ad Nauseum. I think his character could have been excised or at least the stature of the role greatly changed. The round computer disc - Dr. Theopolis is a welcomed character and I wished they had used this voice in the latter episodes rather then the one they switched to in the series. One other note is check out that groovy soundtrack of the theme sung to some really far-out words by Kipp Lennon.

Buck Rogers. The name conjures up memories of a by-gone era, two eras in fact. Buck was the hero of one of the earliest and most popular science fiction comic strips. He was also the hero of this post-Star Wars 70's film. In the former, Buck had been trapped in a cave-in, where strange gases put him to sleep, to finally wake in the 25th Century. In the latter, Buck is an astronaut who, due to an accident, is adrift, in suspended animation, to later arrive back on Earth, in the 25th Century. In both, Buck becomes a hero and savior of the Earth.

I first saw this movie in the theater. At the time, my friends and I clamored for anything remotely sci-fi; especially after the success of Star Wars. Unfortunately, that was a pretty mixed bag. For every Alien, there was a Battle Beyond the Stars. Others were a bit uneven; like Star Trek TMP, and this film.

The effects were fine, for the time period, but can't hold a candle to today's CGI, or even ILM's work of the era. The designs were interesting, if a little too pristine. The antiseptic look of Earth was a bit bland; the Draconian ship had far more character. The costumes were typical of a Glen Larson show; disco inspired and not very functional. I never liked the Earth flight suits, although the dress uniform at least looked military. Princess Ardala's costumes, though, were quite interesting (what there was of them, yowza!).

Gil Gerard was likeable as Buck; a cocky, confident hero. He was athletic enough to carry the fight scenes, but not so much that he never seemed in danger. Erin Gray was a tad subdued here; thankfully, her role was expanded in the later series. Pamela Hensley was a very steamy and sultry Ardala. Henry Silva, well, he was a bit stiff. Michael Ansara made a better Kane in the series.

The film has a few slow moments; but, for the most part, it's quite entertaining. The space scenes were good for their time, although marred by the use of stock footage. The disco music sucked even then. As Battlestar Galactica and Star Wars showed, a more classical, symphonic sound far better suited space opera. The only real complaint I had, at the time, was the abrupt change in Tigerman. One moment he is Duke Butler. Suddenly, at the end, it's Hard Boiled Haggarty! Hunh?!? Still, it's a minor quibble.

The film is an entertaining piece of 70's sci-fi and an enjoyable space opera. Compared to other Star Wars knock-offs of the era, it's practically 2001: A Space Odyssey. Now, how about a DVD with a commentary track from the actors?

BUCK ROGERS IN THE 25th CENTURY could easily have become dated camp, by now (Rogers' disastrous space tour was supposed to have occurred in 1987...did we miss it?), but there's such a sense of joy and humor to the production that it actually is more fun to watch today than when it was briefly released, theatrically, in 1979.

A large measure of this is due to Gil Gerard, as Capt. William 'Buck' Rogers, who gives an enthusiastic, likable performance. Some of his dialog is ripe with sexual innuendo, particularly in his scenes with Erin Gray, as the beautiful, if a bit wooden, professional soldier, Wilma Deering, but his rakish charm (and an occasional wink!) keeps the one-liners from sliding into bad taste. The other female lead, Pamela Hensley, as a bikini-clad evil Princess, would do Mae West proud with her lusty vampiness. Her scenes with Gerard, as she eyes him as an evening's 'entertainment', are a delight. (And in the "Is this a coincidence?" department...Her character is named Ardala, and wears a horned headpiece...Could George Lucas have been influenced by her when he created Natalie Portman's Princess Amidala in STAR WARS: EPISODE ONE - THE PHANTOM MENACE?) The other major male roles are filled by Henry Silva, as Ardala's superbly evil partner, Kane, and Tim O'Connor, wise and sympathetic, as Earth scientist Dr. Huer. Deserving recognition, as well, is Duke Butler, who, as Ardala's eunuch bodyguard, Tigerman, should find another line of work, considering how he fared against Rogers!

Ignore Twiki, the low-tech R2D2 rip-off (Mel Blanc voices him, with dialog lapsing into disco-era clichés and bad sexual puns), and Dr. Theopoulis (the talking Frisbee...well, that's what he looks like!), and concentrate on the decent FX and Gil Gerard's charismatic performance...and I think you'll find BUCK ROGERS a winner!

