J.R. Ewing, um magnata do petróleo do Texas, usa manipulação e chantagem para atingir suas ambições comerciais e pessoais. Ele frequentemente entra em conflito com seu irmão Bobby, seu inimi... Ler tudoJ.R. Ewing, um magnata do petróleo do Texas, usa manipulação e chantagem para atingir suas ambições comerciais e pessoais. Ele frequentemente entra em conflito com seu irmão Bobby, seu inimigo Cliff Barnes e sua esposa sofredora Sue Ellen.J.R. Ewing, um magnata do petróleo do Texas, usa manipulação e chantagem para atingir suas ambições comerciais e pessoais. Ele frequentemente entra em conflito com seu irmão Bobby, seu inimigo Cliff Barnes e sua esposa sofredora Sue Ellen.
- Ganhou 4 Primetime Emmys
- 48 vitórias e 82 indicações no total
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"Dallas" created some HUGE TV moments ... J.R. Ewing's shooting, the "Dream Season" and Bobby returning in the shower ...
Beyond that, though, I especially loved the writing of "Dallas," particularly in the working of J.R.'s various schemes, both at the Ewing Oil offices and offsite. He was just-plain the master manipulator, and while I don't encourage anyone to aspire to this kind of mastery(!), it sure was FUN to watch him in action! Yikes! The way he executed those deals seemed to set the show apart from rivals like "Dynasty."
I enjoyed the way the show evolved in the later seasons. In the last two seasons, in particular, there seemed to be this sophisticated edge that avoided insulting the viewer (as sometimes the campiness of "Dynasty" could). While "Dynasty" was busy being flashy (and hey, I liked that, too -- I was a teen when it originally aired, after all), "Dallas" was playing the game just a bit cooler, calmer, a touch more complicated. Plus, Jeannie aside, Larry Hagman was BORN to do that role. Meow!
Beyond that, though, I especially loved the writing of "Dallas," particularly in the working of J.R.'s various schemes, both at the Ewing Oil offices and offsite. He was just-plain the master manipulator, and while I don't encourage anyone to aspire to this kind of mastery(!), it sure was FUN to watch him in action! Yikes! The way he executed those deals seemed to set the show apart from rivals like "Dynasty."
I enjoyed the way the show evolved in the later seasons. In the last two seasons, in particular, there seemed to be this sophisticated edge that avoided insulting the viewer (as sometimes the campiness of "Dynasty" could). While "Dynasty" was busy being flashy (and hey, I liked that, too -- I was a teen when it originally aired, after all), "Dallas" was playing the game just a bit cooler, calmer, a touch more complicated. Plus, Jeannie aside, Larry Hagman was BORN to do that role. Meow!
to see Dallas for an East European is always a strange experience. under the Communist regime, it was a fairy tale. under the democratic regime - a promise. but, always, in a strange way, more than fiction. because Larry Hagman creates a spectacular bad guy, splendid mixture between Shere Khan and Darth Vader. because it has the gift to be more than one of many soap opera from the same period but a phenomenon. because, its spectacular longevity transforms the viewer in part of story. sure, all is a fiction . but the dose of reality is right for discover the trace of series in every day life. it has the right story and the right actors. this is its success roots. and the seal for a period looking the perfect story for understand the reality escaping from it.
"Dallas" is without question one of the most compulsively enjoyable television programs of all time. I watched it when it was first telecast and still watch the reruns.
Along with "Dynasty", "Dallas" defined '80s excess, Republican values, big hair and everything else. But "Dallas" was also a smartly written program, unlike "Dynasty", which was basically a cartoon (albeit a fun one). The miracle of "Dallas" was how it managed to retain it's major characters for nearly a decade, keep strong storyline pumping for them, unlike most soap operas, which drop characters left and right. But "Dallas" had some of the strongest-written characters in television history: ambitious J.R., dependant Sue Ellen, good-guy Bobby, prim-and-proper Pam, envious Cliff, unassuming Ray, and so many others, whose memory I cherish--Miss Ellie, Donna, Katherine, Mickey Trotter, etc....
