O Império da Paixão

In 1895, in a small village in Japan, the wife of the litter carrier Gisaburo (Takahiro Tamura), Seki (Kazuko Yoshiyuki), has an affair with a man twenty-six years younger, Toyiji (Tatsuya Fuji). Toyiji becomes jealous of Gisaburo and plots with Seki to kill him. They strangle Gisaburo and dump his body inside a well in the woods, and Seki tells the locals that Gisaburo moved to Tokyo to work. Three years later, the locals gossip about the fate of Gisaburo, and Seki is haunted by his ghost. The situation becomes unbearable to Seki and Toyiji when a police authority comes to the village to investigate the disappearance of Gisaburo.

"Ai no Borei" is a surreal and supernatural love story. The remorse and the guilty complex of Seki make her see the ghost of her murdered husband, spoiling the perfect plot of her lover. The cinematography is jeopardized by the quality of the VHS released in Brazil, but there are very beautiful scenes, inclusive "Ringu" and the American remake "The Ring" use the view of the well from inside in the same angle. The performances and direction are excellent making "Ai no Borei" a great movie. My vote is eight.

Title (Brazil): "O Império da Paixão" ("The Empire of Passion")

***SPOILERS*** ***SPOILERS*** First, let me state that I am a huge film buff, but unfortunately somewhat new to Japanese films. I also want to clarify something that seemed unclear in previous reviews I've read here. The English title "In the Realm of Passion" appears to be truly an exploitive maneuver (probably by the director or studio executive) to lure the viewer into thinking that this is somehow related to "In The Realm of the Senses". It has nothing in common except that it's set in feudal japan, the plot involves a scandalous affair, starring the same leading male actor, and it's directed by the same director. the story and characters are not directly related in any way. I expected tons of steamy sex scenes, possibly involving the "in the..senses" characters.This is not that kind of movie.That having been said, I still liked it, and found it to be very haunting and disturbing at times.

BIG-TIME SPOILERS AHEAD In a nutshell, the story involves a boring, ignorant, (but diligent) husband who who goes about his daily business of providing for his family, which includes 2 children and a wife-who happens to be having an affair with a much younger man. Together their foolish passions ignite a ridiculous plot to kill her husband, after she gets him drunk on saki. They dump his body in a well and try to live their life as though nothing had happen. It isn't long before the village starts to doubt the wife's story about her husband being "out of town". Shortly after his death, the slain husband appears as a desolate, confused ghost, which tortures the now going insane wife. Soon an inspector arrives and probes deeper into the lover's tangled web...SPOILER END Even though the story is somewhat of a cliché, I feel it hasn't really dated. I found the tale truly creepy, and to me gave me a unique window into life in feudal Japan. I felt the undertone of a silent thriller, that would lead up to jagged little moments of shock, and suspense. I was slightly annoyed by the lead actress's "whiny" nature but thought, overall, everyone pulled it off. An interesting movie, that quietly grabs you, and slowly pulls you in. This may sound bizarre, but I kept feeling the same creepiness of "the Ring" ("Ringu") The well scene, themes of the undead, the ominous forest were all themes in comon with that thriller. Check it out.

Seki and her lover Toyoji decide to devise a plan to get rid of Gisaburo, Seki's husband, in order to be together.

A good old Japanese horror classic from the late 70s, about betrayal and revenge.

Asian cinema is full of gems of this kind, a calculated, psychological terror and with the right dose of drama.

Here, the supernatural figure is an allegory to the feeling of guilt and remorse, which consumes and destroys the human kind.

The story isn't rich in content and doesn't have a complex plot, nothing really happens besides focusing on the two main characters and the criminal act they committed, but that is enough to make it interesting.

The cinematography is good, as well as the sets, which makes a tense and enveloping atmosphere and mood.

A nightmarish tale of guilt and retribution, mixing eroticism and horror, Nagisa Oshima's Empire of Passion marks the director's only true kaidan venture, one of immense passion and offbeat humour. It's a bizarre mix of genres but one Oshima handles well, making fantastic use of Yoshio Miyajima's photography and the compelling performances, taking a very simplistic story and structure and delivering it well. The film does tend to meander quite a lot, with long sections not benefitting the tone or atmosphere the rest of the film builds upon, but regardless, this is a rather savage and unrelenting experience even if the ghostly aspects of its story are relatively cheesy, detailing the emotional and physical downfall a murder has on the individual.

"Ai no Borei", masterfully crafted by renowned director Nagisa Ôshima, offers a unique blend of eroticism, horror, and drama. Released in 1978, this Japanese film captivates audiences with its surreal and ghostly narrative.

The film follows the tale of a forbidden affair between a younger man and an older woman, Seki, and their subsequent plot to murder her husband, Gisaburo. What follows is a steamy and guilt-ridden journey as the lovers are haunted by the ghost of the murdered man, their perfect plot unraveling amidst local gossip and a police investigation.

Ôshima's direction is a standout feature of this film. He masterfully weaves a complex web of emotions, where the characters' deepest passions and desires are laid bare. The cinematography, though hindered by the quality of some releases, boasts beautiful scenes that have inspired later films, such as "Ringu" and its American remake, "The Ring". The use of specific angles, such as the view of the well from inside, showcases Ôshima's attention to detail and visual storytelling.

The performances are equally impressive, with actors embodying the guilt, passion, and complexity of their characters. The surreal and supernatural elements add depth to the narrative, enhancing the emotional impact of the film.

"Ai no Borei" is a must-watch for fans of Ôshima's work and those seeking a unique blend of eroticism and the supernatural. The film's exploration of guilt and passion in the midst of a surreal love story will leave a lasting impression, showcasing Ôshima's distinct style and talent for pushing boundaries.