Conan, o Menino do Futuro

This was Miyazaki's first TV series he directed. It aired in Japan back in 1978 a year before his first film "Castle of Cagliostro".

It's about an alternate future when WW3 ended in 2008. After that most of the earth's continents are underwater. And forming small separate islands.

On one Island there's a young Boy who's no ordinary kid. Has super strengh and can hold his breathe for a long time. Lives alone with his Granfather on a lonely island where several people use to live on.

One day how ever when a girl appears on the shore of the island that's when Conan goes on his adventure to see the rest of the existing world he didn't know existed.

"Future Boy Conan" is a unique anime series. It showed how great Hayao Miyazaki was way before he got into movie making. A total of 26 episodes each one continues from the other. It's like watching a really long movie.

Has everything you'd expect from a Miyazaki made Anime. A Boy and Girl with mysterious powers or past, Anything that can fly, pigs, women with good role play, and hope for a brighter future.

This was known to be Miyazaki's earlier version of "Castle in the Sky" the 2 Main Characters look a lot like Pazu and Sheeta, and the main villain looks almost like Musca too. This anime had a lot of reused ideas he used for his later anime films too.

Sadly this anime has never been debuted into English before. Even if it did 20 years ago TV Cencorship of America would edit out the violence and certain drug use.

When will it be available in English, only time will tell. It's highly recommended to those who admire Miyazaki and anime. Conan deserves to be on the top 10 classic Animes of all time.

Those who want to see it, try Fansubs or internet search to see the series. It's worth watching.

I give it a 9/10 for a cool anime.

It is one of the few animation series that I remember being broadcasted here in Portugal when I was younger (1984). I didn't know who the author was, but I loved it. Best of all, in those days here in Portugal, they would show Japanese Animation with the original voices (Japanese) with Portuguese subtitles.

Now about the series: It has drama, it has action, and it has comedy, all packed in fantastic animation (for 1978). In one series we see all the themes Hayao Miyazaki would use in his films. And a lot of characters are prototypes of others he creates in his films. Fantastic!

How I wish I was a child seeing Conan, if not to enjoy without knowledge of Hayao Miyazaki, but to have been able to go to school and talk about it with all my friends. It would have been my favourite show. Instead I've made do watching older, it's excellent though.

To explain the plot, the world has been partially destroyed by man through use of nuclear weapons, tilting the world on its axis, thus sinking most of the land and destroying civilisation as we know it. 30 years later the few survivors are on living on a small island, Conan an 11 year old boy lives with his grandfather peacefully, until a girl washes up on the beach. It would be criminal to go much further since one of the best features of 'Conan' is its storytelling, and at 26 episodes it can take it's time.

Directed by Hayao Miyazaki with some help from Isao Takahata, Conan displays many of the traits of a Ghibli movie, best described and a cross between 'Laputa: Castle in the Sky' and 'Nausicaa of the Valley of the Wind', both in plot and design. It could be said that these films improved and expanded on the ideas in Conan which could be taken that Conan isn't worthwhile, but it's more like Conan is an opportunity to see 13hrs of Miyazaki doing what he does so well.

Personally it's very difficult to review Conan, I know I love it, but there's so much to write. The plot is pretty complex, its twists and turns are genuinely surprising. The characters are great, since it's early Miyazaki there's a lot of slapstick, much in the vein of Miyazaki's Lupin III movie, the art direction is certainly of lower quality than his later offerings, but it was his directorial debut. Conan is dated in terms of animation, but again like in Lupin the characters are simplified, thus allowing animation to go smoothly, plus the backgrounds are beautiful, the ideas flowing, the design of the main boat is cleverly an upside down boat adapted to sail, at least I think it is! Its a few years before Joe Hisaishi is working with Miyazaki, so the music is less grand, but sweet and catchy.

Conan is a fantastic, while dated is as good a show a child or adult could watch today, plus another excellent Miyazaki project for the converted. I really can't praise Conan enough!

Conan is a cult case in Portugal, at least for people who are now around their thirties. Having been broadcast in 1984, it garnered a lot of following and deservedly so (it has been put on sale on DVD the past year - 2004). The story, has most of the themes that populates Miyazaki's work: man as the entity that destroys nature, the conflict between nature and technology, elements that would be developed in features like "Castle in the Sky" or "Princess Mononoke". I've been a fan of Mr. Miyazaki's work for some time now, and that started with Conan (and I personally remember having the cards that were placed on sale at the time it was first shown) - this show was magical, funny and the main character represented a freedom that every kid longs or aims for. The animation nowadays is dominated by computers, but somehow this work is a true classic: you still look at it with awe and amazement, for all the uniqueness that made it so special when it first was shown is still all there. A must see!

I would say its the best "animated anything" of all time, but to avoid excessive hyperbole I reluctantly confine myself to "Japanese anime TV series". This is one of Hayao Miyazaki's earlier projects (by no means earliest), and yet it is his best. The colors are not as rich, the animation not as fluid as in his later works but its still his best. Its a 1970's anime made with 1970s techniques, yet you could not want it any other way. The character's drawing is simple by later standards, monotone faces, quite flat, but they are unforgettable and their visual "flatness" only emphasizes their depth of character. The scenery despite the limitations of technology is simply beautiful. All in all, what Miyazaki achieved with this series is the equivalent of replicating the Mona Lisa using nothing but crayons. I will say no more. Except that I pity that part of the world which never had the pleasure to watch it or even hear of it.