Additionally, with the "Who Shot J.R.?" cliffhanger in 1980, "Dallas" created a new marketing tool the television continues to use to this day to retain audiences. Not just soap operas use the season ending cliffhanger; it's been effectively used by such shows as "Friends" and "Will & Grace" recently.
"Dallas" was for many years the most watched program on TV, and continues to be watched by devoted fans, many of them discovering its greatness thru reruns. One episode, and you'll be hooked, too.
Along with "Dynasty", "Dallas" defined '80s excess, Republican values, big hair and everything else. But "Dallas" was also a smartly written program, unlike "Dynasty", which was basically a cartoon (albeit a fun one). The miracle of "Dallas" was how it managed to retain it's major characters for nearly a decade, keep strong storyline pumping for them, unlike most soap operas, which drop characters left and right. But "Dallas" had some of the strongest-written characters in television history: ambitious J.R., dependant Sue Ellen, good-guy Bobby, prim-and-proper Pam, envious Cliff, unassuming Ray, and so many others, whose memory I cherish--Miss Ellie, Donna, Katherine, Mickey Trotter, etc....
Additionally, with the "Who Shot J.R.?" cliffhanger in 1980, "Dallas" created a new marketing tool the television continues to use to this day to retain audiences. Not just soap operas use the season ending cliffhanger; it's been effectively used by such shows as "Friends" and "Will & Grace" recently.
"Dallas" was for many years the most watched program on TV, and continues to be watched by devoted fans, many of them discovering its greatness thru reruns. One episode, and you'll be hooked, too.
This show literally changed prime-time television for the better. The show centers around the lives, loves and scandals of the Ewings, a family of oil-rich barons who reside in-where else?-Dallas. When the
show started on CBS in the spring of 1978, the show centered around the "Romeo & Juliet" love story of Bobby Ewing (Patrick Duffy) and Pamela Barnes Ewing (Victoria Principal), the daughter of the Ewings' arch enemy Digger Barnes. Story lines, and ratings. changed for the better when DALLAS refocused on the devilish dealings of Bobby's oldest brother John Ross "JR" Ewing, Jr. (Larry Hagman. DALLAS reached the peak of its' popularity when JR was shot in the spring of 1980. For years, the show would remain at the top of the ratings until it started getting competition first from ABC's "Dynasty" and then NBC's "The Cosby Show". DALLAS' ratings was never the same after 1986 when Pam dreamed the entire 1985-1986 season. The show ran until 1991, when low ratings virtually killed it. It also spun off the longest-running prime-time soap ever, KNOTS LANDING.
show started on CBS in the spring of 1978, the show centered around the "Romeo & Juliet" love story of Bobby Ewing (Patrick Duffy) and Pamela Barnes Ewing (Victoria Principal), the daughter of the Ewings' arch enemy Digger Barnes. Story lines, and ratings. changed for the better when DALLAS refocused on the devilish dealings of Bobby's oldest brother John Ross "JR" Ewing, Jr. (Larry Hagman. DALLAS reached the peak of its' popularity when JR was shot in the spring of 1980. For years, the show would remain at the top of the ratings until it started getting competition first from ABC's "Dynasty" and then NBC's "The Cosby Show". DALLAS' ratings was never the same after 1986 when Pam dreamed the entire 1985-1986 season. The show ran until 1991, when low ratings virtually killed it. It also spun off the longest-running prime-time soap ever, KNOTS LANDING.
Dallas garners its own chapter in the history of television for several reasons. In its heyday this show was very popular! (The Who Shot JR episode remains one of the most watched programs of all time.) Dallas defined the 80's as the 'ME' generation, big hair and Republican values! JR Ewing takes his place as one of fictions most notorious villains. And the show itself conquered new territory. It was trashy television ... with bite!
The story centers around the Ewing family. Their lives center around oil and power (two things that mixed well in the 1980's). Their nemisis is the family Barnes, bitter rivals continuously looking for their fair share of an empire that they claim they helped to build.