A long time ago, in a childhood far, far away...

I remember seeing 'Buck Rogers' in the theater in 1978, back when 'Star Wars' was king of the box office, 'Battlestar Galactica' was smashing all ratings records, and science-fiction was experiencing a renaissance of sorts - it was a great time to be a kid.

'Buck Rogers' struck me as an all-right kind of guy: dashing with the ladies, quick with a punch, did a nifty spinning side kick, had a way with a laser pistol, occasionally danced a little disco.

The movie itself was a harmless piece of fluff. Even as an 11-year-old, I found it to be simple, low-key, even charming. I bought the requisite number of toys, talked about it with my friends, and enjoyed the occasional episodes (once the film left the theaters and went to the small screen) with a bowl of Cheerios in my jammies. Life was good.

Looking back now, it's pretty obviously a product of the '70s. Sure, it had chicks in spandex. Sure, it had the gravity-defying hairdos (and bosoms) of some of Hollywood's most buxom beauties - who can forget the 'Volcanic Hot-Tub Room' scene in "Planet of the Slave Girls?", or Jamie Lee Curtis in "Unchained Woman"? Sure, it had the simple, brainless plots typical of '70s television. Sure, it had the unredeemable stupidity of the 'Searcher' episodes...

But, for a time, it was the best thing going for sci-fi on television.

Remember, this is a time before Star Trek: The Next Generation, Star Trek: Deep Space Nine, or Star Trek: Fill-In-The-Blank. Science fiction on television wasn't a sure bet, nor was it always a ratings winner...even with it's target audience. Which, at the time, was me.

But 'Buck Rogers' had something going for it, something none of the other sci-fi shows ('Battlestar Galactica', et al) had going for them.

Erin Gray.

Oh, yeah. Erin Gray.

Let me tell you, one of the dates that stands out in my mind the strongest is January 3, 1980 - the date that the episode "Space Vampire" premiered. The day I became a man. :)

Okay, not really...but you have to understand - Erin Gray, spandex and vampires all combined to give my 11-year-old brain (among other things) something to think about with regard to women. Since then, no woman is truly attractive to me unless she can say in a sultry voice, "I like the taste of fear best." :)

Come on, it's only television! It doesn't have to be smart to be funny, it doesn't have to be expensive-looking to be cool. Just ask David Hasselhoff if he'd be in Baywatch Heaven without a certain Trans-Am, or if Dirk Benedict would have REALLY been as interesting to watch on the A-Team if we'd never seen him battling Cylons.

Erin Gray. Spandex. Vampires.

See, it all makes sense.

'Buck Rogers' appeals on the intellectual level of an 11-year-old, and for most of us, that's saying something.

'Buck Rogers' fueled a lot of my early television viewing entertainment, folks. Watch it, and you'll see why.

Of course, it helps if you watch it from an 11-year-old point of view, but that's more than most of us can muster anyway, yes?

If you like "Battlestar Galactica", you will love this movie, at least if you can sit through the incredibly cheesy and silly title sequence. Based extraordinarily loosely on the classic early 1900's sci-fi novel, this is a story of an American astronaut frozen in crygenic sleep for a deep-space exploration mission in the late 20th Century who returns home and awakens in the post-nuclear 25th century. He finds an Earth ravaged by nuclear war (the scene in bombed-out Chicago is particularly amusing to me, as a life-long Chicago native, even if the sets look NOTHING like State Street)but with survivors carrying on in underground cities.

Earth is about to be atacked by the evil Draconians, led by a lovely but devious Princess. Sort of an S&M version of Princess Leia. Anyway, the Draconians pretend to offer Earth help defeating some "Space Pirates", but the Pirates are really Draconian fighters.

What follows are some classic space battle scenes, a lot of running around in dark spaceship corridors, and a classic love triangle between Buck Rogers, the Evil Princess, and a female fighter pilot from Earth. Buck Rogers manages to sabotage and destroy the Draconian fighters and saves the day, of course.

Along the way, we get some amusing dialogue, and some VERY 1970's sci-fi scenes, including Buck Rogers introducing Disco music to the future. The sight of his robot Sidekick, Twiky, dancing to Disco music well saying "Get Down!" still haunts me today.

However, the babes are hot, the battles exciting, the effects good (for 1970's TV), and the story easy to follow. I like it, and wish I could find a copy. I haven't seen it in years.