The series opens up as Bobby Ewing brings home his new wife Pamela, first daughter to the Barnes family. The soap opera takes off and the sparks fly.
Over a 13 year run the show deals with all sorts of issues. Alcoholism (Sue Ellen is fabulous when she is sloppy!), infidelity, (JR sleeps with just about anyone with a skirt), drugs, impotence, politics, down syndrome, sibling rivalry, neurofibromatosis, breast cancer, divorce, child custody, homosexuality and physical abuse. And what's so great is that it deals with none of these topics well.
Dallas is not a show to be taken seriously, at least not on a cerebral level. If you want serious drama, watch Hill Street Blues. If you want something preachy, watch Facts of Life. Dallas is best watched with brain waves turned down to their lowest level, with a grain of salt and with an ear for catty drama!
Best storyline: Sue Ellen's drinking causes her to have the baby prematurely. No one knows for sure who the baby's real father is (Cliff or JR) - but Pam had better find out soon as she has just learned that she and Cliff are carrying a gene that could kill any children they intend to have. Complicated? Yes. But you gotta love it!
The story centers around the Ewing family. Their lives center around oil and power (two things that mixed well in the 1980's). Their nemisis is the family Barnes, bitter rivals continuously looking for their fair share of an empire that they claim they helped to build.
The series opens up as Bobby Ewing brings home his new wife Pamela, first daughter to the Barnes family. The soap opera takes off and the sparks fly.
Over a 13 year run the show deals with all sorts of issues. Alcoholism (Sue Ellen is fabulous when she is sloppy!), infidelity, (JR sleeps with just about anyone with a skirt), drugs, impotence, politics, down syndrome, sibling rivalry, neurofibromatosis, breast cancer, divorce, child custody, homosexuality and physical abuse. And what's so great is that it deals with none of these topics well.
Dallas is not a show to be taken seriously, at least not on a cerebral level. If you want serious drama, watch Hill Street Blues. If you want something preachy, watch Facts of Life. Dallas is best watched with brain waves turned down to their lowest level, with a grain of salt and with an ear for catty drama!
Best storyline: Sue Ellen's drinking causes her to have the baby prematurely. No one knows for sure who the baby's real father is (Cliff or JR) - but Pam had better find out soon as she has just learned that she and Cliff are carrying a gene that could kill any children they intend to have. Complicated? Yes. But you gotta love it!
Você sabia?
- CuriosidadesOriginally, the show was intended as a starring vehicle for Victoria Principal, due to the fact that Pam would act as a buffer between the Ewings and the Barneses. J.R. was intended to be more of a supporting character. However, the producers were so impressed by Larry Hagman's portrayal of the immoral J.R., that he soon became the show's main character. Victoria stayed the hero though, and pretty soon it become angel Pam vs. Devil JR.
- Erros de gravaçãoThe size and layout of Southfork Ranch cannot possibly hold the number of bedrooms the series suggests it has. When the show first starts, four bedrooms would be needed (one for Miss Ellie and Jock, one for JR and Sue Ellen, one for Bobby and Pam, and one for Lucy). The following year, a nursery is added along with a guest room for John Ross's live-in nurse, totalling six. In later years, Sue Ellen has her own room for a while, and during episodes of the 1984-85 season, there would need to be at least eight bedrooms to accommodate the family and various guests. Additionally, many of the bedrooms have their own bathrooms and walk-in dressing rooms, which cannot possibly match up with the exterior of the house.
- Cenas durante ou pós-créditosThe actors are supposed to be billed "in alphabetical order." Barbara Bel Geddes is billed as if she's a 'B' while Priscilla Beaulieu Presley as a 'P'.
- Versões alternativasThree episodes that aired as two-hour episodes "The Family Ewing" (Season 9), "Return to Camelot" (Season 10), and Conundrum (Season 14), are edited into two separate episodes for syndication.
- ConexõesFeatured in The 31st Annual Primetime Emmy Awards (1979)
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Oil
- Locações de filme
- Calder House - 4800 Park Lane, Dallas, Texas, EUA(interiors: southfork Ranch in season 1)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
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